‘Scanners’ series in development with David Cronenberg

The 1980s was a great decade for horror, with classics like “The Shining,” “The Fly,” and two “Evil Dead” movies. Effects were largely practical (not computer-generated) and genre giants Wes Craven, John Carpenter, Sam Raimi and David Cronenberg were making some of their most iconic movies ever.

Matthias Schoenaerts has been cast opposite Kate Winslet in HBO’s limited series The Palace, from Succession duo Will Tracy and Frank Rich and The Queen director Stephen Frears.

Jennifer Maas TV Business Writer With peak nerd TV upon us, there’s never been a better time to be a fan of genre programming – or David S. Goyer, a devotee and prolific writer-producer of genre fare. Goyer and his Phantom Four Films partner Keith Levine produced Hulu’s new David Bruckner-directed “Hellraiser” movie, which launched Friday, and are in the middle of filming their latest take on classic IP, “The Omen” prequel movie “The First Omen,” in Rome. Beyond that, the pair are in post-production on the second season of Apple’s “Foundation” adaptation, breaking the writers’ room for more episodes of the “Batman Unburied” podcast for DC and Spotify. They’re also working on two spinoff podcasts, including “Riddler,” featuring Hasan Minhaj, and a Batgirl/Barbara Gordon project. And they’re in the early stages of developing a dramatic series revolving around Michael Moorcock’s “The Eternal Champion” books for Skydance and Apple TV+ with “Foundation” writer Dana Jackson. If that’s not enough, they’re also holding their breath for a renewal of the Warner Bros.-produced “The Sandman” at Netflix.   

X” and “The Black Phone” with Ethan Hawke — which are both set in the ’70s — are now on streaming, as is David Cronenberg’s “Crimes of the Future” and Rob Zombie’s take on classic ’60s sitcom “The Munsters.”And you may have missed these foreign films: “The Innocents,” a Norwegian movie about children who misuse their supernatural powers; Austria’s “Luzifer,” which earned lead Franz Rogowski a Best Actor award at Fantastic Fest; Dutch folk horror film “Moloch;” “The Sadness,” an extreme body horror/zombie movie from Taiwan; “Saloum” from Senegal, which The Guardian called “slick gangster horror in wild west Africa;” and “Speak No Evil,” in which a get-together with a couple from Denmark and one from the Netherlands goes horribly wrong. Get in the Halloween spirit with movies about witches, ghosts, zombies, vampires, demons and the scariest monsters of all: Other people.

Owen Gleiberman Chief Film Critic Every horror movie is about pain, but only the “Hellraiser” series is about sadomasochism — the electricity and agony of it, the higher calling of it. “Hellraiser,” a reboot of the franchise that began in 1987 and has given us nine sequels (time flies when you’re having fun imagining yourself being tortured for fun), is a movie that honors the subversive tug of Clive Barker’s 1986 novella “The Hellbound Heart.” But it takes a long time for the new “Hellraiser” to get to what devotees of the series would call the good stuff. When it does, however, the movie doesn’t hold back. Flesh is torn and frayed, flesh is peeled and sliced, flesh gets split wide open with mystical mechanical devices. The film’s brutal final act may put you in mind of such queasy landmarks of cinematic mutilation as “Audition,” “The Cell,” the “Saw” series, the 2018 remake of “Suspiria,” and David Cronenberg’s recent return to body horror “Crimes of the Future.”

Zack Sharf Halloween is upon us, which means it’s perfect timing for Ti West’s “X” and David Cronenberg’s “Crimes of the Future,” two of the best new horror movies of the year, to hit streaming platforms. But that’s not all this scary season.

EXCLUSIVE: Poppy Liu has joined the Stampede Ventures movie Space Cadet which is currently filming with Emma Roberts (Holidate, Madame Web), Gabrielle Union (The Inspection, Bad Boys II), Tom Hopper (The Umbrella Academy, Love in the Villa), Columbian Pop Star Sebastián Yatra, David Foley (The Kids in the Hall, A Bug’s Life), and Desi Lydic (The Daily Show, Awkward). Liz. W. Garcia (The Lifeguard) is helming off her screenplay.

on Hulu, as the streaming service is adding a ton of horror-themed content this month. But not to worry, there’s plenty of other non-spooky new movies and shows to watch too.In the horror realm, director David Bruckner’s new (and well-received) take on “Hellraiser” arrives on Oct.

Nothing ever dies. It’s true in television as much as it is in vampire fiction, as the last few decades of weaponized nostalgia have seen dozens of properties remade for the small screen.

Jennifer Ehle (Pride and Prejudice, Fifty Shades of Grey) has joined the cast of the Paramount + series .

Joe Otterson TV Reporter Jennifer Ehle is the latest addition to the cast of the “Yellowstone” prequel series “1923” at Paramount+, Variety has learned. Per the official description, the series “will introduce a new generation of the Dutton family and explore the early twentieth century when pandemics, historic drought, the end of Prohibition, and the Great Depression all plague the mountain west, and the Duttons who call it home.” Ehle will play Sister Mary O’Connor, an Irish nun that teaches at the School For American Indians in Montana. She joins previously announced cast member Harrison Ford, Helen Mirren, Brandon Sklenar, Darren Mann, Michelle Randolph, James Badge Dale, Marley Shelton, Brian Geraghty, Aminah Nieves, Julia Schlaepfer, and Jerome Flynn.

We Are Scientists have announced details of new album ‘Lobes’ and a new UK and European tour – find all the details below and buy tickets here.The duo’s eighth studio album and follow-up to last year’s ‘Huffy’ LP, will come out on January 20, 2023. A first single from the album, ‘Operation Error’, was released last week.Discussing the new album, frontman Keith Murray said: “Lobes is the name of a cereal of black spheres invented by [bassist] Chris Cain (don’t ask).

As David Cronenberg preps “The Shrouds,” he continues to shop around the TV adaptation of his 2015 novel “Consumed.” But now it looks like another Cronenberg-related project will hit TV before that, although the director isn’t directly involved.   READ MORE: ‘The Shrouds’: David Cronenberg Describe His Next Film With Vincent Cassel & Léa Seydoux As “Autobiographical” The Hollywood Reporter reports that HBO plans to give Cronenberg’s 1981 film “Scanners” the series treatment.   Continue reading ‘Scanners’: HBO Is Remaking Cronenberg’s Film Into A TV Series With ‘Black Mirror’ Writer, ‘Lovecraft Country’ Director at The Playlist.

David Cronenberg’s Scanners is being turned in to a TV series.

Joe Otterson TV Reporter A series version of the David Cronenberg film “Scanners” is in development at HBO, Variety has confirmed. Per the official description, the series is “set in the mind-bending world of David Cronenberg’s seminal film. Pursued by relentless agents with unimaginable powers, two women living on the fringes of modern society must learn to work together to topple a vast conspiracy determined to bring them to heel.” William Bridges (“Black Mirror,” “Stranger Things”) will serve as writer, executive producer, and showrunner on the series. Yann Demange (“’71,” “Lovecraft Country) will direct and executive produce via Wayward Films. Cronenberg, who wrote and directed the original film, will serve as an executive producer. Michael Ellenberg and Lindsey Springer will executive produce on behalf of Media Res Studio. Meredith Duff and Sarah Sullivan of Wayward Films will also executive produce along with René Malo and Fanny-Laure Malo, Pierre David, Clark Peterson, and Aaron Gilbert. The show is a co-production between HBO, Media Res Studio, and Wayward Films.

David Cronenberg returned in a big way this year with “Crimes Of The Future,” his first film since 2014’s “Map To The Stars.” And Cronenberg has more projects on the way. He shopped around “The Shrouds” and a television adaptation of his 2015 novel “Consumed” at the Cannes Film Festival before the world premiere of “Future.” “The Shrouds” comes first, and at the San Sebastian Film Festival, Cronenberg shed some light on the project.

Like father, like son?  Brandon Cronenberg‘s work as a director already had a similar tone to his Dad, David Cronenberg. But now that he’s following in his father’s footsteps in another way: his upcoming film “Infinity Pool” has received an NC-17 rating, just like his father’s 1996 film “Crash.” READ MORE: ‘Infinity Pool’: Alexander Skarsgård & Director Brandon Cronenberg Team For NEON’s New Sci-Fi Thriller Bloody-Disgusting reports that the movie received an NC-17 rating from the MPA this week for “some graphic violence and sexual content,” but producer NEON intends to appeal to the C.A.R.A Appeals Board for a less extreme rating.

David Cronenberg described his next film, The Shrouds, as a personal and partly autobiographical project, during a press conference at the San Sebastian film festival Wednesday.