Diane Kruger On David Cronenberg’s Personal Grief That Informed ‘The Shrouds’: “He Was Reliving A Little Bit Of His Life Every Time I Came On Screen”

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The stars are stepping out for Vanity Fair‘s big event at the 2024 Cannes Film Festival!

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Bella Hadid, Diane Kruger, and Demi Moore are all celebrating with Chopard at the 2024 Cannes Film Festival!

Diane Kruger is opening up about how she landed her role in David Cronenberg‘s arthouse horror film The Shrouds.

There was an eight-year gap between the release of David Cronenberg’s “Maps to the Stars” and “Crimes of the Future.” Thankfully, we didn’t have to wait that long for his newest feature, “The Shrouds.” READ MORE: ‘The Shrouds’ Review: David Cronenberg Digs Into The Core Of How Messy Grief Can Be [Cannes] With “The Shrouds” debuting at Cannes, we now have our first teaser for the sci-fi drama from director David Cronenberg.

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Grief is rotting Karsh’s (Vincent Cassel) teeth. It’s been four years since he lost his wife, the beautiful Becca (Diane Kruger), to a violent form of bone cancer that ate away at her body until her brittle frame could no longer sustain life.

From a 999 call to a conviction for murder, a new Channel 5 series makes compelling viewing for true crime fans. Tonight (Tuesday) is the turn of Julie Dixon, a woman who called the emergency services to report an attack on her partner David.

David Cronenberg is a filmmaker who has created his own brands of sci-fi for quite some time. But even a filmmaker like Cronenberg, someone who has dreamed up what the future could look like, is amazed at what technology is capable of today, specifically artificial intelligence (A.I.).  Speaking at the Cannes Film Festival (via Deadline), where he recently premiered his latest sci-fi feature, “The Shrouds,” David Cronenberg talked about the emergence of A.I.

When it comes to whether AI is friend or foe, particularly in regards to its place in the film industry, David Cronenberg is both intrigued and terrified. “What do we do? I have no idea,” the Canadian horror sci-fi maestro said Tuesday at the Cannes Film Festival, the day after the world premiere of his new film The Shrouds.

Ellise Shafer David Cronenberg weighed the pros and cons of artificial intelligence in filmmaking at the Cannes Film Festival press conference for his latest film, “The Shrouds,” on Tuesday. Though Cronenberg said that technological advancements like CGI have “made filmmaking much easier” in terms of tasks like removing coffee cups from footage, he admitted that it’s “quite shocking … to see what can be done even now with the beginnings of artificial intelligence.” Speaking of Sora, the new AI software that can generate motion pictures, Cronenberg said it has the potential to “completely transform the act of writing and directing.” “You can imagine a screenwriter sitting there, writing the movie, and if that person can write it in enough detail, the movie will appear. The whole idea of actors and production will be gone.

Diane Kruger is looking stunning on the 2024 Cannes Film Festival red carpet!

When his wife died, Karsh tells the blind date he has asked to lunch, he had an overwhelming urge to jump into the coffin with her rather than see her sent away alone. Instead, he contrived a way to straddle the worlds of the living and the dead, setting up a luxury cemetery where the dead are wrapped in metallic shrouds that are like camera blankets. Above ground, there are screens over each grave on which you can watch your loved one disintegrating.

Owen Gleiberman Chief Film Critic “How dark do you want to go?” The man asking that is named Karsh (Vincent Cassel), and he’s seated in a minimalist art-chic restaurant having lunch with a blind date (though as she points out, how blind can a date be in the age of Google?). The one who’s really asking the question, though, is David Cronenberg, writer-director of “The Shrouds.” He’s been asking that question — to audiences — for his entire career, and to him the answer has always been the same: The darker the better.

Ellise Shafer David Cronenberg’s “The Shrouds,” the horror auteur’s latest film about a widow who invents technology to see inside his late wife’s grave, received a 3.5-minute standing ovation at its Cannes premiere on Monday night. The crowd showed their respect for Cronenberg with the applause, but it was nowhere near rapturous as audience members digested the film, which is a departure from Cronenberg’s usual out-of-the-box body horror. Instead, “The Shrouds” is a thoughtful exploration of grief, and though there are several gross-out moments, the film relies on emotion more than anything.

Zack Sharf Digital News Director Kevin Costner confirmed in a new GQ magazine cover story that reports claiming he spent $20 million of his own money to co-finance his new Western epic “Horizon: An American Saga” are not true, as he actually contributed more than that from his personal bank account. “I know they say I’ve got $20 million of my own money in this movie,” Costner said. “It’s not true.

On Sunday at Cannes, Diane Kruger put her star power behind a worthy cause, attending the ‘Transcending Borders’ gala at the Campari Lounge hosted by Breaking Through the Lens—an organization that works to support female filmmakers.

After nearly nine years as the manager of Liverpool FC, Jurgen Klopp is getting set to say farewell to the team as he steps down from his role. During his time at the club, Jurgen has helped to revolutionise the team, with Liverpool lifting the UEFA Champions League, Premier League, FIFA Club World Cup and FA Cup under his watchful eye.

Brent Lang Executive Editor David Cronenberg is returning to Cannes with “The Shrouds,” the story of an industrialist named Karsh, who invents a controversial technology that allows grieving families to see inside the graves of their loved ones with high-resolution cameras. It’s a film that defies easy categorization. This being a Cronenberg production, there are elements of body horror, but there’s also a conspiracist undercurrent, as Karsh (Vincent Cassel) begins to suspect that shadowy forces are undercutting his expansion plans after his cemetery is ransacked.