‘Smile’ Scores $19 Million at Box Office While ‘Bros’ Is A Bust With $4.7 Million

Broadway box office held steady at $28,621,480 last week as a slate of new productions began or continued previews (Almost Famous and Kimberly Akimbo filled more than 90% of their seats), MJ and Leopoldstadt set house records and The Phantom of the Opera was once again standing room only as the long-running Andrew Lloyd Webber musical heads toward its Feb. 18 closing.

Rebecca Rubin Film and Media Reporter Paramount’s R-rated thriller “Smile” continues to beat box office expectations in North America and beyond. Over the weekend, the horror movie added $16.3 million at the international box office, boosting its overseas tally to $66.4 million. Globally, “Smile” has grossed $137.5 million, a killer result for a film with a $17 million production budget. It’s an even bigger win when taking into account that “Smile” was originally commissioned for the streaming service Paramount+ and wasn’t intended to play in theaters at all. But positive test screenings encouraged Paramount to give the film a full theatrical rollout. It’s the studio’s latest win following “Top Gun: Maverick,” “The Lost City,” “Scream” and “Sonic the Hedgehog 2.”

Independent trackers had expected this reboot trilogy finale to at least match the $49.4 million opening of its 2021 predecessor, “Halloween Kills.” Not only has it fallen short financially, it is also getting weaker audience reception than “Kills” with a C+ on CinemaScore and Rotten Tomatoes scores of 40% critics and 56% audience.With a global opening of $58.4 million when an overseas launch of $17 million from 20 countries is included, “Halloween Ends” has already turned a profit for Universal with a reported production budget of around $30 million. But the poor word-of-mouth, combined with the release of Warner Bros./DC’s “Black Adam” next weekend, is likely to curtail that theatrical profit and lead to a steep second weekend drop.

Halloween Ends” is still going to turn a sizable profit with an estimated $43 million opening weekend, but its day-and-date release on Peacock and weak reviews from critics and audiences alike are already having an impact. Prior to release, the final installment in David Gordon Green’s “Halloween” reboot trilogy was projected to open to $50 million, matching the $49.4 million opening of last year’s “Halloween Kills,” which was also a day-and-date release.

Mike Wass With global box office receipts already exceeding $100 million, “Smile” is the breakout horror hit of 2022. And while pundits largely put the film’s success down to Parker Finn’s spooky premise and a razor-sharp marketing campaign, its secret sauce is arguably Cristobal Tapia de Veer’s inventive score. Built around an obscure instrument that mimics human growls and groans, the otherworldly soundscape adds a layer of dread to “Smile” that lingers long after the credits roll. “Besides being the creepiest score of the year, Parker wanted it to be original,” Tapia de Veer says of the director’s original brief. To achieve that formidable goal, the Chilean-born composer knew that he had to sidestep the genre’s obsession with synthesizers. “In the last few years, there has been an obsession with retro sounds from the ’80s,” he says. “It’s very hard to plug in a synthesizer and not sound like John Carpenter when you start doing creepy things.”

Paramount’s Parker Finn-directed horror pic Smile has laughed its way across the $100M mark globally. And it did so in under two weeks of release. Through Tuesday, the gross is $102.3M worldwide, made up of $55.5M domestic and $46.8M from the international box office. 

Paramount’s Smile is positively grinning ear-to-ear as the horror pic from director Parker Finn saw a wild 19% upswing in holdovers at the international box office in its second frame. The weekend gross was $17.5M in 61 markets for a $40M offshore cume and $89.9M global to date.

Smile has received rave first reactions on social media from fans.Written and directed by debut filmmaker Parker Finn, Smile follows Dr. Rose Cotter (Sosie Bacon), who, after witnessing a traumatic incident involving a patient, starts to experience terrifying and inexplainable occurrences.Alongside Bacon, the cast also includes The Boys star Jessie T.

It was a varied offering at the international box office this weekend with newcomers from Hollywood and offshore markets, as well as notable holds, as we inch closer to full-on action later in October. 

Smile,” despite its sunshine-y name, is currently scaring the hell out of America.The original Paramount horror movie debuted at #1 at the box office this weekend. And for good reason – it’s really scary! “Smile,” from writer/director Parker Finn, follows a young doctor named Rose (Sosie Bacon), who uncovers an insidious curse after one of her patients murders herself in front of Rose.“Smile” recently had its world premiere at Fantastic Fest, an international film festival in Austin, Texas that specializes in genre movies. Known for its raucous crowds, Bacon told TheWrap what that first screening was like.

“Smile,” which was projected for an opening in the high teens against its $17 million production budget, actually saw a slight 4% increase in grosses from Friday to Saturday, beating industry estimates which had predicted a slight decrease after the film earned audience scores of B- on CinemaScore and a 69% positive rating on Comscore/Screen Engine’s PostTrak. While those scores could signal a more frontloaded box office run, the word-of-mouth among hardcore horror fans still seems to be running pretty strong and giving “Smile” a chance to match the $23.6 million opening of Universal/Blumhouse’s “The Black Phone” from earlier this year if Sunday numbers also beat projections.

according to IMDB’s Box Office Mojo.The feature film debut from writer and director Parker Finn was called a film with a “highly effective creep factor,” by Variety.It is predicted to be grinning all the way to a $19 million dollar opening weekend,” according to Deadline.Moving down a notch to second place from the top slot last week was “Don’t Worry Darling,” with $2.4 million in sales. The firm, which cost $35 million to make, according to Forbes, has netted $27.9 million domestically and $11 million internationally.Directed by Olivia Wilde, the 1950s-set thriller was “mid to poorly reviewed,” and is forecast to bring in just $7.2 million on its second weekend in theaters, according to Collider.

“Smile” is here.The new horror film from Paramount Pictures concerns a young doctor (Sosie Bacon) who, after a patient kills themselves in front of her, uncovers a vast and bizarre mystery involving a demonic curse that causes some very unsettling smiles. It’s a terrific little horror movie, full of genuinely scary moments and indelible images. If you head to a theater this weekend to watch, you will undoubtedly be surrounded by screaming viewers (yourself probably included).“Smile” had its world premiere at Fantastic Fest, an international film festival in Austin, Texas, known for its commitment to cutting-edge genre cinema.

Rebecca Rubin Film and Media Reporter Hold onto your bucket hats: Sony’s action-thriller “Bullet Train” crossed $100 million at the domestic box office. It’s an impressive milestone (in post-COVID times) for an original movie that doesn’t involve marquee comic book heroes or intergalactic adventures. It helps, of course, that a bankable actor like Brad Pitt stars in the film, as a heavily therapized assassin named Ladybug. “Bullet Train” reached $101 million in domestic ticket sales on Friday, making it only the 14th release this year to hit that benchmark. With another $130 million at the international box office, the film has now earned $231 million in global ticket sales to date.

J. Kim Murphy “Smile” has something grin about this weekend. The creeper is projected to land a $19 million debut from 3,645 locations. It’s a fantastic start for the genre film, which carries a modest $17 million production budget. Compared to other original horror entries this year, Universal’s supernatural kidnap thriller “The Black Phone” kicked off with $23 million while 20th Century Studios’ “Barbarian” opened to $10 million. “Smile” landed a mildly positive “B-” grade through research firm Cinema Score, though such a figure is standard for a horror release. The film has drawn good buzz with solid reviews, scoring a 79% from top critics on review aggregation website Rotten Tomatoes. Variety‘s chief film critic Owen Gleiberman praised the film in his review, writing that it “sets up nearly everything — its highly effective creep factor, its well-executed if familiar shock tactics, its interlaced theme of trauma and suicide — before the opening credits.”

“Smile” is ready to give you the willies.The new original horror film, from first-time writer/director Parker Finn, is here just in time for spooky season and it doesn’t disappoint – this thing is scary, disturbing and, yes, downright haunting. It follows Dr. Rose Cotter (Sosie Bacon), whose patient kills herself in front of Rose while wearing a ghastly smile on her face.

It doesn’t happen too often, especially from modern studio fare, but Parker Finn’s “Smile” is the kind of horror movie that earns the unique qualification of “genuinely scary.” Credit to Finn, the writer/director making his feature debut here, for achieving this with a strong and simple visual hook: possessed characters who smile, a sign to the witness that something is about to go horrifically wrong. It’s always creepy when actors here suddenly force a wide grin onto their faces, gradually baring their full teeth and pointing their eyes in a fashion that would barely be welcoming in a photo.

Written and directed by Parker Finn, Smile personifies trauma and examines its ripple effect and how it connects people, places, and things. The film stars Sosie Bacon, Jessie T. Usher, and Kyle Gallner.

Paramount’s horror movie Smile struck up $2M in Thursday night previews that started at 7 p.m., a figure that’s just above M. Night Shyamalan’s Old from summer 2021, which did $1.5M in its previews, and just under Universal/Blumhouse’s Black Phone Thursday previews which were $3M in June.