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04.09.2023 - 15:05 / deadline.com
When Venice head Alberto Barbera announced his competition lineup in July, he confessed that he and his selection team were surprised to see one submission in their database: a feature project by Japanese filmmaker Ryûsuke Hamaguchi.
Hamaguchi had quietly returned to filmmaking following the international success of his last two features, Drive My Car, which won best screenplay at Cannes before winning the best international feature film Oscar, and Wheel of Fortune and Fantasy, silver bear winner at Berlin.
The final product is Evil Does Not Exist, an enigmatic feature screening this evening on the Lido.
Set deep in the forest of a rural Japanese village close to Tokyo, the pic follows Takumi and his daughter Hana, who, like generations before them, live a modest life according to the cycles and order of nature. One day, the village inhabitants become aware of a plan to build a glamping site near Takumi’s house offering city residents a comfortable “escape” to nature. When two company representatives from Tokyo arrive in the village to hold a meeting, it becomes clear that the project will have a negative impact on the local water supply, causing unrest. The agency’s mismatched intentions endanger both the ecological balance of the plateau and their way of life.
The project began as an experimental collaboration between Hamaguchi and Japanese musician Eiko Ishibashi, who composed the music for Drive My Car. The pic will go on to play the New York Film Fest after which Sideshow and Janus Films will release domestically.
Below, Hamaguchi talks to Deadline about why he decided to make Evil Does Not Exist off-the-grid, how his Oscars success with Drive My Car changed his view of the industry and made him “sick of
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Unassuming Japanese master Ryusuke Hamaguchi was jolted into the dehumanizing glare of the Oscar machine after “Drive My Car” became an unexpected cause célèbre a few years ago. That generational masterpiece saw him ascend to the pinnacle of instant and unanimous global adoration and forged a salivating fanbase eagerly anticipating his subsequent work.
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Ryusuke Hamaguchi’s latest, Evil Does Not Exist, received a 7-minute, 50-second ovation at its Venice Film Festival world premiere on the Lido on Monday. The applause for the director of last year’s Best International Feature Oscar winner Drive My Car only ended when Hamaguchi and his team got up to leave.
Jessica Kiang A wild deer with a hunter’s bullet in its belly may attack a human, no matter how mild its nature normally. This is one of the droplets of woodland wisdom dispensed by the otherwise taciturn Takumi (Hitoshi Omika), the woodcutter, water-gatherer and all-round odd-job-man of Mizubiki village, the setting of “Drive My Car” director Ryusuke Hamaguchi’s meditative and moving, yet ultimately unsettling new feature. Takumi’s few words all relate to such matters: the flow of a stream, the thorns on a Siberian Ginseng, the tang of wild wasabi.
Shinrin-yoku, which translates as “forest-bathing,” was a Japanese invention of the 1980s: a meditative therapy that connects burnt-out urbanites with the healing power of nature. Evil Does Not Exist, the latest film from the celebrated director of Drive My Car, Ryusuke Hamaguchi – and a contender for the Golden Lion at the Venice Film Festival — opens with a long series of scenes of trees that are so serenely paced and beautifully scored that they leave you feeling as if you have been forest-bathing for real.
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Mark Schilling Japan Correspondent In 2021, Hamaguchi Ryusuke won truckloads of awards and nearly universal critical acclaim for his three-hour drama “Drive My Car,” including three prizes at Cannes and a best picture Academy Award nomination, the first ever for a Japanese film. (That Oscar went elsewhere, but “Drive My Car” was named best international feature film.) Instead of trying to top this triumph with a bigger budget and more internationally known names in the cast, Hamaguchi has returned to his indie roots with “Evil Does Not Exist,” which premieres in competition at this year’s Venice Film Festival.
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