The release of Sofia Coppola‘s Priscilla, starring Cailee Spaeny and Jacob Elordi, has moviegoers wondering which other actresses have played the ex-wife of Elvis Presley.
31.10.2023 - 15:57 / theplaylist.net
Though Francis Ford Coppola is known best as the filmmaker behind iconic movies such as “The Godfather,” “Apocalypse Now,” and “The Outsiders,” he’s also known as a guy who loves to tinker. In fact, it’s not uncommon to hear that he’s releasing another new cut of one of his films.
Honestly, it’s tough to keep track of which cut is which when you look at his work. Continue reading Sofia Coppola Has No Interest In Taking After Her Father And Re-Editing Her Films at The Playlist.
.The release of Sofia Coppola‘s Priscilla, starring Cailee Spaeny and Jacob Elordi, has moviegoers wondering which other actresses have played the ex-wife of Elvis Presley.
Jenelle Riley Deputy Awards and Features Editor The Hammer Museum has revealed its lineup for MoMA Contenders 2023, the annual film series organized by The Museum of Modern Art. Ten films will screen at the Hammer’s Billy Wilder Theater from Nov. 29 – Dec.
If you’ve seen the new film Priscilla, you’ve likely noticed there were no Elvis Presley songs in it, despite him being a big part of the story.
Ellise Shafer SPOILER ALERT: This story contains spoilers for “Priscilla,” in theaters now. As the opening sequence of Sofia Coppola‘s biographical drama “Priscilla” unfolds, viewers meet a 14-year-old Priscilla Beaulieu (Cailee Spaeny) in 1959 West Germany to the tune of the Ramones’ 1980 hit “Baby, I Love You.” This time-bending choice may seem unexpected, but to those familiar with the work of Coppola — who famously soundtracked her 2006 historical film “Marie Antoinette” with the Strokes, Aphex Twin and the Cure — it won’t come as a surprise. After all, though the song is a subversion, it’s a cover of the Ronettes’ 1964 classic and carries much of the musical stylings of the period, courtesy of Phil Spector, who produced both versions.
Elvis Presley’s late daughter Lisa Marie was delighted with Baz Luhrmann’s biopic about her superstar father, but she expressed reservations about the forthcoming film focused on her mother, newly viewed emails reveal.
Priscilla.In an interview with E! News, director Coppola said she learned “people really connect Lana Del Rey with Priscilla”. Del Rey previously wrote a song for an Elvis documentary, and takes much of her style inspiration from Priscilla. She even got Presley’s blessing to play her in Baz Luhrmann’s recent Elvis biopic (the role went to Olivia DeJonge instead).Coppola said she “got a lot of requests about how [Del Rey] could be part of the movie”, and had asked the singer to write a song.
Naman Ramachandran Sarvnik Kaur’s documentary “Against the Tide” has won the Golden Gateway Award at the Jio MAMI Mumbai Film Festival. The film previously won awards at Sundance, Sydney and Seattle. Diwa Shah’s San Sebastian winner “Bahadur: The Brave” received Mumbai’s Silver Gateway Award.
Sofia Coppola‘s “Priscilla” hits theaters today amid a great deal of buzz, partially thanks to star Cailee Spaeny winning the Best Actress Award at the Venice Film Festival for her title role. But not everyone was thrilled Coppolla announced plans to adapt Priscilla Presley‘s 1985 “Elvis And Me” for the big screen last year.
Cailee Spaeny is bringing Priscilla Presley to life in her new biopic Priscilla. However, the rumor mill had another big name linked to the iconic part – Lana Del Rey.
her death in January, Lisa Marie Presley sent two emails to director Sofia Coppola, asking her to revise the script for Priscilla.In the emails obtained by Variety, the late Presley – the only child of Priscilla and Elvis Presley – expressed her shock and horror over the depiction of her father in the upcoming film.Priscilla is a biopic of Priscilla Presley, based on her 1985 memoir Elvis and Me. Set for release in January, the film has already sparked conversation among critics and fans due to its handling of the former couple’s relationship, which began when Priscilla was 14 and Elvis was 24.In the emails obtained by Variety, Presley asked Coppola to reconsider her depiction of Elvis, claiming it portrayed her father as “a predator and manipulative”.Presley called the script “shockingly vengeful and contemptuous,” and begged the Oscar-winning director to refrain from straining her fragile relationship with her mother, as well as drawing further attention to Elvis’ living grandchildren as they continue to grieve the loss of Lisa Marie Presley’s son, Benjamin Keough, who died in 2020.“My father only comes across as a predator and manipulative,” Presley wrote in one of the emails, which were both sent in September last year.
the devil in disguise.A mere four months before the singer died of complications resulting from a small bowel obstruction, Presley sent two emails to the director begging her to revise the script for “Priscilla,” according to Variety.The bio-pic, which is based on Priscilla Presley’s 1985 memoir “Elvis and Me,” focuses on the courtship between the infamous pair which began in Germany in 1959.The issue? Priscilla was 14 and Elvis was 24. “My father only comes across as a predator and manipulative,” Lisa Marie wrote in a September 2022 email.
The new Sofia Coppola movie Priscilla, based on Priscilla Presley‘s memoir, is now in theaters around the country following a limited release.
With Sofia Coppola‘s Priscilla on the verge of its theatrical release, a new report reveals what the late Lisa Marie Presley thought of the film about her mother Priscilla‘s relationship with her father, Elvis Presley.
Matt Donnelly Senior Film Writer Before her death earlier this year, Lisa Marie Presley expressed shock and horror over the depiction of her father Elvis Presley in the script for Sofia Coppola’s new film “Priscilla.” Described in two emails obtained exclusively by Variety, the late Presley asked Coppola to reconsider her vision for the character and to spare her family public embarrassment. The messages were sent four months before Presley suffered fatal cardiac arrest in January.
UPDATED with rescheduled date: The Academy Museum Gala, which had been postponed last month in the wake of Hamas‘ attack on Israel, has been rescheduled for December 3.
J. Kim Murphy The Academy Museum has set a new date for its annual fundraising gala, after initially postponing the event out of respect for the ongoing Israel-Palestine conflict. The event is now scheduled for the evening of Dec.
Apple TV+ adaptation of Edith Wharton’s novel The Custom Of The Country has been axed because it was about an “unlikeable woman”.READ MORE: ‘Priscilla’ review: Elvis’ turbulent marriage laid bare in brilliant biopicAccording to an interview with The New York Times, the director saidthat she was planning to develop the project as a five-hour limited series but the streaming service didn’t like its main character.“The idea of an unlikable woman wasn’t their thing,” Coppola said. “But that’s what I’m saying about who’s in charge.”Earlier in the interview, she also said: “The people in charge of giving money are usually straight men, still.
Announced way back in May 2020 (wow, that seems like a lifetime ago, doesn’t it?), Sofia Coppola’s “The Custom of the Country” was expected to be the filmmaker’s next big project with Apple, after her film, “On the Rocks.” Unfortunately, as the years have passed, it’s clear Coppola moved on, filming “Priscilla,” and now, we have an idea why. READ MORE: Sofia Coppola Almost Left Filmmaking Behind After ‘Marie Antoinette’: “I Was Just Over It” In a recent interview with The New York Times, Sofia Coppola talked about her filmmaking career, and specifically, she explained how difficult it is for her to still get financing for her projects.
Jio MAMI Mumbai Film Festival has announced that Sofia Coppola’s Priscilla will be the closing film of this year’s festival, where it will receive its South Asian premiere on November 3 at the PVR Maison in Bandra Kurla Complex (BKC).
Zack Sharf Digital News Director News broke in May 2020 that Sofia Coppola was partnering with Apple TV+ to develop a series adaptation of Edith Wharton’s 1913 novel “The Custom of the Country.” Flash forward over three years later, and the project is dead. Why? In a new interview with The New York Times, Coppola claimed that Apple execs did not want to spend the money on her five-hour adaptation due to issues they had with the main character. “The idea of an unlikable woman wasn’t their thing,” Coppola said.