Steven Yeun, John Cho and Justin Chon Find Common Ground in Global Village: ‘The Korean Wave is Deeply Healing’

Patrick Frater Asia Bureau Chief Martin Scorsese’s “Killers of the Flower Moon” opened with an unconvincing second place debut at the South Korean cinema box office. It earned $406,000 between Friday and Sunday and $499,000 over its full four-day opening period. Its market share was a shade below 9%, according to data from KOBIS, the tracking service operated by the Korean Film Council (Kofic). That left “Love Reset,” a local romantic comedy, at the top of the chart for the third successive weekend.

Patrick Frater Asia Bureau Chief Along with the expansion of streaming, among the unintended consequences of COVID and the SAG-AFTRA actors strike has been global consumers’ growing consumption of non-English-language films and TV shows. That in turn has elevated familiarity with and acceptance of Asian local shows and Asian performers – not just those riding the Korean wave.

Patrick Frater Asia Bureau Chief Lee Sun-kyun, star of Oscar-winning Korean film “Parasite,” is being investigated by police over his alleged drug use, Korean news media report. “Incheon Metropolitan Police Agency had begun an investigation into eight people, including the actor and the offspring of a chaebol [major family-controlled conglomerate], over allegations they took illegal drugs multiple times this year,” the publicly-owned Yonhap News Agency reported on Friday afternoon. The news outlet also reported that “while the police have not officially named Lee as a suspect, they are said to have discovered a lead in connection with the actor’s illegal activities.” There has been no explanation of what substances Lee is alleged to have used.

Patrick Frater Asia Bureau Chief “This Time,” a romantic drama reminiscent of Richard Linklater’s “Before Sunrise” trilogy, but not officially based on it, has been picked up for global distribution by fast-moving sales company EST N8. The story follows two high school sweethearts who unexpectedly reunite in Los Angeles 23 years after they were separated in Jakarta and must decide if they’re still in love. The film, directed by Sebastien Tobler, stars Ken Kirby (“Good Trouble,” “Dynasty”), Leila Perry (“Filthy Animals”) and was produced by Theresa Chiu. It had its world premiere at the Los Angeles Asian Pacific Film Festival in May. The rights deal was brokered by Tenten Wei and Sophie Shi of EST N8.

Patrick Frater Asia Bureau Chief The inaugural edition of the Cinema at Sea – Okinawa Pan-Pacific International Film Festival will be held next month (Nov. 23-29) on the Japanese island of Okinawa.

Patrick Frater Asia Bureau Chief Acclaimed film-making duo Kamila Andini and Ifa Isfansyah take a calculatedly side-on approach to Indonesian societal history in “Cigarette Girl,” a new Netflix series that releases on Nov.1 and which premiered its first episodes at the Busan International Film Festival earlier this month. Starting with a wealthy family about to lose its aging patriarch in 2001, the series uses flashbacks to the 1960s to uncover not only the origins of the family’s herbal cigarette or ‘Kretek’ fortune, but also the hidden romance underlying it. And it highlights the overbearing and only slowly changing societal pressures placed on women, from high and low ranks, even as Indonesian politics and government underwent tectonic shifts. Ahead of the Busan premiere Andini and Isfansyah told Variety how their lush and romantic treatment is both a product of changing society and a way of facing up to recent Indonesian history.Watch the new trailer here.

Patrick Frater Asia Bureau Chief Dynamic Singaporean producer Jeremy Chua is to receive the FIAPF Award for Outstanding Contribution to Asia Pacific Cinema, at the Asia Pacific Screen Awards (APSA) on Nov. 3 on Australia’s Gold Coast.

Patrick Frater Asia Bureau Chief Unrecognizable from her co-starring and breakout role in 2018 hit “Burning,” Jeon Jong-seo is the centerpiece, the tortured protagonist and the athletic avenger, but not the titular dancer, in Netflix movie and Busan International Film Festival selection “Ballerina.” In the hands of fast-rising director Lee Chung-hyung, Jeon is a coolly calculating female former bodyguard who, until roused, looks like she is half dazed. The suicide of her best friend, a sweet wannabe ballerina, who had been blackmailed into sex slavery by a nasty gang, however, is enough to set Jeon’s character, Ok-ju, on the path towards “John Wick”-like ultra-violence. While Lee never leaves the audience in much doubt as to where the film is heading – an early scene in a convenience store is cool, shocking and righteous – his “Ballerina” is typically Korean in that it spends most of the first two reels establishing Ok-ju’s moral standing and motivation for the bloodshed that is going to dominate the latter portions. Once justified, Lee pours it all on, with a dose of weapons fetishization, a horde of mostly disposable villains and heaps of neon-lit bloodshed.

Patrick Frater Asia Bureau Chief Iqbal H. Choudhury’s “The Wrestler” and Mori Tatsutya’s “September 1923” were announced joint winners of the New Currents competition at the Busan International Film Festival. “The Wrester” “was like a single round match, magically depicting an exciting narrative,” the jury said.

Patrick Frater Asia Bureau Chief “Solids by the Seashore,” “The Berefts” and “House of the Seasons” were all multiple winners of the Vision Awards at the Busan International Film Festival on Thursday evening. Another winner was “Yellow Door: ’90s Lo-fi Film Club,” a documentary celebrating Korea’s early cinephiles, who include “Parasite” director Bong Joon-ho. The Vision Awards precede the main New Currents Competition and the Jiseok Competition prizes which will be presented on Saturday at the festival’s closing ceremony.FIPRESCI Award“That Summer’s Lie” Dir. Sohn Hyun-lok.

Patrick Frater Asia Bureau Chief Some twenty aspiring film projects have been selected to participate in the inaugural edition of the Qcinema Project Market (Nov. 18-19) that this year represents and expansion of the QCinema Film Festival in The Philippines’ Quezon City. The selected titles include development projects by several of East Asia’s better known independent and art-house directors and projects.

Patrick Frater Asia Bureau Chief Big-budget, Korean-language fantasy-crime-action series “Moving” emerged as the big winner on Sunday at the Asia Contents Awards & Global OTT Awards, claiming six prizes, including the ‘best creative’ prize. The Disney+ original, which debuted in August, also received the best visual effects award and the best writer award, which was presented at the Busan Cinema Centre’s main stage to webtoon artist turned filmmaker Kang Full. Actor Ryu Seung Ryong, who portrayed a father with a superpower attempting to save his family, was awarded the best lead actor prize, while the show’s Lee Jung Ha was named best newcomer and Go Youn Jung was named best actress. The 20-episode series has received critical acclaim for its narrative structure, dynamic action sequences and breathtaking storytelling.

Patrick Frater Asia Bureau Chief After making four documentary features about border conflicts, ethnicity, prostitution and human rights, Thai director Nontawat Numbenchapol picks up many of the same themes in his first fiction feature “Doi Boi.” The film, which premieres this week in the Jiseok competition section of the Busan International Film Festival, is the story of three young men living on the margins of society in Thailand and their common quest for justice. The characters are an illegal immigrant from Myanmar working, despite his own heterosexuality, as a gay prostitute in Chiang Main, a customer and an on-the-run political activist he is trying to help. The narrative takes in a large number of the social and political problems that have beset seemingly idyllic Thailand in recent years – undocumented workers, illegal immigrants fleeing the civil war in Myanmar, an oppressive political power structure, enforced ‘disappearance’ of those who the government’s political opponents and critics, police brutality – and traffic jams. “I was surprised to find so many immigrant men [from Myanmar’s Shan region] as sex workers in Chiang Mai.

Patrick Frater Asia Bureau Chief Seoul-based sales company Finecut has struck key Asian deals for the vigilante action movie “Brave Citizen.” In Korea, the film is presented by Content Wavve, one of the country’s leading OTT platforms and is headed for a Korean theatrical release on Oct. 25.Finecut has sealed deals with Kadokawa Plus for Japan, with Moviecloud for Taiwan and with Lumix Medi for Vietnam.

Actors and filmmakers Steven Yeun, John Cho, Justin Chon and Lee Isaac Chung shared their thoughts on the appeal of Korean Diaspora cinema – as well as how they see the current wave of content coming out of Korea – in a philosophical but relaxed press conference at Busan International Film Festival. 

Patrick Frater Asia Bureau Chief Leading Korean content firm Showbox Corp. has added “The Killers,” an unusual anthology film, to its Busan rights sales line up. The film takes its title and themes from Ernest Hemingway’s 1927 short story of the same name.

Patrick Frater Asia Bureau Chief Issues of cultural diversity, different Asian diaspora populations and the quest for the Asian cinematic identity came up for discussion on Thursday as the New Currents competition jury at the Busan International Film Festival prepared to get down to work. Filmmaker and academic Jung Sung-il, who is set as the jury president, appeared to invite a degree of dispute that might get the blood racing. “I have high hopes, hope for controversies and good conversations among the jurors,” he said in opening remarks.

Patrick Frater Asia Bureau Chief Feted in Busan this week as the Asian Filmmaker of the Year, Hong Kong superstar Chow Yun-fat bemoaned censorship in China for its impact on the film industry. “We have a lot of censorship requirements in mainland China. Scripts must go to many departments. So, we need [to portray] clear situations in scripts.

Patrick Frater Asia Bureau Chief Anthony Chen (“The Breaking Ice”) is attached to direct and Shinho Lee to write “Sunset Park” for Barunson C&C, a film and TV production subsidiary of Barunson E&A, the Korean company that produced Oscar-winning hit “Parasite.” “Sunset Park” recounts a surprising journey in the U.S. made by a Korean father with his son’s room mate, after the man receives tragic news about his son.

Patrick Frater Asia Bureau Chief EST N8, a recently-established finance, production and film sales company, has appointed Chen ; Tata’ Xinrui as its sales and distribution manager. Chen will serve under Tenten Wei, head of studios for EST N8 and will be based in Los Angeles. EST N8 is a partnership between EST Studios and Bangkok-based N8 Studios that was officially launched at Cannes this year and operates under the combined moniker.