Saudi Cannes Un Certain Regard Title ‘Norah’ Sets French Distribution With Nour Films

French producer Dimitri Rassam is enjoying a high-profile Cannes Film Festival as producer of Competition title Limonov: The Ballad and The Count Of Monte Cristo, which scored a rousing 12-minute ovation at its Out of Competition debut.

The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.

Anita Gou is no stranger to the festival circuit. Her L.A.-based Kindred Spirit banner saw a raft of its first projects debut at Sundance (think Lulu Wang’s Mandarin-language comedy The Farewell, which made $23M worldwide, Shia LaBeouf-starrer Honey Boy and Sam Levinson’s Assassination Nation) but, more recently, her co-production Silent Twins was selected in Un Certain Regard in 2022, while Dominic Savage’s Close To You premiered in Toronto last year. The company’s Mubi-acquired doc The Last Year of Darkness, which explores the lives of alternative Chinese youth, was awarded a Special Mention prize in the Next:Wave section at the Copenhagen International Documentary Film Festival last year.

Self-taught Saudi director Tawfik Alzaidi posted a Tweet in 2011 predicting that cinemas would re-open in his country in 2018 after a 35-year ban.

Elsa Keslassy International Correspondent Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors. Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week.

Jack Dunn In 2023, Saudi Arabian film agency Film AlUla formed AlUla Creates, a local initiative that provides funding, mentorship and networking opportunities for Saudi filmmakers and fashion designers. And in just one year, AlUla Creates has exploded into a global brand, already hosting 123 international productions in the scenic valleys of AlUla, Saudi Arabia. “We call it a living museum,” said marketing director at Film AlUla Mahsa Motamedi.

Elsa Keslassy International Correspondent Sideshow and Janus films (“Drive My Car”) have acquired all North American rights to Payal Kapadia‘s “All We Imagine as Light,” the first Indian film to screen in official competition at the Cannes Film Festival in 30 years. The movie will world premiere on Thursday, May 23. It’s also one of only four films in the Competition directed by a woman.

Elsa Keslassy International Correspondent Rolling off its buzzy world premiere at Cannes’ Un Certain Regard, Oscar-nominated Icelandic filmmaker Rúnar Rúnarsson’s poignant drama “When The Light Breaks” has sold to a raft of territories. Represented in international markets by The Party Film Sales, the movie has been picked up for Italy (Movies Inspired), Switzerland (Xenix), Norway (Arthaus), Denmark (Ost for Paradis), Finland (Cinemanse), Hungary (Vertigo), Greece (Cinobo), Israel (New Cinema), Poland (Aurora), Turkey (Bir Film) and Baltics (Estofilm).

Nick Vivarelli International Correspondent A new Saudi Arabian film studio with deep pockets and Hollywood connections is launching from the Cannes Film Festival with a slate of film and TV projects. The Los Angeled-based 3SIX9 Studios – announced at an event on a yacht in the bay of Cannes – is co-founded by actor and producer Daya Fernández, who serves as CEO; Inga V.

Jamie Lang French distribution company UFO has secured the rights to American filmmaker Ryan J. Sloan’s New psychological thriller “Gazer,” which will world premiere at this year’s Directors’ Fortnight on May 22. Set in New Jersey and starring Sloan’s partner Ariella Mastroianni, “Gazer” is the story of a young mother with a rare degenerative brain condition called dyschronometria.

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.

Nick Vivarelli International Correspondent Variety will present a Women in Cinema Panel at the Cannes Film Festival in tandem with the Red Sea International Film Festival featuring top talents from Egypt, India, Thailand, Saudi Arabia and Senegal. The panel will take place at La Plage Des Palmes on Saturday, May 18, at 12pm CET.

Nick Vivarelli International Correspondent Arab cinema continues to break new ground with a fresh crop of social dramas, several of which depict female empowerment in different forms. These range from the tale of a young woman who fakes being dead so she can leave everything behind, to a rape-revenge thriller titled “Beretta,” just like the semi-automatic pistol used by Suad, its mute protagonist. Below is a compendium of promising upcoming Arabic-language films in various stages that will be surfacing either at festivals or on streamers.

John Hopewell Chief International Correspondent Chile’s Quijote Films, behind Cannes 2023 Un Certain Regard Fipresci Prize winner “The Settlers,” has tied down a powerful alliance of international partners on “The Mysterious Gaze of the Flamingo,” the first feature of 2018 Cannes Cinéfondation top winner Diego Céspedes. An LGBTQ-themed drama, “The Mysterious Gaze” is set in a mining town where a strange illness is said to be transmitted between men who fall in love with each other.

Elsa Keslassy International Correspondent France’s Les Films du Losange, the iconic distribution company owned by producer Charles Gillibert (“Annette”), has acquired Palmeraie et Desert,” the production company founded by celebrated filmmaker Raymond Depardon. Les Films du Losange, which was bought by Gillibert from longtime manager Margaret Menegoz in 2021, has been dedicated to preserving and promoting cinematic heritage since its inception.

Naman Ramachandran The film adaptation of popular comic strip “Natacha (Almost) Air Hostess” boasts an all-star cast. The cast includes Camille Lou (“Anthracite”), Vincent Dedienne (“We Can Be Heroes”), Fabrice Luchini (“The Empire”), Didier Bourdon (“Cocorico), Elsa Zylberstein (“Coup de Chance”), Isabelle Adjani (“Wingwomen”) and Baptiste Lecaplain (“Meet the Leroys”). The film is loosely based on the comic strip of the same name created by screenwriter François Walthéry, which was published by Editions Dupuy, and which comprises 23 albums and has sold more than five million copies.

Leo Barraclough International Features Editor As Cannes Film Festival kicks off, the Paris-based international sales company MK2 Films has revealed it has acquired three films and made substantial investments in new restorations, set against the backdrop of a strong presence at Cannes Classics. MK2 Films has entered into a collaboration with the Niki Charitable Art Foundation on the global rights (excluding the U.S.) for two films directed by artist Niki de Saint Phalle: “Un Rêve plus long que la nuit” (1976) and “Daddy” (1973).

Jamie Lang Catalan films routinely punch above their weight at high-profile international festivals: Think 2022 Berlin Golden Bear winner “Alcarràs.” That trend looks primed to continue in 2024. Catalan auteur Albert Serra will debut “Afternoons of Solitude,” co-produced by Catalan companies Andergraun Films and LaCima, with Ideale Audience and Tardes de Soledad.

Elsa Keslassy International Correspondent “The Substance,” Coralie Fargeat’s buzzy horror movie starring Margaret Qualley and Demi Moore, has sold to one of France’s biggest distributors, Metropolitan FilmExport, ahead of its world premiere in competition at the Cannes Film Festival. The Match Factory is handling international sales on the female-powered movie, and MUBI just acquired the rights in North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where they will release the film theatrically this year. MUBI has also acquired the movie for Turkey and India.

Patrick Frater Asia Bureau Chief French sales agent Pyramide International has dropped a dark and subtle trailer for “Việt and Nam” a gay drama about two young miners who must complete a mission before fate pulls them apart. Directed by Vietnamese auteur Trương Minh Quý, the film plays at the Cannes Film Festival in Un Certain Regard with its world premiere on May 22. Per a synopsis from lead producer Epicmedia: “Nam and Việt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea. But the departure cannot happen as, lying in a far-off forest is Nam’s father, a soldier, whose remains they’re compelled to find.