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Refresh for latest…:  After starting early offshore release on John Krasinski’s IF last weekend, Paramount expanded the imaginary friends film to another 56 international box office markets this session. The overseas frame was worth $20M, bringing the international running cume to $24M. With domestic’s $35M debut, the worldwide total is now $59M.

Sean “Diddy” Combs on Sunday posted a video apology on Instagram for a 2016 assault on his then-girlfriend, Cassie Ventura.

On Sunday at Cannes, Diane Kruger put her star power behind a worthy cause, attending the ‘Transcending Borders’ gala at the Campari Lounge hosted by Breaking Through the Lens—an organization that works to support female filmmakers.

Jerry Seinfeld‘s Saturday night comedy show in Norfolk, Virginia was interrupted several times by at least one Pro-Palestinian protester.

In the Moscow Times’ obituary for Eduard Limonov, who died four years ago aged 77, writer Mark Galeotti summed up the poet-turned-politician in two simple sentences: “Was Limonov a visionary or a poser, an artist or a politician, a leftist or a rightist? The answer to all of them is, of course, yes.” This is key to understanding Kirill Serebrennikov’s latest movie, a boundary-blasting biopic that simply drips with punk-rock energy, revealing everything and nothing about a slippery character whose modus operandi was reinvention from the get-go and for whom consistency really was the hobgoblin of small minds.

Demi Moore teased details of her role in Taylor Sheridan’s upcoming Paramount+ drama Landman and revealed she expects to be back on set for a second season in early 2025.

It has been seven years since Alejandro G. Iñárritu and Emmanuel Lubezki presented CARNE y ARENA at the Cannes Film Festival. In an airport hangar 20 minutes down the coast from the Palais, the pair had created a vast volume with a sand floor as participants strapped into a virtual reality headset and found themselves joining a group of immigrants on their perilous passage from Mexico into the United States. At the time, Deadline called the installation — which would transfer to LACMA among other venues — the first step in the birth of an artform.

Strange but true: after 15 years as an international movie star, propelled to fame in 2004 by Wolfgang Petersen’s historical epic Troy, German-born Diane Kruger won the Best Actress award in Cannes for her first-ever performance in her native language. Fatih Akin’s provocative 2017 drama In the Fade, in which she played a widow consumed by revenge after a terror attack, revealed an unexpectedly tough new side of her glamorous persona.

Kevin Costner was honored with France’s Order of Arts and Letter at the Cannes Film Festival on Sunday, ahead of the Out of Competition world premiere of his two-part Western epic Horizon: An American Saga.

Director Richard Linklater rues that Hollywood has taken to creating sexless characters and superheroes without genitalia.

Oliver Stone is in Cannes today for a Special Screening of Lula, a documentary he co-directed with Rob Wilson about the unbelievable comeback of Brazilian leader Luiz Inácio “Lula” da Silva. The film chronicles his extraordinary journey in 2022 to regain the Brazilian presidency after spending nineteen months in prison. This happened after a hacker exposed a conspiracy meant to take down the labor leader in a corruption scandal that tied back to Brazilian president Jair Bolsonaro and the most powerful judge in the country. It’s a story you have to see to believe. Here, Stone discusses his film, and how the four-time Oscar winner hopes to mount one final major drama after a career spanning Platoon, Born on the Fourth of July, Wall Street, JFK, Natural Born Killers and so many others. He also revisits his position on Vladimir Putin, whom he interviewed extensively several years ago, in light of recent events that have ratcheted global tensions.

You know a movie has left a big impression at Cannes when the applause explodes in the press room as the cast files in. Such was the case Sunday morning for Emila Pérez.

When Hayao Miyazaki’s long-awaited and supposed swansong The Boy and the Heron opened at No. 1 at the North American box office last December with a record-breaking $12.8 million tally, it was not only the first original anime title to achieve such a feat, but it was the biggest ever opening for U.S. distributor Gkids. It kickstarted what would be a whirlwind few months for the now 16-year-old company as it took the Studio Ghibli film, (which had opened the Toronto Film Festival in September) to an enormous $46.7 million box office gross (more than double their initial projections) in North America and, later a Best Animation win at the Oscars.

UK media is spending another weekend poring over the invitation list of “the society wedding of the year” with reports that Prince William is set for a high-profile role with his son George also set to feature, while his brother Prince Harry will be binning his invitation, and their father King Charles’s attendance remains unconfirmed.

Reflecting on her career, Lena Waithe says, “I think about legacy a lot.”  The writer-producer-actor, whose body of work includes creating Showtime drama The Chi and BET’s Twenties, has been on a steady upward trajectory since winning a primetime Emmy Award in 2017 for outstanding writing on Netflix’s Master of None. But for Waithe, success raised questions about where she was headed. “I didn’t know what I was actually trying to build. I wanted to have real agency over my career, but it was also not just about me, it’s about who I can work with.”

A glowing brain, world leaders lost in the woods, a U.S President with a glaring British accent, oh, and bog men — mummies whose manhood has been severed and wrapped around their necks. Such are the sundries of Guy Maddin, Evan and Galen Johnson’s political comedy Rumours here at Cannes.

Harlen Coben is one of the world’s most successful crime writers, and now one of the most successful TV producers, but he has revealed why his most enduring character has never been portrayed on television.

Mo Harawe makes history this Cannes with debut feature The Village Next To Paradise which is world premiering in Un Certain Regard as the first Somalian title to make it into Official Selection across the festival’s 77 editions.

Leading producer Martin Moszkowicz, who recently moved away from his role as CEO of German giant Constantin to focus on producing, was honored with the Carl Laemmle Producer Award in Laupheim for his multifaceted and extensive work as a filmmaker and producer. The veteran producer and exec has been behind major projects such as Monster Hunter, Fack Ju Goëth 1-3, Resident Evil and more recently, the Nibelungen adaptation of Hagen and Those About To Die. 

One of Ireland’s most celebrated businessmen, former rugby player Tony O’Reilly, has died aged 88, it has been announced.

There are a plenty of longtime Saturday Night cast members, yet there were no big exits — or hints of departures — on tonight’s Season 49 finale of the venerable NBC late-night program.

EXCLUSIVE:  Watermelon Pictures has acquired North American distribution rights for Palestinian director Mohamed Jabaly’s documentary Life Is Beautiful about his experiences after he became stranded in Norway in 2014 when Gaza’s borders were shut indefinitely.

A parody of Scooby Doo turned bloody on SNL Saturday, with host Jake Gyllenhaal subbing in as the toe-headed Fred while musical guest star Sabrina Carpenter guest starred as Daphne.

The Disneyland Resort cast members that bring the magic to life have voted to unionize with the Actors’ Equity Association.

Jeff Daniels is recalling filming Dumb and Dumber and the infamous toilet scene.

Jake Gyllenhaal took hosting duties for Saturday Night Live‘s Season 49 finale ahead of the historic 50th season this fall.

EXCLUSIVE: The Philippines‘ Star Cinema and GMA Pictures are teaming up to produce Hello, Love, Again, the sequel to blockbuster hit Hello, Love, Goodbye.

The recent assault on Steve Buscemi on the streets of New York City spawned a skit for SNL that featured Jake Gyllenhaal as an NYPD sergeant urging bad guys to “stop punching character actors in the face.”