‘A Brighter Tomorrow’ Review: Nanni Moretti’s Fitfully Funny Portrait Of a Fuddy-Duddy Film-Maker – Cannes Film Festival

A casual queen!

An accidental fashion statement! Jennifer Lawrence revealed why she broke the dress code and wore flip-flops to the 76th Cannes Film Festival.

wearing flip-flops on the red carpet at the Cannes Film Festival last month, Jennifer Lawrence is setting the record straight about the fashion statement that had the internet abuzz.«Ok, thank you for bringing this up. I would really like to straighten this out,» Lawrence told ET's Nischelle Turner while promoting her new film,  alongside co-star, Andrew Barth Feldman.

Elsa Keslassy International Correspondent The Cannes Film Festival has unveiled the dates of its 77th edition which will take place May 14-25, 2024. This year’s festival wrapped May 27 with Justine Triet’s “Anatomy of a Fall” winning the Palme d’Or, Jonathan Glazer’s “A Zone of Interest” take home the Grand Prize, and Aki Kaurismäki’s “Fallen Leaves” nabbing the Jury Prize. The jury of the 76th edition was presided over by Ruben Ostlund, the two-time Palme d’Or winning director of “The Square” and “Triangle of Sadness.” The first post-pandemic edition, 2023 was marked by an overall well-received Official Selection lineup and a strong presence of American talent and studios. Some of the anticipated films spotlighted at the festival included Martin Scorsese’s “Killers of the Flower Moon”, Todd Haynes’ “May December” and Wes Anderson‘s “Asteroid City,” as well as Disney’s “Indiana Jones and the Dial of Destiny,” Pedro Almodóvar’s short film “Strange Way of Life” and Pixar’s “Elemental.”

Jane Fonda took matters into her own hands over the weekend at the 2023 Cannes Film Festival. The 85-year-old veteran actress introduced the Palme d'Or Award to French director Justine Triet.Fonda introduced the historic moment, noting that seven female directors were nominated for the prestigious award for the first time and applauding the festival for its progress.She then gave Triet the award for her film.

Whether it’s the flat white lighting and washed-out color grading that gives The Delinquents the look of a ‘70s TV serial, or the fact that much of it is set in a mountain swimming beach where people claim to see apparitions, there is an undercurrent of genuine oddity running beneath this long, complex film. Screening at Cannes in the Un Certain Regard section for innovative or personal cinema, Rodrigo Moreno’s story begins with a bank robbery. The very ease with which this crime is committed is odd in itself: Moran (Daniel Elias) simply walks into the bank vault, puts a pile of American dollars in his gym bag and goes home. Not what you expect in a heist film, but here is the point. Over the next three hours, Moreno will deconstruct the genre with the calm focus of a safecracker taking apart a lock.

What has fallen flat at Pixar? This is the innovative animation studio that pushed all before it in the first decade of this millennium, that invented a way of turning the plastic finish of digital animation to its advantage in the towering Toy Story, that was prepared to start a film with a 20-minute scene with no dialogue in Wall-E – and revealed that kids didn’t care – and that would make an adventure film with a hero aged 78 years young in UP!. Kids didn’t care about that either, as it turned out, because Carl Fredricksen was a grumpy-gramps adventurer who also didn’t care what others thought of him. Pixar always had something new up its collective artistic sleeve. And yet here they are, coming out with a film as dull-witted and syrupy as Elemental. 

At least once, I can say the winners of the 2023 Cannes Film Festival competition are actually the right ones. Maybe not exactly in the order I would have put them, but still, out of the 21 movies competing, it is hard to argue about almost all of the choices made by the Ruben Ostlund-led jury that, among others, included Americans Brie Larson and Paul Dano. I said almost.

CANNES – The 2023 Cannes Film Festival has come to an end and that means the Palme d’Or winner has finally been revealed. Presented by jury president Ruben Östlund and special guest Jane Fonda, the honor went to Justine Triet’s “Anatomy of a Fall.” Recently acquired by NEON, it becomes the independent distributors third Palme winner over the past four years after “Titane” and Best Picture winner, “Parasite.” READ MORE: “The Zone of Interest” Review: Jonathan Glazer’s often brilliant examination of human complicity [Cannes] Tried becomes just the second woman in the 76-year history of the festival to win the Palme after “The Piano’s” Jane Campion and “Titane’s” Julia Ducournau.

Variety‘s critics pick the most notable dozen. Distributor: Neon One of seven women filmmakers in competition, Justine Triet has taken a familiar genre (the court- room drama) and turned it on its head. A frustrated writer dies of suspicious causes, leaving behind clues that implicate his wife (Sandra Hüller).

What could well be Ken Loach’s final film has as much fire and fury as his debut Poor Cow did in 1967, if we discount his pioneering TV work in the run-up. The visual style hasn’t changed a great deal in the years since, but that’s because the British movie veteran, soon to turn 87, isn’t much fussed about surfaces, it’s the inner lives of his characters that he wants to capture. In that respect, The Old Oak would make a fitting swansong, capping the recent North-East trilogy with a vital film that is clearly the work of the team behind previous Cannes Competition hits I, Daniel Blake and Sorry We Missed You.

A Chimera is something one tries to achieve but alas, never manages to find. It is the heart and soul of a quest in life, in different ways, for the cast of characters in writer/director Alice Rohrwacher’s beautiful new film La Chimera premiering today as one of the last entries in competition at the 2023 Cannes Film Festival. It also happens to be one of the best.

Uday Shetty is an angry man, consumed by his desire to kill the man who killed his son. Actually, Shetty has an appetite for killing in general that shocks even his fellow police officers, whose own methods are unnervingly direct. They all appreciate the efficiency of simply tipping criminals, or those who fail to pay protection money, into the river – it saves time – but only Uday Shetty rhapsodizes about the wonderful moment when you see a victim die and the light in his eyes turns off, as if you had flicked a switch. Only Uday Shetty goes to shake down an uncooperatively honest politician and ends up massacring his entire family. “No witnesses!” Shetty says abruptly, when the chief accuses him of being a monster. No witnesses indeed.

Heidi Klum inadvertently became part of the "free the nipple" movement, when her titillating gown couldn't hold her together. The 49-year-old judge attended the  premiere Wednesday at the 76th annual Cannes Film Festival and, while walking the red carpet at Palais des Festivals, all eyes were on Klum, who looked stunning in an aurora yellow Zuhair Murad gown with a hip-high leg slit, crossed neckline and bejeweled sleeves.With her trademark blonde locks flowing, Klum smiled as she raised her arms, and therein lay the problem — when she raised her arms to extend her long cape she suffered a bit of a wardrobe malfunction with a nip slip. Not that she's ever been shy about nudity.Back in February, Klum and her husband, Tom Kaulitz, appeared to have stripped down to their birthday suit to celebrate their four-year wedding anniversary.«Love of my life ❤️,» Klum wrote in her celebratory post.A post shared by Heidi Klum (@heidiklum)The model's dedication to her husband led with a video of her and Kaulitz sharing a kiss in bed.

Still breaking boundaries at the age of 74, French filmmaker Catherine Breillat returns to the Cannes competition with a film that squarely confronts the one taboo that is still ring-fenced from liberal tolerance: sex between adults and children. In the past, she has worked with porn stars, was one of the first to show an erection in an arthouse film and earned herself the moniker “porno auteuriste.” 

The dignity of labor is explored with gentle humor and a very melancholy sense of joie de vivre in Wim Wenders’ second 2023 Cannes entry after his 3D documentary Anselm. Shot entirely in Japan, with very little English spoken, Perfect Days is an unusual film from a westerner since it does nothing to “other” a country that is often romanticized as a series of specific cultural signifiers (as in the well-meaning Lost in Translation, for example). It’s a compliment to say that Jim Jarmusch could have made it.

Cordon bleu is the warmest color in Tràn Anh Hùng’s long but surprisingly light soufflé of a movie, a highly watchable Aga saga that’s so artful, charming and non-boat-rockingly old-school that it might make you wonder, even in a non-ironic way, what Lasse Hallström has been up to lately. In Cannes film festivals gone by, it could arguably have provoked the bidding war of the fortnight, given the track record of such foodie faves as Le Grand Bouffe, Babette’s Feast and Eat Drink Man Woman, which also debuted on the Croisette. But that’s faint praise for a story that, although it’s almost all about fillings, trimmings and toppings, doesn’t seem to have that much content or, more importantly, depth.

Lily-Rose Depp is one proud daughter!ET's Rachel Smith spoke to Lily-Rose virtually from the Cannes Film Festival in the South of France Tuesday, where she said she couldn't be happier for her father, Johnny Depp, following the seven-minute standing ovation he received after the premiere of his new biographical drama, .The film marked the opening of the 76th annual event, and the  star's first leading role since his highly publicized defamation trial against his ex-wife, Amber Heard.The French-language film sees Johnny as King Louis XV. Set in the 18th century,  tells the story of Jeanne Bécu (Maïwenn), the daughter of an impoverished seamstress who rose through the Court of Louis XV and became his last official mistress.«I'm super happy for him.

Scarlett Johansson and Colin Jost let their love shine in France! On Tuesday, the actress and the star stepped out for the premiere of  at Palais des Festivals during the 2023 Cannes Film Festival.The usually private pair had all eyes on them as they made a rare outing together and looked loved-up as they showed minimal PDA. Johansson, 38, was a vision in a pink dress that showed off her massive back tattoo.

Irina Shayk donned a daring look at the Cannes Film Festival. The 37-year-old model stepped out wearing only lingerie and diamonds at a party hosted by  and Chopard.Shayk wowed in a black bra and panty set, which she paired with gloves, a sheer slip, thigh-high stockings and heels.