Tensions Rise as Hungary Heats Up

EXCLUSIVE: Gebeka International has boarded sales on Hungarian director Áron Gauder’s drama Four Souls Of Coyote ahead of its world premiere in Competition at the Annecy International Animation Film Festival (June 11-17).

Bring Me The Horizon have teamed up with rapper Lil Uzi Vert and Daryl Palumbo of Glassjaw for new single ‘AmEN!’.‘AmEN!’ is a powerhouse track featuring BMTH frontman Oli Sykes‘ signature howling growl and a perfect flowing rap verse from Uzi himself. The song also tackles the theme of extra-religious hypocrisy with the opening verse reading: “I hope you have fun/ Rotting in hell!/ Swim the witch/ Slay the infidel!/ Suck a dick heretic!/ I hate you! & I’d like to see you/ Burn, burn, burn!”The new single debuted last night (June 1) at the band’s show in Budapest.

K.J. Yossman AMC Networks Central Europe (AMCNI CNE) and Oble Studios are set to co-produce a new revenge period drama set in Hungary titled “Fata Morgana.” Set in Hungary in the early twentieth century, “Fata Morgana” is based on a legend – believed to be a true story – about an anti-heroine who disguises herself as a man in order to go on a killing spree avenging oppressed women. The show – which has undertones of “Killing Eve” – centers around Victoria, who is frustrated with the physical abuse she witnesses perpetually inflicted on women by men. Vowing to get revenge, she takes on the identity of vigilante “Piperman” – blurring the lines between a feminist superhero and contemptable murderer.

EXCLUSIVE: ITV Studios has struck its 17th I’m a Celebrity… Get Me Out of Here! territory sale and is heading out on a renewed U.S. pitching drive.

Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has clocked a series of international deals for The Match Factory.

Leo Barraclough International Features Editor Wim Wenders’ “Perfect Days,” which won the best actor award for Koji Yakusho at the Cannes Film Festival, has sold out worldwide. The Match Factory is handling international sales. As previously announced, North American rights went to Neon and France went to Haut et Court. Further sales included U.K./Ireland/Latin America/Turkey (MUBI), Australia/New Zealand (Madman), Benelux (Paradiso), China (DDDream), Italy (Lucky Red), Spain (A Contracorriente), Switzerland (DCM), Baltics (A-One Baltics), Bulgaria (Art Fest), CIS (A-One), Czech Republic and Slovakia (Aerofilms), Former Yugoslavia (MCF), Greece (Feelgood Entertainment), Hong Kong (Edko Films), Hungary (Cirko), Israel (Lev Cinemas), Poland (Gutek), Portugal (Alambique), Romania (Bad Unicorn), Scandinavia (Future Film) and Taiwan (Applause).

Nick Vivarelli International Correspondent Eight months after Italy took a sharp turn to the right, the government headed by Prime Minister Giorgia Meloni – whose Brothers of Italy party has neo-fascist roots – is wreaking havoc at state broadcaster RAI, prompting the abrupt exit of several executives and TV personalities and causing alarm within the country’s film and TV sectors. At RAI, where politics have always held sway, managing director Carlo Fuortes resigned earlier this month saying he was unwilling to “agree to changes” in the broadcaster’s content and programming “that I do not consider to be in RAI’s best interests,” he underlined. Fuortes has now been replaced by Roberto Sergio, a veteran RAI executive who is considered basically bi-partisan. The pubcaster’s new general director, instead, is former RAI board member Giampaolo Rossi, who is backed by Meloni’s Brothers of Italy and is known for his controversial tweets and support of Vladimir Putin, Donald Trump and far-right Hungarian Prime Minister Viktor Orbán.

Leo Barraclough International Features Editor Family animated movie “Pirate Mo and the Legend of the Red Ruby” proved to be a smash hit with international distributors during the Cannes Film Market, with sales agency The Playmaker Munich delivering the film to multiple buyers. During the market, The Playmaker announced first presales to Benelux (Just4Kids), Turkey (Filmarti), Baltics (GPI), Greece (Rosebud) and Bulgaria (Pro Films). The company has now revealed further sales to Poland (M2 Films), Scandinavia (Njuta Films), Hungary and Romania (ADS), Portugal (Outsider Pictures), and Yugoslavia (Blitz Film).

Room 999, one of the films premiering in the Cannes Classics section of the Cannes Film Festival, poses the question of whether cinema is dying, a casualty of the digital age, streaming platforms and other factors. 

The director behind Ray Stevenson’s final film has written a heartfelt farewell letter to the star, who passed away unexpectedly earlier this week. Scroll down to read in full.

EXCLUSIVE: Oscar-winner Mira Sorvino (Shining Vale, American Crime Story: Impeachment) and Geza Rohrig (Son of Saul) have joined the spy thriller Fog of War from Yale Entertainment.

Marta Balaga Denmark’s “Norwegian Offspring,” by Marlene Emilie Lyngstad, from Den Danske Filmskole, was chosen as the winner of the 26th edition of La Cinef. In the story, a mother passes away and her estranged son – obsessed with theories about the repression of male sexuality in modern society – starts longing for offspring of his own. “The jury was captivated by this bold filmmaker,” said Ildikó Enyedi, who presided over the jury. “It made us laugh and cringe at the same time.”

Nanni Moretti returns to the film-within-a-film format with a fitfully funny new comedy that, this time, offers two films-within-a-film (plus a surreal dream sequence). It is, frankly, a relief after 2021’s terrible, soapy melodrama Three Floors, and, at a crisp 96 minutes, so much easier to swallow. In some ways a companion piece to 2015’s Mia Madre, it finds the director putting all his neuroses back on show, pontificating on everything from movie violence to streaming platforms and why wearing slippers onscreen is a fashion no-no that can only be pulled off by Aretha Franklin in The Blues Brothers.

Italian filmmaker Nanni Moretti made it clear why he was making fun of Netflix in his latest Cannes film entry, A Brighter Tomorrow.

EXCLUSIVE: Marcus / Glass Productions format Let’s Make a Deal is headed to Greece. Commercial network Alpha TV has ordered a local version of the gameshow through a deal with international distributor Can’t Stop Media.

Three Floors” opened with a high-profile belly flop, festival-stalwart Nanni Moretti returns to Cannes with “A Brighter Tomorrow,” a comeback of sorts that also airs a list of grievances and could serve – should need arise – as a closing statement.Not that it likely will. Funny and endearing in some places, and typically grumpy and old-fashioned in others, “A Brighter Tomorrow” should, at very least, keep Moretti far from director’s jail for years to come.

CANNES (Reuters) - Renowned Italian director Nanni Moretti both directs and stars in "A Brighter Tomorrow," which premiered worldwide on Wednesday and is his ninth film to compete for the Cannes Film Festival's top prize. So far he has come home with the Palme d'Or only once - more than 20 years ago, with "The Son's Room" in 2001.

Naman Ramachandran Classic cult film streamer Cultpix has struck a deal with Polish cultural institution WFDiF – Documentary and Feature Film Studios (Wytwórnia Filmów Dokumentalnych i Fabularnych) for a season of Polish erotic cinema classics from the 1980s and early 1990s. Titles featured in the season include Krzysztof Nowak’s “What Do the Tigers Like: (1989); Andrzej Barański’s “Bachelor Life in a Foreign Country” (1992); Roman Załuski’s “Och Carol” (1985); Ryszard Ber’s “Thais” (1983); Marek Koterski’s “Porn” (1990); and Jacek Bromski’s The Art of Loving (1989). The deal was revealed at the ongoing Cannes film market, where Cultpix expanded deals with previously signed film libraries – Germany’s The Playmaker Munich, as well as Echelon Studios and Vinegar Syndrome from the U.S. – for over 250 titles to be released later in 2023 and in early 2024.

A rising number of desperate human traffic victims have been discovered in the region.

Leo Barraclough International Features Editor Paris-based company Indie Sales has closed further sales on “Richard the Stork 2,” and expects to sell the last remaining territories during the Cannes Film Market. The film, also known as “Richard the Stork and the Mystery of the Great Jewel,” is a follow up to “Richard the Stork” (released in North America as “A Stork’s Journey”), which was widely distributed in 155 countries and grossed more than $20 million worldwide. Indie Sales, which sold Oscar nominee “My Life as a Zucchini” to more than 80 territories, is increasingly focusing on acquiring big budget animation.