Sundance Doc ‘The Disappearance Of Shere Hite’ Focuses On Famed Sex Researcher Canceled By Conservatives And Defensive Men

Michael Kelly (House of Cards, Jack Ryan), Shohreh Aghdashloo (The Expanse, House Of Sand And Fog) and Deirdre O’Connell (Outer Range, Dana H on Broadway) have been added to the HBO Max original series The Penguin (working title), from Warner Bros Television and DC Studios. They join previously cast Colin Farrell, who plays the title character, Cristin Milioti, who plays female lead Sofia Falcone, and Rhenzy Feliz, who is believed to be playing a teen whom The Penguin befriends and makes his driver.

J. Kim Murphy “The Penguin” continues to expand its ensemble, as the DC limited series has added Michael Kelly, Shohreh Aghdashloo and Deirdre O’Connell to its cast. Character details for the three actors remain under wraps. Kelly is best known for his roles in Netflix’s “House of Cards” and Amazon’s “Jack Ryan.” Aghdashloo earned critical acclaim for her performance in 2003’s “House of Sand and Fog” and starred in the Syfy series “The Expanse.” O’Connell won a Tony award last year for her performance in “Dana H.” and has appeared in numerous films and series since her first credits in the 1980s. The eight-episode limited series stars Colin Farrell, reprising his role as the eponymous comic book villain after first appearing in last year’s DC Studios feature “The Batman.” Variety exclusively reported that Farrell had signed on to star in a Penguin series in December 2021, with HBO Max officially ordering it in March 2022. The cast also includes Cristin Milioti and Rhenzy Feliz.

Do The Right Thing filmmaker Spike Lee received a lengthy standing ovation as he cruised on stage at the BFI Southbank in London to receive the BFI’s Fellowship award Monday evening.

Pedro Pascal and Sarah Paulson are two incredibly popular actors, with devoted fanbases of their own. Pascal has starred in some of the largest franchises in the world, from “Star Wars” to “Game of Thrones” and now “The Last Of Us.” Sarah Paulson has made a career in TV and film, starring in shows like “American Horror Story” and films like “Ocean’s 8” and “Carol”. Even though the two haven’t worked much together, they’ve been friends since the ‘90s.

Who’s ready to see Carrie Bradshaw and Aidan Shaw get back together?! Because it seems like they’re going to become a thing again in the second season of And Just Like That!

ABC News producer Dax Tejera’s official cause of death has been revealed — and it may not be what everyone expected!

Greenwich Entertainment has picked up all rights excluding TV to the documentary Nam June Paik: Moon Is the Oldest TV, directed and produced by Amanda Kim, which world premiered in U.S. Documentary Competition at the 2023 Sundance Film Festival. 

Although trans rights are now the subject of a simmering culture war in America and the U.K., that conflict is largely predicated on the increasing visibility of trans women at a time where self-ID is controversially becoming the norm. Stories of trans men, however, tend to go under the radar, and this remarkable New York-set debut from Chilean-Serbian director Vuk Lungulov-Klotz goes some way to redressing that imbalance. Featuring a pitch-perfect performance from Puerto Rican/Greek actor Lío Mehiel, so far mostly known for the Apple show WeCrashed and a number of shorts, U.S. Dramatic Competition entry Mutt feels like an important but — for reasons about to be explained — perhaps interstitial film in the history of LGBTQ+ cinema, being fully cognizant of the fact that it is set and was made in a between-time that reflects the lead character’s existential sense of limbo.

Fresh faced! Anne Hathaway showed off her natural beauty in a stunning makeup-free selfie.

Ira Sachs prefers relationships of the doomed variety — tempestuous passions torn asunder, sometimes by external forces like capitalism, which complicated the search for a home through New York’s cutthroat real estate market in “Love Is Strange” and “Little Men.” His latest film — the sexy, frustrating, loose-yet-compact, altogether irresistible three-hander “Passages” — also concerns property contracts and a homeless protagonist. However, this one’s got nobody but himself to blame for that predicament, fluent as he is in the same toxic strain of amour fou that previously perfumed the air in “Keep the Lights On” and especially Sachs’ debut, “The Delta.” As in that film — also pitched at the admirably humble quotidian scale Sachs hasn’t felt the need to exceed in more than a quarter decade — “Passages” follows a bisexual chaos agent so wrapped up in his own narcissism that he can’t see where his self-exploration ends and insensitivity to those around him begins.