Riley Keough says watching Baz Luhrmann’s ‘Elvis’ was an “emotional experience”

Austin Butler’s version of «Trouble» from the upcoming biopic -- and rightfully so. On Saturday, the film’s director, Baz Luhrmann confirmed to fans that it is in fact Butler’s vocals in all of the young Elvis performances from the film.

Fans who go see the new movie Elvis in theaters later this month will probably be wondering if actor Austin Butler is doing his own singing in the film.

Harry Styles and Elvis Presley are both pop-culture sensations who crossed over to movies after wildly successful music careers. But for “Elvis” director Baz Luhrmann, their status as generational icons made Styles a poor choice to play The King in his new biopic.

Harry Styles is known for his record-breaking success, and his impact has even reached ‘Elvis’ director Baz Luhrmann, who recently explained why he prefered not to cast the singer in the highly anticipated biopic starring Austin Butler as the legendary musician.The successful artist was excited to have the opportunity to get into the role of Elvis Presley, however the coveted role was desired by many other Hollywood stars, and ultimately went to Butler, partly because Denzel Washington mentored the actor onstage and convinced Luhrmann to give him the role.And when asked about his decision to cast Butler instead of Styles, the director revealed he would be thrilled to “work on something with him” but his worldwide success as a singer was the reason for him not to be included in the cast of the long awaited film, adding that Butler was “born to play” Elvis.“Harry is a really talented actor,” Luhrmann said during a recent interview in the ‘Fitzy & Wippa’ podcast on Monday, declaring that “the real issue with Harry is, he’s Harry Styles. He’s already an icon.”“Harry and I came to a place, genuinely I mean, he was just desperate to put the suit on and explore.

Baz Luhrmann revealed why Harry Styles wasn’t cast as Elvis Presley in the upcoming “Elvis” movie in a new interview.

Harry Styles in his Elvis biopic.The director said in a new interview that the pop star “is a really talented actor” but wasn’t quite right for the role that eventually went to Austin Butler.“Harry is a really talented actor,” Luhrmann told Sydney’s Nova FM. “I would work on something with him… but the real issue with Harry is, he’s Harry Styles.

Baz Luhrmann is opening up about the main reason why Harry Styles wasn’t chosen to portray Elvis Presley in the upcoming Elvis movie.

Elvis’ granddaughter, Riley Keogh, took the stage on Sunday during the MTV Movie & TV Awards to present a sneak peek of the upcoming Baz Luhrmann biopic about the King of Rock & Roll. Riley reflected on her grandfather's legacy as she took the stage during the awards to share a never-before-seen clip of the film.

Riley Keough — the granddaughter to the King of Rock and Roll himself, Elvis Presley -- is set to share a special look at the upcoming biopic about her famous grandfather.Keough will make an appearance during the 2022 MTV Movie & TV Awards to present an exclusive sneak peek at the Baz Luhrmann-directed film,, which stars Austin Butler as the «Jailhouse Rock» singer, and Olivia DeJonge as Keough's grandmother, Priscilla Presley.The long-awaited project also stars Tom Hanks as Elvis' longtime manager Colonel Tom Parker, and is set to hit theaters June 24.Meanwhile, the star-studded awards show is also set to celebrate — after the film soared into box office glory and shattered Memorial Day box office records — with a special message from Tom Cruise.This year's show — hosted by Vanessa Hudgens — will honor top favorites in entertainment and is set to air live from Barker Hanger in Santa Monica, California.Top nominees on the scripted side this year include with seven nods,  with six, and with four, while on the unscripted side,  earned four nominations, while and nabbed three apiece.The 2022 ceremony will also feature new categories such as Best Song, Best Reality Return, Here For The Hookup and more!Check out the complete list of nominees here.The 2022 MTV Movie & TV Awards air live on Sunday, June 5 at 8 p.m. PT/ET on MTV.

Måneskin have spoken to NME about working with director Baz Luhrman on their cover of ‘If I Can Dream’ for upcoming Elvis biopic.Elvis, the upcoming Presley biopic directed by Baz Luhrmann that’s set to arrive in cinemas next month, comes with a soundtrack of covers along with “original songs and recordings” by Presley himself and the film’s star, Austin Butler. Artists to have contributed include Eminem, Tame Impala, Stevie Nicks, Jack White, Swae Lee, Diplo, Chris Isaak, Denzel Curry, Jazmine Sullivan, Pnau and more.Speaking to NME for this week’s Big Read cover story, Måneskin told us about recording their version of Evlis’ “huge ballad” ‘If I Can Dream’.“We were talking about it with Baz Luhrmann, who had this really cool, super-smart idea, because it would have been so easy to give us an up-tempo song and go super rock-ish,” said frontman Damiano David.

upcoming biopic “Elvis.”The 65-year-old Oscar winner discussed why he decided to portray him — and how director Baz Luhrmann convinced him to do so — at the Cannes Film Festival on Thursday.“I’m not interested in playing a bad guy just for the sake of, ‘Before I kill you, Mr. Bond, perhaps you’d like a tour of my installations.’ That’s OK, I get it, but that’s for other stuff,” the “Forrest Gump” actor noted via People.Hanks donned prosthetics and hefty cosmetics to become the real-life legend, though he confessed at the French film fest that he “did not know what Colonel Tom Parker looked like.”He added that Luhrmann described the Colonel as a “great carney,” or carnival worker.“The carney’s job is to bring people to the glittering lights on the outside of town, promise them something they’ve never experienced before, and then, almost giving it to them, at a cost,” he said.

The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.

in a tweet. “The film is dazzling, bold and moving. Austin Butler absolutely nails it- all the shades: voice, moves, emotion.

“fizzy, delirious, impishly energized, compulsively watchable” — reviews have been mixed with one critic all shook up.IndieWire writer David Ehrlich published his review of the Austin Butler and Tom Hanks-led film Wednesday and trash-talked the flick, calling it a “nightmare” as well as “deliriously awful.”The journalist dove right into “Elvis” — out June 24 — writing that the “159-minute eyesore” is more about Hanks’ Colonel Tom Parker, the longtime manager of the “Love Me Tender” star, and less about Butler’s Elvis.He gave “Elvis” a grade of “D.”IndieWire described the Oscar winner’s character as the “Kentucky Fried Goldmember” and is “possibly the most insufferable movie character ever conceived.” The Hollywood Reporter seemed to agree, dubbing the “Forrest Gump” actor’s role as “arguably the least appealing performance of his career.”But for IndieWire’s Ehrlich, the problem seemed to lie in the pudding: the writing.“Luhrmann’s dizzying script (co-written by Sam Bromell, Jeremy Doner and Craig Pearce) frequently returns to the idea that Presley’s life was caught in the crossfire between two different Americas: One gyrating towards freedom, and the other snuffing it out,” he penned in his review.The critic also compares scenes in “Elvis” to Luhrmann’s other “sensory overload” and “swooningly electric moments” such as the fish tank sequence in his 1996 romance “Romeo + Juliet” and the wild party scene in 2013’s “The Great Gatsby.” “The hyper-romantic energy of those films helped braid the present into the past in a way that made them both feel more alive,” he wrote. “’Elvis’ discovers no such purpose.

CANNES – Following its world premiere at the 2022 Cannes Film Festival the reviews for Baz Luhrmann’s “Elvis” are in. So far most critics have raved about Austin Butler’s performance as the King of Rock and Roll and complicated Luhrmann’s staging of the movie’s musical performances.

There’s really no overstating the sociocultural impact of Elvis Aaron Presley, whose music and celebrity cleaved the twentieth century in half as an Ozymandias colossus foretelling the future of fame: merchandising, overexposure, descent into self-parody. That’s all in Baz Luhrmann’s new biopic “Elvis,” though mostly because he’s jammed everything he possibly can into its million-millennia run time.

Kaia Gerber and Austin Butler are packing on the PDA!

Refresh for latest… Baz Luhrmann’s Elvis strutted its way up the Cannes Film Festival red carpet this evening for the film’s world premiere which was greeted by explosive applause inside the Palais.