Rithy Panh Rejoins TikTok Short Film Jury in Cannes

Jem Aswad Senior Music EditorToro y Moi, a.k.a Chaz Bear, has officially released “Goes By So Fast: A Mahal Film,” a short film starring Eric André and Chaz that, according to the announcement, “brings the world of Toro y Moi’s seventh studio album, ‘Mahal,’ to life.” The film was in partnership with Dropbox and directed by long-time Toro y Moi collaborator Harry Israelson, written by Sidney Schleiff and Israelson and produced by Ways & Means.Watch the film below.Israelson says, “Having worked with Chaz for over a decade, there’s been this natural evolution of our storytelling; with ‘Mahal,’ from day one we discussed a companion film. To me, the idea was to create a world around the record, so listeners could stick their head inside the album cover itself and have a look around.

Carson Burton The new half-hour anthology series “Spotlights: A Showtime Short Film Series” features work from various emerging filmmakers, Showtime has announced. All five epidodes of the series will premiere Sunday, June 12 on streaming and on demand for Showtime subscribers.Each episode of “Spotlights” will showcase two to three short films that vary in timely subject matter, tone and perspective.

Showtime announced the new half-hour anthology series Spotlights: A Showtime Short Film Series premiering Sunday, June 12. All 5 episodes will be available on streaming and on-demand for Showtime subscribers and will also air weekly on Sundays at 7:30 p.m. ET/PT.

From the mind of Daniel Johns, comes a new semi-autobiographical, but also sci-fi short film, “What If The Future Never Happened?” The Australian musician is most known for his years spent as the former frontman, guitarist, and lead songwriter of the rock band, Silverchair. Johns released his first solo album Talk in 2015, with his second album FutureNever recently released earlier this year.

Kate Winslet looks so stylish while arriving for the L’Oreal Lights on Women Award Ceremony held in Cannes, France on Friday (May 27).

Nick Vivarelli International CorrespondentItalian director Alice Rohrwacher, whose “The Wonders” and “Happy as Lazzaro” both won prizes in Cannes, is back at the fest with “The Pupils,” a short film that is screening during her masterclass in the “Rendez-vous With…” section.Variety is unveiling an exclusive clip (above).Written and directed by Rohrwacher, the 37-minute short is backed by Disney and was produced by Alfonso Cuaron in tandem with her regular producer Carlo Cresto-Dina. It features a cast comprising the director’s sister and regular collaborator, Alba Rohrwacher, actor-director Valeria Bruni Tedeschi — whose latest directorial effort “Forever Young” is competing in Cannes — and also Melissa Falasconi, Carmen Pommella, Greta Zuccheri Montanari, Luciano Vergaro — aka “Catirre” — and Tatiana Lepore.

EXCLUSIVE: The Coalition of Asian Pacifics in Entertainment and Janet Yang Productions announced the four winners of the inaugural Julia S. Gouw Short Film Challenge, which awards a $15,000 production grant to four AAPI women or non-binary filmmakers.

James Righton, formerly of the Klaxons, has released a new single from his forthcoming album ‘Jim, I’m Still Here’, and teased an accompanying short film. Listen below.Titled ‘Never Give Up On The City’, the song follows previous singles ‘Pause’ and ‘Empty Rooms’, the latter of which was released in April and features ABBA member Benny Andersson.‘Never Give Up On The City’ is the latest track to be lifted from Righton’s upcoming album ‘Jim, I’m Still Here,’ and will mark Righton’s second solo project to be released under his own name since his 2020 debut, ‘The Performer’.The single continues Righton’s exploration of Jim, an alter ego he conceived during lockdown who will narrate the album.

“The Stars at Noon” finds the French filmmaker Claire Denis shooting in Panama doubling for Nicaragua; directing a cast of Yanks, Brits, and assorted Central Americans; and working from a script switching between Spanish and English. Internationally coproduced Towers of Babel such as this aren’t at all uncommon at the Cannes Film Festival, but the errors in translation all over this disappointing foreign-relations drama run deeper than simple differences of ethnicity or language.

Christopher Vourlias For the latest edition of Focus COPRO’, a program launched in 2018 by Cannes’ Short Film Corner to give a boost to first-time feature directors, the organizing team decided to give the event a reboot, scrapping the formal pitches and giving the selected filmmakers a chance to mingle and network in a more casual setting.After a breezy lunch at Cannes’ Carlton Beach on May 23, the Cannes Short Film Corner Industry team described the event as “a great moment to discover and meet these renowned talented filmmakers and producers, who already have an impact on today’s cinema and will confirm their artistic vision with their first feature.”Among the industry professionals who joined the up-and-coming filmmakers were not only respected producers and sales agents, but a range of reps from leading co-production markets, labs, residencies, workshops and institutions focused on identifying and nurturing emerging talent. “We noticed since a few years ago that some of the projects were at a very early stage, and that they would gain from getting in touch with specific development programs,” the organizers told Variety.

Gallery: He hired a PSYCHIC to contact his DEAD PIG?! Which stars believe in clairvoyance, tarot and crystals? (BANG Showbiz)“Then he sent limos to her school where all the social workers were crawling around, again, unasked, for her and all her friends to go to ‘Pirates [of the Caribbean]'. "He did it a bunch of times. He gave her her own seat [at the premieres] with her name on it.

EXCLUSIVE: Netflix might have had a bumpy few weeks, but the streamer is poised to strike the first major Cannes deal on a hot market package.

The 2022 Cannes Film Festival opened amid concerns around journalistic independence. Now there are concerns regarding jury independence.

exercice de style as the French would put it, “EO” has plenty on its mind and nothing much to say, idling through a series of vignettes than more often not end with a punch-line of a forbidden kiss or a sudden act of violence, capturing them all with a flashy and urgent style of a music video or Super Bowl car commercial. One need not look far to see in this tale of a lonely beast of burden traipsing across the countryside a condemnation of modern Polish society, especially in sequences when the titular donkey first witnesses and then succumbs to a bout of skinhead hooligan violence, or when it clops across a forest bed we soon learn was once a Jewish burial site. At the same time, Skolimowski – who shot this project over a two-year period – seems more interested in simply making his camera swoop and soar and generally perform its series of stupid pet tricks. In many ways, this rather silly (if quite entertaining) trifle makes for a fitting entry for Cannes’ 75th edition. Skolimowski approaches the material with the hunger and zeal of a young film student, lifting a framework from Robert Bresson and filtering through references to recent festival provocateurs like Lars von Trier, Refn, and Michael Haneke.

Adriana Lima always turns heads on the red carpet, and thepremiere during the 75th annual Cannes Film Festival was no different.On Wednesday at the Palais des Festivals in Cannes, France, the 40-year-old pregnant supermodel stepped out in a floor-length, long-sleeve black gown that had a cut-out to showcase her growing baby bump. She paired the eye-catching gown with strappy high heels.By her side was her boyfriend and father of her child, film producer Andre Lemmers, who cradled Lima's bump while posing for photos. This will be Lima's third child, as she is also mom to daughters Valentina, 12, and Sienna, 9, whom she shares with ex-husband Marko Jarić.Last month, Lima and Lemmers announced the sex of their first child in a video posted to TikTok.

wildly entertaining rock ‘n’ roll fantasia “Leto.”The two films both show that Serebrennikov has strong ideas about how to use music, but otherwise they’re worlds apart. “Tchaikovsky’s Wife” begins with Miliukova (Alyona Mikhaylova) dressed in widow’s black and trying to choose the right words for her funeral wreath; but when she arrives in the room where her husband’s corpse is laid out, Tchaikovsky (Odin Biron, full of quiet Peter Sarsgaard smarm) rouses himself, stands up and asks, “Why is the wife here? Who invited her?”The scene is enough to tell you that this will be Miliukova’s story, and that it won’t be a straight period piece, even though it re-creates 1893 St.

EXCLUSIVE: Glass House Distribution President Tom Malloy, bitcoin veteran Charlie Shrem and producer Shyam S. Sengupta are unveiling a new digital finance company, Defiine, here at the Cannes Market.

Shakira is a better dancer than Jimmy Fallon, but it’s still fun to see them battle it out. The Colombian singer stopped by The Tonight Show this week to talk about her new job as a judge on the upcoming NBC series, Dancing with Myself.