‘The Holdovers’ Review: Alexander Payne And Paul Giamatti Make Movie Magic Again In Wry And Funny Comedy About Finding Family – Telluride Film Festival

Tom Sandoval just competed in Special Forces: World’s Toughest Test, said to be the ultimate test of physical, mental, and emotional resilience, but it’s hard to tell if he’s changed. The Vanderpump Rules star, who had a months-long affair with his ex-girlfriend, Ariana Madix’s best friend, Rachel Leviss, who went by Raquel, had some choice words for his ex-mistress, who recently blocked him on Instagram.While Sandoval and Leviss defended their love on the reunion, sources confirmed with ET that they broke up in the wake of the cheating scandal.

the atomic bomb, a revisionist doll and CGI Harrison Ford have gobbled up our attention, for better or worse, but not because any of those varied titles have much heart.Then there’s the “The Holdovers,” directed by Alexander Payne, which is set during frigid Christmastime at a Northeast boarding school that’s nearly empty of students. The lovable dramedy, which just screened at the Toronto International Film Festival, is blanketed in snow and ice — and it’s the warmest cinematic experience you’ll have all year. Running time: 133 minutes.

EXCLUSIVE: Eureka Productions, the company behind ABC’s Holey Moley and Netflix’s The Mole, and John De Mol’s Talpa recently landed a U.S. version of Dutch format The Floor with Fox.

Jaden Thompson Four-time Oscar nominee and indie darling Saoirse Ronan revealed in a recent Harper’s Bazaar UK interview that she’s keen to star in a comedy soon, referencing Paul Feig’s “Bridesmaids” and the Larry David-created sitcoms “Seinfeld” and “Curb Your Enthusiasm” as her favorite comedic projects. “I would love to do something modern and funny,” Ronan said.

There’s no doubt that, at this very moment, scores of documentary filmmakers, both those new to the game and more wizened veterans of the genre, are kicking around ideas for their next great project, one that will hopefully capture the minds of audiences, open eyes to a subject previously untouched and/or inspire society into making some sort of cultural change. It can be difficult to find that balance, as is the case with any narrative feature.

A woman who thought she was suffering from a 'bad cold' has said how she ended up in intensive care with conditions that were so severe she had to learn how to walk again. Suzanne Graham, 45 was experiencing what she thought was a normal cold in the busy run-up to Christmas.

Sophia Scorziello editor Virginia’s Middleburg Film Festival, now in its 11th year, is set to open this October with Netflix’s Bayard Rustin biopic “Rustin” starring Colman Domingo. Director George C.

Rasmus Hojlund has confirmed a number of clubs were interested in signing him this summer but says his eyes were only set on Manchester United.

Thanks to science fiction, we all have a basic grip on the theory of the multiverse: the idea that there are innumerable parallel worlds in which the chances and choices of the past – the roads not taken, whether by ourselves or the dinosaurs – have split off into alternative stories, endlessly bifurcating into other pasts, other futures that must be peopled, most provocatively, with other versions of ourselves. It is an idea that has proved rich pickings for comic-book adventures, where peril can come from any available universe and there is always a chance of confronting a doppelganger, but German director Timm Kröger has returned to the theory – which dates back to the 1950s – to explore how mysterious, sinister and terrifyingly vast a proposal it really is. This is a theory of everything where everything – that familiar word – is infinite. Where nothing, in fact, is ever going to be “everything.”

Jessica Kiang Imagine that one of Hitchcock’s villains — say, the guy missing the tip of a pinkie in “The 39 Steps,” or the shrink who runs the institute in “Spellbound” — did not simply come from a place of murderous intent but from a different place altogether, perhaps another dimension. Imagine that villain’s supranatural malfeasance backdropped by jagged mountains, captured in black-and-white so crisp it could cut, and widescreen frames so wide whole Alpine ranges fit comfortably inside them. And imagine it all unfolding to a deliberately overpowering score, like Bernard Herrman and Scott Walker conceived a baby during a sonic boom.

It’s hard to believe that it’s now over 60 years since Roman Polanski teamed up with Jerzy Skolimowski for the landmark 1962 Polish thriller Knife in the Water. But it’s even harder to believe that these two giants of international cinema reunited more recently to pool their braincells and come up with the most terrible, joyless farce since the heyday of the ’70s British sex comedy. Forget for a moment, if you can, the furor surrounding Polanski’s controversial status as a fugitive from justice and concentrate instead on the fact that the Venice Film Festival, in its infinite wisdom, went ahead and booked this entirely dreadful offering anyway, deeming it somehow worthy of a prestigious Out of Competition slot.

TELLURIDE – Considering the success and adoration of the “Sideways,” it’s sort of surprising it took Alexander Payne and Paul Giamatti this long to find another film to make together. Almost 20 years later, the director and actor have reteamed for “The Holdovers,” which debuted at this year’s Telluride Film Festival.

Tom Sandoval got a rude welcome to San Francisco when he unwittingly found himself in the middle of a bizarre altercation at a cast event.

Clayton Davis Senior Awards Editor Two-time Oscar winner Alexander Payne returns to the big screen with his entertaining and crowd-pleasing film “The Holdovers” which debuted at the Telluride Film Festival on Thursday night, where he was in-person to introduce. With a 1970s aesthetic, a sharp script by David Hemingson, and a trio of exquisite performers, the film feels like the slam-dunk Oscar contender the establishment members of the Academy can get behind. “The Holdovers” reunites Payne with his “Sideways” star Paul Giamatti.

Peter Debruge Chief Film Critic We’ve all seen our share of stories about inspirational teachers. “The Holdovers” is dedicated to the opposite sort: a hard-ass named Paul Hunham whom everyone hates. The feeling is mutual, as Mr.

The Telluride Film Festival, a key part of the fall festival circuit launching awards season and perhaps some major Academy Award contenders, announced the wide-ranging lineup of films for its landmark 50th edition. The fest kicks off Thursday and runs through Labor Day and will feature world premieres of Oscar winners Alexander Payne’s The Holdovers (Focus Features), Emerald Fennell’s Saltburn (Amazon) and Free Solo filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin’s narrative feature Nyad (Netflix).

The 2023 Telluride Film Festival will celebrate its 50th Anniversary with an extra day of screenings and an impressive 20 world premieres. Notable films making their debuts in the mountains include Emerald Fennell’s “Promising Young Woman” follow-up, “Saltburn”; Andrew Haigh’s “All of Us Strangers” with Andrew Scott, Paul Mescal, Claire Foy and Jamie Bell; Jeff Nichols’ “The Bikeriders” starring Austin Butler, Jodie Comer and Tom Hardy; and Ethan Hawke‘s latest directorial effort, “Wildcat,” co-starring Telluride resident Laura Linney.

Clayton Davis Senior Awards Editor The 50th Telluride Film Festival official lineup has been announced, revealing multiple world premieres including Emerald Fennell’s “Saltburn,” George C. Wolfe’s “Rustin,” Jeff Nichols’ “The Bikeriders” and Alexander Payne’s “The Holdovers.” In addition, the festival will pay tribute to Oscar-nominated director Yorgos Lanthimos, whose film “Poor Things” will debut Stateside after premiering at the Venice Film Festival.

Rachel Leviss, formerly Raquel, is addressing to the criticism following her interview with Bethenny Frankel.

Jaden Thompson Hollywood stars have taken to social media to pay tribute to the late Bob Barker, who recently died at the age of 99. Barker is known as the longtime host of the game show “The Price Is Right.” Adam Sandler posted a photo of himself alongside Barker on Instagram, writing, “The man. The myth.