Versace really brought out all the stars.
20.02.2023 - 13:39 / variety.com
Marta Balaga Total spend on content will “flatten and slightly decline” this year. This tendency might continue for “at least” the next couple of years, according to Ampere Analysis’ Guy Bisson, a speaker at Monday’s opening panel of the Berlinale Series Market, which runs through Feb. 22. “We are entering a phase of market maturity in streaming: Growth is difficult to come by. We see it across the globe, most drastically in the U.S.,” he observed. That said, there is one “lockdown trend” that happened to stick around: Unscripted commissioning rose to match scripted, with streaming commissioning currently focusing ever more at documentary, entertainment and reality.
“The areas that have grown most significantly are all unscripted,” he said. “We will see more lower-cost content and a surge in reality entertainment, which is good for customer retention.” While there is increasing convergence between streamers and broadcasters, “particularly for unscripted formats,” crime continues to stand tall, interestingly enough reflecting an ageing customer base for streaming. There is also a growing interest in biographical and historical drama, the latter exemplified by popular “Yellowstone” prequels “1883” and “1923” making it into the top ten of the most globally popular streaming shows in December. But there is space for fantasy and dark comedy too, with Netflix’s “Wednesday” and Mike White-created, Jennifer Coolidge-perfected satire “The White Lotus” topping Italy and the U.K.. Meanwhile, broadcasters fall back on crime and period drama, with procedural “Soko Linz” emerging as a winner in Germany (also in 2022) and critically acclaimed Western “The English” in the U.K., while action-packed “Peace Force” delighted Spain.
Versace really brought out all the stars.
Frank Doelger’s eco-thriller drama The Swarm has made a splash on German TV.
Pamela Anderson tells ET Canada how first posing for Playboy back in 1989 allowed her to take her power back.
Today and always! Savannah Guthrie and her husband, Michael Feldman, tied the knot in 2014 and have been going strong ever since.
Matt Donnelly Senior Film Writer Nick Panella has been named the leader of a new podcast and audio group at Agency for the Performing Arts, Variety can report exclusively. Panella joins the company from Workhouse Media, where he worked extensively with names like Shonda Rhimes, Ellen DeGeneres, “Modern Family” co-creator Chris Lloyd and Oprah Winfrey. Announced by APA’s head of content development Kyle Loftus, the hire is yet another strategic move from the agency to pick up slack lost in CAA’s acquisition of ICM Partners, the hulking-up of Endeavor, and other dramatic shifts in the representation landscape. Panella has produced over 2,000 podcast episodes and led Workhouse clients to over 1 billion downloads, the agency said.
Hannah Einbinder hops on Reggie Watts back during a cute moment at the premiere of History of the World, Part II held at Hollywood Legion Theater on Monday night (February 27) in Los Angeles.
EXCLUSIVE: Ley Line Entertainment and FirstGen Content have set an all-star ensemble for its co-production of On Swift Horses as Daisy Edgar-Jones, Jacob Elordi, Will Poulter, Diego Calva and Sasha Calle are on board to star. Daniel Minahan is on to direct with Peter Spears producing alongside Mollye Asher, Tim Headington and Theresa Steele Page on behalf of Ley Line with Michael D’Alto producing on behalf of FirstGen Conent. Bryce Kass is adapting the script.
Seven months after landing the highly coveted top jobs at Warner Bros. Motion Picture studios, Co-Chairpersons Michael De Luca and Pamela Abdy were bestowed with the PGA Milestone award tonight and paid respect for their mega industry mentors, remembered emotionally their cinematic NYC and New Jersey youths, and gave a huge shoutout to their new boss, Warner Discovery CEO David Zaslav.
HBO Max. The streamer announced on Thursday that “Welcome to Derry” has been ordered to series, with “It” and “It: Chapter Two” director Andy Muschietti onboard to executive produce and direct multiple episodes.
The restructures, layoffs, cancelations and a maybe-strike currently impacting the U.S. TV industry rippled through the halls of the Berlinale Series Market this week as senior execs forecasted an international future.
Berlinale Series and one of Disney+’s early big plays in Southern Europe, U.K.-Italian mafia series “The Good Mothers” walked off on Wednesday night with the Berlin Festival’s inaugural Berlinale Series Award. A large virtue of the series is to come in at the mafia from a novel angle: a real story of women who dare to defy the Italian mob. The title forms part of the first European slate by new Disney+ international streaming service Star. It tells how bosses at the the Calabrian mob were targeted by a female prosecutor – thanks to the collaboration of three women inside the ‘Ndrangheta organized crime clan.
Naman Ramachandran Acclaimed actor Vijay Varma is one of the leads in “Dahaad” (“Roar”), the first Indian series to compete in the Berlinale Series Competition. Produced by Excel Entertainment and Tiger Baby and directed by Reema Kagti (Amazon Prime Video series “Made in Heaven”) and Ruchika Oberoi (Venice winner “Island City”), the other leads are Sonakshi Sinha, Gulshan Devaiah and Sohum Shah. “‘Dahaad’ is about the investigation of a series of crimes conducted by a small town, rookie police officer at a small police station in Rajasthan [western India] – there are these disappearing girls and somehow the young police officer finds a certain similarity between these these disappearances,” Varma told Variety. “It’s a slow burn, investigative drama and it’s also very atmospheric and moody and noir-ish.”
The Good Mothers, Disney+’s hard-hitting mafia drama series, has won the first ever Berlinale Series Award.
Christopher Vourlias The crime noir genre gets a distinctly South African twist in the new series “Donkerbos,” which premiered its first episodes this week as part of the Berlinale Series Market Selects lineup at the European Film Market. The show begins when the bodies of six children are found in the forests of a provincial backwater town, and a local detective (Erica Wessels) is called in to investigate the shocking crimes. But as the series unfolds, she’s forced to wrestle with her dark past, her family and a distrustful community to catch the killer before another child is taken. Written and directed by Nico Scheepers, “Donkerbos” is produced by Nagvlug Films and sold globally by MultiChoice, which bowed the show last year on its SVOD platform Showmax.
The White Lotus is almost certainly checking into an Asian hotel for its third season — and it’s been revealed Netflix’s Dahmer star Evan Peters nearly starred in the second run.
EXCLUSIVE: Members of the first ever Berlinale Series Award jury have predicted that TV awards could soon rival film at the world’s major festivals.
Christopher Vourlias Firefly Productions is prepping a new high-end drama that the Belgrade-based outfit is billing as Serbia’s first ever superhero series. “Generation Tesla” is based on the famed Serbian American inventor Nikola Tesla, best known for his pioneering work on electricity. In the series Tesla creates an electric frequency at the time of his death that opens a portal to a new dimension, where many of his unfinished projects and ideas are hidden. As the keeper of a vast trove of secrets and knowledge, Tesla must confront the greatest enemy ever known to man, who is looking to steal the secret of this mysterious frequency to rule the world. To fight him, Tesla assembles a team of superheroes, whom he contacts through a video game-obsessed teenager, in order to save the planet.
Netflix’s The Tinder Swindler director Felicity Morris has said the documentary market is going to contract and warned filmmakers against “chasing the next viral story that everyone is talking about.”
Marta Balaga Crime shows look for a new angle, argued Berlinale Series participants on Monday. There is no shortage of new offerings, from Berlinale Market Selects’ “Two Sides of the Abyss,” Serbia’s “The Fall” or South Africa’s “Donkerbos,” created by Nico Scheepers, to China’s melancholic, decades-spanning “Why Try to Change Me Now,” with Golden Bear winner Yinan Diao attached as executive producer. But while there is still an appetite for traditional detective stories, producers and broadcasters are venturing out of the “damaged, middle-aged white detective slot on a Sunday night,” suggested All3Media International’s Rachel Glaister. They are also thinking about their younger audience.
Ed Meza @edmezavar “Snow,” an Austrian-German co-production and one of 16 titles presented in the Berlinale Series Market Selects showcase, weaves the timely issue of climate change and local folklore into a suspenseful mystery drama set in the picturesque Austrian Alps. Brigitte Hobmeier stars as Lucia, a physician who with her husband and children moves to the village, where she is replacing the local doctor, who is retiring. Things take a troubling turn when her daughter is visited by a strange woman at night. The series presentation at the EFM event brings the title back to Berlin, where it came together in 2020 at the Berlinale Co-Production Market’s Co-Pro Series event.