theplaylist.net - 16 538 Showbiz News and Updates

Fresh off his brief but scene-stealing performance in “Civil War,” Jesse Plemons is reteaming with six-time Academy Award-nominated filmmaker Yorgos Lanthimos for his next film, now titled “Bugonia,” which has landed at Focus Features for North America. Plemons is also one of the many ensemble talents in Lanthimos’ “Kinds Of Kindness,” which just premiered at the Cannes Film Festival and co-stars Emma Stone, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, and Hunter Schafer (read our review).

CANNES – You have to give Jacques Audiard credit. The famed French filmmaker has proven time and time again he isn’t afraid to take big swings.

Diaries are written in secrecy, free-flowing thoughts anchored to the page as if the ink could stop memories from vanishing through the hands of time. Filmmaker Paul Schrader understands the lingering, often quiet desperation of journaling like few filmmakers do.

CANNES: You are no doubt familiar with the work of Renate Reinsve. The Norwegian actress earned accolades for her performance in Joachim Trier’s stellar “The Worst Person in the World,” and if you happened to attend the 2024 Sundance Film Festival this past January, you may have seen her in Aaron Schimberg’s lauded “A Different Man.” Reinsive has already proven her prowess as an actress, but there is a scene in her latest endeavor, “Armand,” which, and excuse the justified hyperbole, is simply startling.

CANNES – They may have already collaborated on three feature films and a short, but get one thing straight. Emma Stone isn’t Yorgos Lanthimos‘ muse.

After much hemming and hawing and a little bit of teases about his appearance, Oscar-winning actor Cillian Murphy has been confirmed for Sony’s “28 Years Later” horror thriller. Sony chief Tom Rothman revealed the news in a new interview with Deadline.

Earlier this week, comedy writer/director Judd Apatow ended his 30-year relationship with his agency UTA, Deadline describing it as a “magical run” (lol). Trades run lip service-y pieces like this all the time: actors, filmmakers, and talent-changing agencies as a way to generate press for these companies and as tacit understanding for staying in good favor with agents who are the ones often feeding them leaks, exclusives, and scoops.

David Cronenberg shocked the cinema world two years ago when he came out of retirement and showed up at the Cannes Film Festival with a new film, “Crime Of The Future.”  2014’s “Map To The Stars,” which also had a Cannes premiere, was initially supposed to be Cronenberg’s last.  Now, will the Canadian auteur’s latest, “The Shrouds,” be his swan song?   Continue reading ‘The Shrouds’: David Cronenberg Remains Uncertain If His Latest Film Will Be His Last: “I Really Don’t Know” at The Playlist.

CANNES: If you’ve ever seen an Eastern European movie at a major film festival, there’s one thing you can count on, a corrupt police or judicial system at the center of it. That may seem like a generalization, but institutional corruption has been a centerpiece in Romanian film, especially over the past two decades.

The horror genre is off to a strong start in 2024 thanks to films like “Immaculate,” “Abigail,” and “In A Violent Nature.” But 2025 is already shaping out to be a banner year, with many genre entries getting new theatrical premiere dates this week. So what’s next year’s most anticipated horror movie on the docket? It could be Sony‘s “I Know What You Did Last Summer” remake, which THR reports will hit theaters on July 18, 2025.

It feels like it’s been months or even years that we’ve all known that Timothée Chalamet would star in a Blue De Chanel advertisement directed by Martin Scorsese (“Killers Of The Flower Moon”). The pair, who conducted some interviews last year, particularly one for GQ, are clearly mutual admirers of one another.

CANNES – To be perfectly honest, we didn’t expect it would be so difficult to collect our thoughts regarding Yorgos Lanthimos’ “Kinds of Kindness.” A world premiere at the 2024 Cannes Film Festival, this isn’t the first anthology film we’ve reviewed in our career, let alone one with an unconventional structure. Perhaps our hesitation is that we’re still rattled by what Lanthimos and longtime screenwriting collaborator Efthimis Filippo hope to provoke with three tales of people yearning for control and the excess of such constraints.

After five years in development, “Silk: Spider Society” is no more.  Variety reports that Amazon has scrapped plans for the live-action series entirely after the show already received a massive writers’ room overhaul in February. It’s a fate Spidey-fans shouldn’t be surprised by.

Olivier Assayas is back on the Croisette of the Cannes Film Festival, albeit at the Cannes Market. And the French auteur’s next project is easily one of the buzziest packages at the festival so far.

The 20024 Cannes Film Festival is in full swing now, and it’s arguably been dominated by expensive passion projects that could be seen as vanity projects by their makers. The first one, Francis Ford Coppola’s long-awaited “Megalopolis,” landed yesterday to much consternation and mixed reviews; ours was positive, but still slightly baffled, and the film currently sits at 50% on Rotten Tomatoes.

How can you be a leader to your people if you’re on the run from them? It’s a fascinating question, one that could serve as the basis for a great book or film, but one that’s hard to embed in a six-part mini-series, a format that proves the wrong one for the story of how a fake movie played a role in the life of Black Panthers leader Huey P. Newton.

Filmmaker Coralie Fargeat’s “The Substance” horror had been under wraps for some time. Described as a body horror seen through a feminist lens, for months, all the French writer/director has said about the movie was that it would “push boundaries with a different kind of violence.” But if the Cannes Film Festival synopsis wasn’t already self-evident, the newly released teaser for “The Substance” basically gives up the ghost.

No surprise here: more episodes of “Shōgun” are on the way.  FX and streaming partner Hulu announced yesterday that they’ll renew their hit limited series for two more seasons. Star and producer Hiroyuki Sanada also returns, as do co-creators, writers, and executive producers Justin Marks and Rachel Condo, as well as EP Michaela Clavell.  And “Shōgun” author James Clavell also returns to develop both upcoming seasons, too; so creatively speaking, everyone is back, which is good news for the show’s fans.

Children forced to grow up too fast understand the pained nature of powerlessness like few others. This is true of the pre-teen at the center of director Andre Arnold’s “Bird,” Bailey (Nykiya Adams).

When news first began circulating that distributors found Francis Ford Coppola’s long-awaited passion project “Megalopolis” tough to market, people were quick to shrug their shoulders in response.

French director Alexandre Aja has been in the horror game for a long time; over two decades, in fact. His 2003 breakout “High Tension” cemented him as an up-and-comer in the genre, and after moving stateside to work in Hollywood, he furthered his career with remakes like “The Hills Have Eyes” and “Piranha.” But Aja hasn’t had a real hit since 2019’s “Crawl,” a taut survivalist thriller B-movie that revived the director’s career.

Don’t go looking to the “Bad Boys: Ride Or Die” synopsis to tell you much about the movie; it’s vague as hell. However, the new trailer for the film, just released today, peels back the layers of the action franchise’s latest installment.

After “Nitram” wowed critics at the Cannes Film Festival three years ago, with Caleb Landry Jones winning Best Actor for his role, many expected Justin Kurzel‘s would return to the Croisette with his next film, “The Order.”  But Deadline reports that Kurzel’s upcoming true crime movie won’t hit the festival circuit yet, if it even is at all.   Continue reading ‘The Order’ First Look: Jude Law, Nicholas Hoult & Tye Sheridan Star In Justin Kurzel’s Upcoming True Crime Thriller at The Playlist.

French director Alexandre Aja has been in the horror game for a long time; over two decades, in fact. His 2003 breakout “High Tension” cemented him as an up-and-comer in the genre, and after moving stateside to work in Hollywood, he furthered his career with remakes like “The Hills Have Eyes” and “Piranha.”  But Aja hasn’t had a real hit since 2019’s “Crawl,” a taut survivalist thriller B-movie that revived the director’s career.

These days, avoiding Marvel confirmation of any kind might be an occupational hazard. For example, today, “Top Gun: Maverick” star Lewis Pullman was on the Happy Sad Confused podcast to promote his Apple TV+ series, “Lessons In Chemistry,” co-starring Brie Larson, which is vying for Emmy Contention now.

Many questions abound as Francis Ford Coppola‘s self-budgeted epic “Megalopolis” heads into its Cannes debut. Will the film be received more generously than its LA industry screening in March? Will Coppola find a distributor for it on the Croisette? And will “Megalopolis” survive controversy and be a smash success at the festival much like Coppola’s 1979 masterwork “Apocalypse Now“? READ MORE: ‘Megalopolis’ Teaser: One Man Wants To Create A Utopia In Francis Ford Coppola’s Passion Project IMAX is banking on “Megalopolis” no matter what happens after its premiere.

On paper, it was too good to be true: a theatrical movie subscription service that offers a movie ticket every day for $9.99 a month.  But in 2017, MoviePass was a dream come true for moviegoers, with subscribers flocking, stocks rising, and investors trying to get in on the action. By 2019, however, the party was over, and MoviePass went from one of the world’s buzziest companies to a costly corporate misfire.

The main cast of Jim Jarmusch‘s first film since 2019’s “The Dead Don’t Die” has been revealed, and what a cast it is. Variety reports that Adam Driver, Mayim Bialik, Jarmusch regular Tom Waits, Charlotte Rampling, Indya Moore, and Luka Sabbat join Cate Blanchett and Vicky Krieps on “Father Mother Sister Brother.”  Jarmusch has already wrapped shooting, with post-production underway in NYC, so expect the film to be ready for a premiere later this year.

In this week’s episode of Bingeworthy, our TV and streaming podcast host Mike DeAngelo dives headfirst into “Outer Range.” The mysterious and compelling Prime Video series follows a rancher who discovers a mysterious hole in his pasture, leading to land wars, family drama, and time-jumping mysteries. The show stars Josh Brolin, Imogen Poots, Lili Taylor, Lewis Pullman, Tom Pelphrey, Will Patton, and more (read our review here).

What’s next for Ultraman? The legendary hero has been on many adventures, but he’s never seen anything like what’s to come. “Ultraman: Rising” represents a new chapter for this long-running character, based on characters by Eiji Tsuburaya, known for co-creating “Godzilla.” This time, Ken Sato takes on the iconic role.