Carey Mulligan was mistakenly announced as a BAFTA award winner during Sunday night’s ceremony.
01.02.2023 - 04:05 / deadline.com
EXCLUSIVE: ColorCreative, the management and production company founded by Issa Rae and Deniese Davis, has signed first-generation Liberian-Nigerian filmmaker Tari Wariebi for representation.
The signing follows the world premiere of Wariebi’s short We Were Meant To at the 2023 Sundance Film Festival, where it received a standing ovation and was nominated for the Short Film Grand Jury Prize. Pic follows Akil, an African American teen, who boasts wings and one goal: to take his first flight.
Wariebi has announced that with ColorCreative’s support, he’ll now look to adapt the short into a feature following a Black man as he defies his fears, insecurities and societal barriers, while discovering his perfect launch into manhood, in a world where Black men have wings and their first flight is a rite of passage.
“We Were Meant To was the final premiere for Sundance’s short category and it was remarkable to witness how the film moved audiences,” remarked Executive Producer and Manager James Shani. “Tari is a filmmaker with a specific point of view and has a strong conviction about who he wants to be as a storyteller. This short film is just the beginning of what he will do, and I’m thrilled to help bring his voice to the world alongside our team at ColorCreative.”
Wariebi added that “premiering We Were Meant To at Sundance was sensational. The audience’s response was off the charts and I couldn’t be more excited to work with ColorCreative and the shared vision we have for my career. James Shani is impassioned and connected to the stories I tell and the perfect addition to my team. My plan has always been to expand on the world and story of We Were Meant To, and it’s exciting to be in conversation with potential partners
Carey Mulligan was mistakenly announced as a BAFTA award winner during Sunday night’s ceremony.
Leo Barraclough International Features Editor Kino Lorber has acquired all rights in the U.S. to “Diabolik,” “Diabolik – Ginko Attacks!” and “Diabolik — Who Are You?” from Beta Cinema at the European Film Market in Berlin. The movies are based on the smash-hit Italian comic-book series about a ruthless master thief, which has sold more than 150 million copies worldwide. The stylish crime-comic adaptations are written and directed by Marco and Antonio Manetti. “Grey’s Anatomy” and “Marvel’s Avengers” actor Giacomo Gianniotti stars in “Diabolik — Ginko Attacks!” and “Diabolik — Who Are You?,” and Luca Marinelli (“The Old Guard”) in the first installment, “Diabolik.” Monica Bellucci (“Matrix,” “The Apartment”) stars in the role of Altea, Miriam Leone (“The Invisible Witness,” “Medici”) as Eva Kant, and Valerio Mastandrea (“Perfect Strangers,” “Nine”) as Inspector Ginko.
Kristin Chenoweth is only 4’11”.What she lacks in height though, she certainly makes up for in stage presence.And now you can see Chenoweth’s stage presence on full display when the Tony winner takes off on her seven-concert ‘For The Girls Tour’ at performing arts centers, philharmonics and concert halls all over the country from Feb.
EXCLUSIVE: Artists First has signed actor Brandon Micheal Hall for management.
EXCLUSIVE: Radar Pictures has secured the feature film rights for Geronimo Stilton, the best-selling children’s book series about the crime-solving adventures of a mouse journalist and his eccentric gang of family and friends.
Times, they are a-changin’. And a Bob Dylan musical is about to hit the big screen.Blueprint Pictures (the company behind “The Banshees of Inisherin”) announced today that Chlöe Bailey, Tosin Cole, Olivia Colman and Woody Harrelson will star in “Girl from the North Country,” an adaptation of the Tony-winning Broadway show inspired by the music of Bob Dylan.
Bleecker Street has picked up North American rights to Laurel Parmet’s feature directorial debut The Starling Girl following its world premiere at the Sundance Film Festival, slating it for release in theaters later this year. Financials weren’t disclosed.
EXCLUSIVE: Filmmaker Aziz Zoromba has inked with Rain in all areas.
EXCLUSIVE: Hercules Film Fund and Rhea Films have closed a deal to finance and produce a feature-length version of Power Signal — the sci-fi short from Oscar Boyson that had its world premiere in Sundance’s Midnight Shorts section last Friday.
EXCLUSIVE: The White Lotus breakout Sabrina Impacciatore has signed with Gersh and MGMT Entertainment for representation.
The Sundance Film Festival returned to Park City after a two-year virtual hiatus and that means the in-person awards ceremony returned as well. Well, sorta.
Three. Frustrating. Years. That’s how much time has passed since the Sundance Film Festival last held an in-person edition in Park City, Utah. (Put it this way: The opening night selection was the Taylor Swift documentary, Miss Americana, which chronicled the making of her 2018 album of Reputation. So, like, ancient history.) Blame the pandemic, of course. Because of safety fears, attendees couldn’t be in the room for the premiere of the eventual Oscar Best Picture winner, Coda, or cheer along for Questlove and the first screening of his own future Oscar pic, Summer of Soul. No sightings of a random Real Housewives star on the bustling Main Street. No napping during 8:30 AM screenings. No huffing and puffing walking in the snow in the frigid weather at high altitudes. No nothing.
The avant-garde video artist Nam June Paik gets his own adulatory portrait in Amanda Kim’s documentary “Nam June Paik: Moon is the Oldest TV.” An act of biographical recovery that also, somehow, flattens a controversial artist, Kim’s film provides just enough contextual information to maintain interest, even if it’s never as radical as its titular subject. READ MORE: 25 Most Anticipated Films At The Sundance Film Festival Moving succinctly from birth to death, Kim provides a broad overview of Paik’s history and aesthetic interests.
Caught somewhere between a movie and a series, “Willie Nelson & Family” doubles down on the history and mythology of its namesake to stretch the latter into what would have been better served as the former. Honest, introspective, yet rarely revelatory, the anthology often mistakes the comprehensive for the essential, and while it succeeds in explaining Willie Nelson to its audience, that’s about all it does.
In writer/director A.V. Rockwell’s feature directorial debut, “A Thousand and One,” Inez (a deeply felt Teyana Talyor) has returned to Harlem after spending a year in Rikers Prison.
This is “a place of mountains and myths,” we’re told as a montage of Central Appalachian imagery fills the frame. The mists, buffalo, ferns, and flowing waters intercut with the coal-filled mountains and mining towns that grew up around them.
EXCLUSIVE: Range Media Partners has signed Jarreau Carrillo, the actor-filmmaker whose new short The Vacation has generated substantial buzz on the ground at Sundance 2023.
There is no shortage of stories about fathers and their kids, specifically sons. But in Justin Chon’s (“Gook,” “Ms.
“Scrapper” starts in a dreary English flat with a child all alone but not incapable. That seems to be the M.O.
EXCLUSIVE: WME has signed director and screenwriter Rashad Frett, whose short film Ricky is part of the Short Film Program of the 2023 Sundance Film Festival. Frett was recently named a Sundance Fellow in the 2023 Screenwriters Lab and Intensive alongside Lin Que Ayoung, where the two will be developing the Ricky script into a feature length film.