Sean Penn, Dakota Johnson, Finn Wolfhard, Viggo Mortensen, Maya Hawke, Nicolas Cage Among A-Listers Expected At The Toronto Film Festival Thanks To Interim Agreements

Superpower, Sean Penn and Aaron Kaufman’s doc about Ukraine’s fight for freedom, is getting a launch in the war-torn Eastern European country today.

British Film Institute, Tim Burton discussed the impact of Warner Bros. scrapping “Superman Lives,” which had Nicolas Cage attached as the titular hero, as well as how he felt seeing Cage as Superman and Michael Keaton’s Batman in DC Studios’ “The Flash.” “No, I don’t have regrets,” Burton said of the scrapped Superman project. “I will say this: when you work that long on a project and it doesn’t happen, it affects you for the rest of your life.

Dakota Johnson is stocking up on some fresh fruits and veggies to kick off her week!

Sean Penn urged the White House to take a more aggressive approach toward arming Ukraine, telling a crowd at a screening of his film Superpower that those who are influencing U.S. policy “need to get out of the pure caution business.”

At this point, we’re almost two years removed from Will Smith‘s infamous on-stage slap of host Chris Rock at the 2022 Oscars ceremony. So why is Sean Penn still talking about it? Well, it’s partially to drum up hype for his upcoming doc about Ukrainian President Volodymyr Zelensky, who wasn’t allowed to speak about Russian’s invasion of his country at the Academy Awards that year.

Will Smith‘s slap at last year’s Oscars.In a recent cover story for Variety, the Oscar-winning actor questioned why his peers stood and applauded Smith’s Best Actor win for Kind Richard, just moments after he walked onto the stage and slapped host Chris Rock for making a joke about Jada Pinkett-Smith’s hair.Smith, who is subsequently serving an Oscars ban until 2032, has apologised for his outburst numerous times.“I don’t know Will Smith. I met him once.

Sean Penn was truly angered by Will Smith slapping Chris Rock at the Oscars.

Will Smith slapped Chris Rock at the 2022 Oscars, the notoriously hot-tempered Sean Penn is questioning why he was jailed for a similar incident.“I don’t know Will Smith. I met him once,” Penn, 63, told Variety in a new interview. He seemed very nice when I met him.

Sean Penn is promoting the new documentary he co-directed, “Superpower”, which focuses on the Russian invasion of Ukraine and the stand taken by the Ukrainian people to defend their homeland, led by President Volodymyr Zelenskyy.

he told Variety. So he came up with a negotiation he could pitch to studio heads with a camera crew in the room.“So you want my scans and voice data and all that.

Sean Penn is getting candid about politics and the Oscars.

Matt Donnelly Senior Film Writer In his new documentary “Superpower,” Sean Penn assesses Ukraine’s ongoing war with Russia and the meaning of the word “freedom” in a world gone mad. He’s also revisits his own past with Russian leader Vladimir Putin, a moment that Penn calls a dark memory from decades before he would meet up with embattled Ukrainian president Volodymyr Zelenskyy. In the doc, Penn recalls a 2001 visit to the Moscow Film Festival where his directorial effort “The Pledge” was premiering.

Sean Penn’s house. Small talk is made about how the coffee table in his living room looks like a junk drawer just exploded on it. There are sunglasses, prescription bottles and a device that shoots salt at mosquitoes.

Making a grand entrance into the world of directing, Billy Bryk and Finn Wolfhard present their feature debut, Hell of a Summer. With the vibes reminiscent of Friday the 13th and Sleep Away Camp, this film delivers nostalgia that captures the essence of the golden age of horror slasher cinema. Each character checks off the 1980s horror trope boxes, ensuring that every campy moment feels both authentic and delightfully over the top. Bryk and Wolfhard also star.

Dakota Johnson and Sean Penn are bringing star power to the 2023 Toronto International Film Festival!

The high-concept elevator pitch description for Christy Hall’s “Daddio” would probably be something along the lines of “‘Locke’ as a two-hander,” or maybe “‘Collateral’ without the killing,” though it’s better than either of those loglines might lead you to believe. The premise is a simple one: Dakota Johnson (never named on-camera) plays a young woman coming home to New York who takes a cab from JFK to her home in Hell’s Kitchen.

Top-billed Vicky Krieps dies in the opening frame of Viggo Mortensen’s “The Dead Don’t Hurt,” with a tear running down her cheek and her co-star/director keeping vigil at her bedside, which might prompt some confusion from the casual viewer; is this a Western zombie movie? It is not, but it’s a picture that takes some time to reveal its methodology and motives; the viewer’s patience is required but rewarded.   Continue reading ‘The Dead Don’t Hurt’ Review: Writer/Director/Star Viggo Mortensen’s Contemplative Western Is A Dazzling Showcase For Vicky Krieps [TIFF] at The Playlist.

The western genre has been so pervasive throughout the entire history of the movies, and it is hard to imagine doing anything in it that hasn’t already been done. Viggo Mortensen, in writing, directing, producing, and co-starring in only his second film behind the camera (after 2020’s Falling) finds a moving, if tragic, love story to play against the stunning landscape of the circa 1860’s west, and somehow it all feels new. John Ford and Howard Hawks would love this movie.

was not the strangest thing to happen to cult fashion footwear this weekend. The internet spent a significant amount of time arguing about the —that is, a man who robbed his Hinge date of her cloven-toed Mary-Janes and gifted them to his actual girlfriend—which inspired fear in Ssense shoppers and confusion in fair-weather fashion fans who still think of Margiela’s most famous creation as “.”Less concerned with the moral implications of theft, conversations online centered on whether —which have gone from an art school niche to a —are “” or not.

Daddio is a knockout, the sort of breakthrough by a virtual unknown that many might dream about but only rarely takes place. Entirely set in a taxi stuck for a long time at night on a jammed highway heading from New York City’s JFK airport to Manhattan, debuting writer-director Christy Hall has created a marvelous two-hander between a veteran New York cabbie who’s seen it all and a young woman trying to figure things out.