Steven Yeun No Longer Involved in Marvel’s ‘Thunderbolts’

How far can an obsession go? “Ripley” focuses on a ’60s conman whose fascination leads to deadly results. The Netflix series is yet another adaptation of Patricia Highsmith’s popular Tom Ripley novels.

Since returning from his announced retirement from feature filmmaking, Steven Soderbergh has been on a tear of productivity unmatched since the heyday of Hollywood’s studio system. His quickie projects might feel like slight exercises in style or storytelling, but they have never felt disposable.

Sebastian Stan is ready to return to the Marvel Cinematic Universe!

Stephen Rodrick The not-so-secret fact about premieres is that the actors rarely watch, usually ducking out when the lights go down. They spend the film’s duration smoking cigarettes and reciting the cinema’s version of the serenity prayer: “God, grant me the serenity to accept the things I cannot change, i.e. the director’s predilection to use my worst take.” That was not the case at Sundance’s world premiere of Steven Soderbergh’s “Presence,” a ghostly thriller about the Payne family, a bougie clan with a significant number of problems including a spectral, uh, presence that could be friend or foe.

Directed by Steven Soderbergh and penned by David Koepp, the haunting psychological thriller Presence follows a fractured family as a mysterious supernatural force infiltrates their new home that has taken interest in their daughter Chloe. The film is written by David Koepp and stars Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, West Mulholland, and Julia Fox.An unsettling presence permeates the home of Chris (Sullivan) and Ruth (Liu)  before they even move in. This supernatural entity is a witness to the family’s most vulnerable moments. It has a particular focus on the couple’s young daughter Chloe (Liang), who is always at odds with her mother and Brother Tyler (Maday). However, the young girl is in mourning because of her two girls, one of them her best friend Nadia, died recently.  

Owen Gleiberman Chief Film Critic “Presence,” a ghost story directed by Steven Soderbergh, is set entirely inside a lovely, renovated, 100-year-old suburban home, and before the characters even have a chance to move in, the place is already occupied. The camera literally seems to be peering at things, staring out the second-floor windows, then coming down the stairs to witness the arrival of a harried real-estate agent, then the family of four she’s about to sell the house to. Darting from room to room in an unbroken wide-angle-lens shot, the camera gives us an impromptu tour of the house, letting us drink in the crisp mint-green walls, the vintage wood that lines everything (windows, doors, stairway, fireplace), the ancient smoke-glass mirror and polished oak-board floors and elegant sprawling kitchen.

Craig Gordon could end his 13-month Hearts absence against Spartans.

Well, the Steven Soderbergh/David Koepp relationship continues. After writing the surveillance thriller, “Kimi” and the upcoming ghost movie “Presence” which will premiere at Sundance soon, screenwriter David Koepp (“Jurassic Park,” “Carlito’s Way”) has penned yet another film for director Steven Soderbergh.

Cate Blanchett and Michael Fassbender are set to co-star in a spy thriller!

Peter Debruge Chief Film Critic On the most literal level, Sam and Andy Zuchero’s “Love Me” is about the relationship between a buoy adrift at sea and a satellite circling the earth. The eccentric rom-com takes place in a time after humans have gone extinct, when the surviving machines’ only references are a massive hard drive’s worth of data combed from search engines and social media sites.

PARK CITY – Whatever your thoughts on Sam and Andy Zuchero’s “Love Me” few will dispute that for an independently financed film it’s a unique and creative achievement. At least a third of the movie is CG animation, another third is motion capture animation, and the final portion is live action.

Kristen Stewart is keeping busy at the 2024 Sundance Film Festival.

Over the past year or so, we’ve heard more and more rumblings in the world of “Ocean’s 11.” Obviously, there’s the prequel film that is currently in development with Margot Robbie and Ryan Gosling attached to star. Then, recently, George Clooney teased an idea he’s been developing for a sequel to the ‘Ocean’s’ franchise that would reunite the crew from the original films.

Steven Yeun and Ali Wong hit the carpet while making their arrivals for the 75th Primetime Emmy Awards on Monday (January 15) at the Peacock Theater in Los Angeles.

Caroline Brew editor Steven Yeun won the Emmy for lead actor in a limited series or movie for “Beef,” marking his first win. While accepting his award a visibly moved Yeun thanked the series creator, director and fellow Emmy-winner Lee Sung Jin, Emmy-winner Ali Wong and director Jake Schreier and the “incredible” cast and crew at “Beef.” “Thank you for this immense honor and blessing,” Yeun said. “A lot of people that looked out for me on my way to even get to be in this business.” The actor then called special attention to “Beef” on-set photographer.

Steven Yuen won his first Golden Globe Award on Sunday, scoring for Male Actor – Limited Series, Anthology Series, Made for Television Movie for his co-starring role in Netflix‘s series Beef.

It’s a huge night for Ali Wong and Steven Yeun!

EXCLUSIVE: In the first major sale of the year, Universal has pre-emptively purchased the short story package Long Lost that comes with an attachment by Steven Spielberg, who’s aboard as a producer through his U-based Amblin banner.

Peaky Blinders movie will begin filming this year, creator Steven Knight has confirmed.Speaking to the Radio Times in December, Knight revealed that he’s almost finished writing the film’s script, and that production should get underway in the middle of 2024.“I’m just working on the final bits of it at the moment,” he said. “I just sit down at the keyboard and start.

It’s the time of the season. Every year, filmmaker Steven Soderbergh drops his annual “Seen, Read” list, a yearly compendium tracking everything the director watched or read in the year, be it a film, a TV show, a novel, a non-fiction book, etc.