Sofia Coppola was denied permission to use Elvis’ music in ‘Priscilla’

Her, the sci-fi romantic drama written and directed by her ex-husband Spike Jonze.Coppola discussed Jonze’s 2013 film during an interview with Rolling Stone, where she noted the comparisons with her 2003 film Lost In Translation. Both films are said to have been partly inspired by the couple’s divorce in 2003.Speaking about Her, Coppola said: “I never saw it! From the trailer, it looks the same too.

Zack Sharf Digital News Director Fresh off the world premiere of her last directorial effort, “Priscilla,” at the Venice Film Festival (where star Cailee Spaeny won best actress), Sofia Coppola joined Rolling Stone to reflect on the 20th anniversary of her beloved “Lost in Translation.” Coppola, whose script for “Lost in Translation” won the Oscar for original screenplay, partly used the dissolution of her marriage to fellow director Spike Jonze as inspiration for the film, which follows a college graduate (Scarlett Johansson) who accompanies her celebrity photographer boyfriend (Giovanni Ribisi) on a trip to Tokyo. While he’s out flirting with a Hollywood actress (Anna Farris), she befriends a faded movie star (Bill Murray) who’s in town to shoot a commercial. Since the film premiered in 2023, viewers have associated Johansson’s character with Coppola and Ribisi’s with Jonze.

Film anniversaries are a great way to make someone feel old. Has it really been 20 years since Sofia Coppola’s “Lost in Translation?” Apparently so.

Elsa Keslassy International Correspondent Paris-based leading distribution company ARP Selection has bought a pair of U.S. indie gems from the fall festival circuit, Shane Atkinson’s feature debut “LaRoy” and Sofia Coppola’s “Priscilla.” “LaRoy,” a neo-noir Western comedy with Coen brothers influences, just won three major prizes at the Deauville Film Festival, including the Grand Prize, Audience Award and Critics Prize; while “Priscilla” world premiered at the Venice Film Festival and won best actress for Cailee Spaeny.

Priscilla Presley went through an emotional experience as she watched “Priscilla,” the new film written and directed by Sofia Coppola. Priscilla Presley’s emotional reaction to Sofia Coppola’s film: ‘Only being 14, you look back and look ‘Why me?’’Priscilla Presley knew something was ‘not right’ days before Lisa Marie’s death: ‘I still can’t believe it’Premiering in Venice over the past week, “Priscilla” is based on the memoir “Elvis and Me,” written by herself and follows Presley’s life and romance with Elvis. “It’s very difficult to sit and watch a film about you, about your life, about your love,” said Presley.

Sofia Coppola’s new film about Priscilla Presley is earning rave reviews.

The tears flowed for Priscilla Presley following the world premiere of Sofia Coppola’s biopic, “Priscilla”, in Venice on Monday.

Sofia Coppola’s Priscilla got a rousing response at its world premiere at the Venice Film Festival on Monday evening. The pic, a biopic of Priscilla Presley, who was in attendance for the move based on the memoir she co-authored, scored a 7-minute, 45-second ovation.

Priscilla Presley was all shook up at the Venice Film Festival premiere of “Priscilla.” The subject of Sofia Coppola’s drama wiped away tears from her face on Monday night in Italy as the audience on the Lido exploded in a 7-minute standing ovation for the A24 indie film. Coppola and Presley attended the premiere alongside Cailee Spaeny and Jacob Elordi, who star as Priscilla and Elvis. The actors were granted a SAG-AFTRA waiver to promote the film amid the strike.

Owen Gleiberman Chief Film Critic The last time Sofia Coppola made a movie about a teenage royal living in a rococo palace that turned out to be a lavish prison, it was 2006, and the movie, “Marie Antoinette,” was a stylized dream of history — the story of the young queen as naïve and isolated rock star. Coppola’s new movie dramatizes the relationship between Priscilla and Elvis Presley, and the parallels with the earlier film are there if you want to see them.

The devil is in the details. Pink-nailed toes scrunching on a pink carpet; a packet of false eyelashes; piles of chips in a Vegas casino; the pills. Always the pills: squeezed in a palm that opens to reveal its little white prize; lined up in bottles on the bedside table; slipped into a pocket on the way to school. “Maybe the pills are too much,” ventures Priscilla Beaulieu to her boyfriend Elvis Presley, after one of his flares of temper where she just manages to dodge his fist. “I have doctors looking after me,” he growls. “I don’t need a second opinion.”

The most powerful aspect of Sofia Coppola’s “Priscilla,” premiering in Competition at this year’s Venice Film Festival, is in the title: to focus on Priscilla Presley, née Wagner, formerly Beaulieu, is to show a side of a marriage and of the King himself less familiar than and in some ways different from the romantic popular legend. But Coppola’s film does much more than simply show us the facts of how a fourteen-year-old girl gets to become the girlfriend and then wife of one of the biggest artists of all time.

Although she wasn’t seated at the dais this afternoon, and rather in the audience, Priscilla Presley loomed large over the Venice press conference for Sofia Coppola’s film, Priscilla, which screens in competition here tonight. 

Austin Butler landed a Best Actor nomination at the 2023 Oscars for his portrayal of Elvis Presley in Baz Luhrmann‘s Elvis. However, he wasn’t guaranteed the role.

Clayton Davis Senior Awards Editor Jeff Nichols brings pure Americana to the Telluride Film Festival with his luscious period drama “The Bikeriders,” which feels like the distant older cousin of “The Outsiders.” It stands as his single best directorial outing, and in tow are a trio of invigorating performances from Austin Butler, Jodie Comer and Tom Hardy, all putting their stamp on an awards season that will be undoubtedly competitive. Based on the 1968 photo and interview book by Danny Lyon, “The Bikeriders” tells a fictional story inspired by a Midwestern motorcycle club, seen through its members’ lives over a decade. Read: Variety’s Awards Circuit for the latest Oscars predictions in all categories.

As the Venice Film Festival kicks off this week, so too does it begin the Fall film festival circuit.  Telluride also starts this weekend, then onto TIFF, NYFF, and the BFI London Film Festival. And Variety has the scoop on the full line-up for London this October, which features several major films that premiered at Cannes and other fests earlier this year.

Naman Ramachandran The 67th BFI London Film Festival has unveiled its full lineup, which includes galas and special presentations of films by contemporary masters. As previously announced, Emerald Fennell’s “Saltburn” will open the festival and Kibwe Tavares and Daniel Kaluuya’s “The Kitchen” will close it.

The Hollywood Reporter, Priscilla Presley reflects on her daughter Lisa Marie Presley’s death. Priscilla is typically very private and chooses to keep to herself. However, seven months after her daughter Lisa Marie’s death, she admits to knowing something was wrong.Priscilla Presley recalls that she knew something felt wrong just two days before Lisa’s death.

Priscilla Presley is detailing some of the final moments with her daughterLisa Marie Presley, days before her tragic death at age 54 earlier this year, following cardiac arrest. The 78-year-old mom and her daughter were at the Chateau Marmont in Los Angeles, after the Golden Globes ceremony, and Austin Butler’s win for his portrayal of Elvis Presley in Baz Luhrmann’s recent film.LISA MARIE PRESLEY’S CAUSE OF DEATH AND TOXICOLOGY REPORT REVEALEDPRISCILLA PRESLEY’S EMOTIONAL REACTION TO SOFIA COPPOLA’S FILM: ‘ONLY BEING 14, YOU LOOK BACK AND LOOK ‘WHY ME?’’As published by the Hollywood Reporter, after a joint interview with director Sofia Coppola, who is preparing for the release of Priscila’s new biopic, it was revealed that things were not feeling as usual for the mother-daughter duo.

Priscilla Presley is opening up about her daughter Lisa Marie Presley‘s tragic death.