‘The Bones’ Review: It’s Paleontologists vs. Profit in Entertaining Look at the Fossil Trade

Jack Dunn “Hire different.” That was the challenge posed to the entertainment industry by Judi Uttal, president of the Orange County Aspergers Support Group, at the inaugural Autism in Entertainment Conference on Friday morning. As head chair, she welcomed in a colorful audience of over 100 skilled neurodivergent filmmakers, ready and willing to take their shot at show business. “You are the cream of the crop,” Uttal stated in her opening remarks.

Dennis Harvey Film Critic “Some secrets are meant to stay buried” says the ad line for “Strictly Confidential.” But you’d need a sizable underground bunker to contain all the effortfully shocking revelations sprung in this very silly sudser, which starts out looking like an erotic thriller-mystery, then descends into a series of flashback-laden explication monologues more apt for “Dynasty” than Agatha Christie. Damian Hurley’s directorial feature, with famous mum Elizabeth top-billed and producing, provides several hardbodied younger performers opportunity to model clothes and approximate recognizable human emotions on the coastline of tax haven island nation Saint Kitts and Nevis.

I am not sure the world asked for yet another take on 20th Century Fox’s Omen franchise, the constantly regurgitated series with Damien (who made the numbers 666 iconic) and company. Since the 1976 original, when Damien first appeared in the movie with Gregory Peck and Lee Remick, we have had Damien: Omen II, The Final Conflict, Omen IV: The Awakening (in which a girl becomes the antichrist for the first time), the 2006 remake The Omen, and even a 2016 Damien TV series. Of course, like all these horror franchises, it is inevitable someone would come up with the idea for an origin story, and that is what we now have with The First Omen, which is, of course, not the first, just the latest. But, set in 1971, it does attempt to take us right to the doorstep of the actual first,the Richard Donner-directed 1976 starter.

, however, chose to embody a very specific, very iconic New York stereotype while house-hunting with Ben Affleck over the weekend: The Boss.On Saturday, March 30, Lopez wore all the hallmarks of aN HBIC: a no-nonsense slicked-back bun, an with shoulder pads that would make even a linebacker cower, impractical— though nonetheless impressive—heels, and impenetrable sunglasses. And let's not forget the most important accessory: a designer handbag (the Hermès Kelly bag in black crocodile) that cost more than an entire year's worth of my rent.The rest of her look is really inconsequential by comparison—she could've been wearing a sweatsuit underneath that black coat, and the effect would've been the same. For this particular outing, though, J.Lo wore a cropped camel turtleneck sweater and wide-leg jeans with a destroyed hem.

When the Manchester United squad reported to Carrington on Sunday, August 14, 2022, on another baking hot summer's day, they were expecting the usual post-match recovery day. Those players who had featured the previous day would generally be working inside, while the squad members who didn't feature would do a demanding session aimed at getting the intensity of a match into their legs. But on this day, it would be different.

There is a twist with the latest offering from the now-decade-old Monsterverse, a franchise that has featured Kong and Godzilla in their own movies and then in 2021’s Godzilla vs. Kong battling each other to the death. (These monsters never really die. But you knew that). The twist this time is there an even greater threat for these iconic giant creatures to each other and the world, so instead of being on opposite sides of the ring, they team up against an evil new villain, a batshit-crazy ape on steroids named Skar King, in order to save not just Hollow Earth — where most of the action takes place in a dense rainforest — but just about everyone else.

Aramide Tinubu There has been no shortage of television series centering the horrors of the Holocaust. Last year alone, Netflix’s “Transatlantic” depicted a group of resistors living in Marseille, and National Geographic’s “A Small Light” offered a retelling of Anne Frank’s experience through the eyes of Miep Gies, the woman who aided the Franks during their years in hiding. Though both of these series and those like them are important, Hulu‘s “We Were the Lucky Ones,” an adaptation of Georgia Hunter’s best-selling novel based on a true story, showcases something different.

Chris Willman Senior Music Writer and Chief Music Critic Does “Guess Who’s Coming to Dinner” count as a genre unto itself, given how many plotlines in the last half-century have relied on the suitor-out-of-water supper guest as a linchpin? That trope seemed to have reached its furthest, most subversive extreme with “Get Out,” but there are still writers who are drawn to the trope of the unwelcome boyfriend without actually extending that nervous suppertime trope into, like, horror. In the play “One of the Good Ones,” which is having its world premiere at the Pasadena Playhouse, playwright Gloria Calderón Kellett (who co-created Netflix’s “One Day at a Time” reboot) treats the basic structure of the 1967 Hepburn-Tracy-Poitier film as if it’s still as sturdy as ever.

When is a collection of dreamy, romantic, forlorn, and crestfallen moods just that and not actually much of a movie other than a series of sequences that sum up those big melancholy feelings with achingly dreamy music? Oooh, ooh! “The Greatest Hits,” filmmaker Ned Benson’s latest feature-length effort, would like to field this one. Built one too many many groan-worthy romantic clichés like the relationship breakup phrase, “it’s time to move on,” taken to an implausibly silly genre and literal level, Benson uses a flimsy neurological time travel conceit to tentatively move forward and heal his hopelessly heartbroken protagonist’s heart.

Guy Lodge Film Critic An assortment of familiar life-as-sport metaphors get a healthy workout in “The Beautiful Game,” a story of underdog athletes for whom winning may not be everything, though it’s a welcome distraction from greater obstacles. For many viewers, Thea Sharrock‘s cheery Netflix entertainment may serve as an introduction to the real-life event on which it’s based: the Homeless World Cup, an annual soccer tournament bringing together displaced or dispossessed players from nearly 50 countries, playing not merely for a trophy but for a second shot at life.

The Sims” is in the works! LuckyChap principals Margot Robbie, Josey McNamara and Tom Ackerley will produce alongside Roy Lee for Vertigo Entertainment. Kate Herron, who helmed “Loki,” is set to direct the movie and co-write with Briony Redman. The writing duo most recently collaborated on the script for a “Doctor Who” episode.

Just eight minutes walk from South Kensington station, and quite literally around the corner from the V&A, sits The Franklin. Upon first impressions, the grand townhouse looks just like one of the other red-brick homes on Egerton Gardens. However, behind the large dark front door, is a stunning hotel that makes you feel like you're stepping into a home away from home.

Peter Debruge Chief Film Critic Music has an almost magical way of transporting us back to the moment in our lives when we heard it: the pop song that underscored your first kiss, the one that played at your graduation and so on. In mopey, dopey YA weepie “The Greatest Hits,” writer-director Ned Benson takes that idea as literally as possible, treating specific tunes as triggers that launch Harriet (Lucy Boynton) back into her past, blowing her away — like that seated guy in the classic Maxell campaign — into the tragic former relationship with hunky Max (square-jawed future Superman, David Corenswet), who died in a car crash.

To say The Notebook had a devoted, built-in audience before it sang so much as a note on Broadway would be an understatement this romantic tear-jerker never attempts.

EXCLUSIVE: Actress Kat Graham (The Vampire Diaries) has signed with Untitled Entertainment for management, with partner Evan Hainey to run point on her behalf.

Ned Benson‘s The Greatest Hits is a poignant exploration of grief, memory and the transformative power of music, marking his foray into magical realism. At its core, this film, brought to life by a vibrant cast including Lucy Boynton, David Corenswet, Retta, Justin H. Min and Austin Crute that delves deep into the psychological intricacies of mourning and the painstaking journey toward healing and acceptance.

Sometimes, it feels like Hollywood took the wrong lessons from the “John Wick” franchise. While many producers have tried to recreate lighting in a bottle by focusing on the aesthetics of the trade—suits and neon lighting everywhere on screen—the real lesson is the celebration of the practical and a renewed reverence for the stunt professionals who make those sequences happen on screen.

Chris Willman Senior Music Writer and Chief Music Critic The Black Keys named one of their most popular albums “Brothers,” which seems on the face of it to be a positive statement of purpose and, obviously, fraternalism between the rock duo’s two members, Dan Auerbach and Patrick Carney. But the question remains: what kind of brothers? Like, Oasis’ battling Gallaghers, or some gentler brand of bros? It’s a question fans will think about after seeing “This Is a Film About the Black Keys,” an engaging music documentary that trains a spotlight on some lesser-known, historical tensions between the two as well as what binds them.

From the basement of dingy jam sessions in Akron, Ohio, to arena rock success, a multiplatinum career, and multiple Grammy wins, “This is a Film About The Black Keys” tracks the unlikely rise of one of rock’s biggest duos. Directed by Jeff Dupre (“Soundtracks: Songs That Defined History,” “Marina Abramovic: The Artist Is Present”), the largely conventional rock doc doesn’t break the mold but engages, nonetheless, telling a captivating story of brotherhood, slow-grinding perseverance, weathering many personal storms, and the heavy tolls that success enacts.

Will Hollywood experience another actors strike in the coming months?