Richard Linklater Hands Out High Fives as ‘Hit Man’ Gets 5-Minute Standing Ovation at Venice

How’s this for a big pick-up in an otherwise quiet sale season on the Fall film festival circuit? Variety reports that Netflix bought the rights to Richard Linklater‘s latest film “Hit Man” after it screened at the Venice Film Festival and TIFF to rave reviews. It’s Netflix’s second significant purchase out of TIFF, the other being Anna Kendrick‘s directorial debut “Woman Of The Hours.” READ MORE: ‘Hit Man’ New Look: Richard Linklater Says His New Genre-Bending Movie Is “All About Identity” Based on a true story (but taking liberties with the source material) “Hit Man” stars Glen Powell as Gary Johnson, a part-time teacher who moonlights as a fake hitman for the local Texas police department.

EXCLUSIVE: Netflix closed a $20 million deal on Hit Man, making the biggest deal at the 2023 Toronto International Film Festival and of the year for that matter. After the Richard Linklater-directed noir comic thriller debuted to raves at Venice, the film was expected to fetch the biggest deal of the fall festivals so far. Hit Man did not disappoint. Hit Man stars Top Gun Maverick’s Glen Powell and Adria Arjona (Andor) playing the most unlikely romantic partners, in performances that will boost each of their careers. Especially Powell, who co-wrote with Linklater what will be a major star turn for him. Netflix got US, UK, Australia/New Zealand, India, South Korea, Hong Kong, Malaysia, Vietnam, Indonesia, Singapore, Philippines, and Iceland. There is also a theatrical component to the deal, I’ve heard.

Rebecca Rubin Film and Media Reporter Netflix shelled out $20 million for global rights to “Hit Man,” a (sort of) true crime comedy from director Richard Linklater and star Glen Powell. The movie, which played to enthusiastic audiences at Telluride and Toronto film festivals, follows Powell as Gary Johnson, a mysterious gun man for hire.

Jaden Thompson Director Richard Linklater expressed his admiration for Greta Gerwig’s record-breaking “Barbie” in a recent interview with NME. He specifically praised the musical numbers in the fantasy comedy, which include “I’m Just Ken,” performed by Ryan Gosling. “I liked the musical numbers,” Linklater said.

School Of Rock, saying it “didn’t feel like a hit” when he first approached the project.Starring Jack Black as a struggling guitarist who poses as a substitute teacher, the comedy film grossed over $130million worldwide on a $35million budget when it released in 2003. It’s since spawned a stage adaptation and a TV spin-off on Nickelodeon.Speaking to NME about the film, which celebrates its 20th anniversary this year, director Linklater said: “I loved working on that movie and I loved Jack, and the whole process.

England manager Gareth Southgate has admitted that Manchester United winger Jadon Sancho can still force his way back into the national team set-up.

After just being officially confirmed for a SAG-AFTRA Interim Agreement the day before, the cast of Memory hit the Venice Film Festival red carpet Friday night. Michel Franco’s movie, starring Jessica Chastain and Peter Sarsgaard, was greeted with a seven-minute ovation during its world premiere inside the Sala Grande.

Ellise Shafer Michel Franco’s heartbreaking drama “Memory” earned a strong eight-minute standing ovation at the Venice Film Festival on Friday night as stars Jessica Chastain and Peter Sarsgaard wiped away tears. Franco, Chastain and Sarsgaard embraced as the audience cheered them on, with each taking their turn in the spotlight to accept the applause. After the crowd clapped for several minutes, Chastain was visibly emotional, dabbing at her eyes as she smiled with pride.

Ava DuVernay touched down at the Venice Film Festival on Wednesday evening with her new film Origin, which world premiered in Competition and received a more than eight-minute ovation in its debut screening.

Ellise Shafer Ava DuVernay’s latest film, “Origin,” premiered in competition at Venice Film Festival to a 5 minute and 46 second standing ovation. Based on Isabel Wilkerson’s book “Caste: The Origins of Our Discontents,” “Origin” chronicles “the remarkable life and work” of Wilkerson “as she investigates the genesis of injustice and uncovers a hidden truth that affects us all,” according to the film’s synopsis. The drama stars Aunjanue Ellis-Taylor, Niecy Nash-Betts, Jon Bernthal, Niecy Nash-Betts, Vera Farmiga, Audra McDonald, Nick Offerman, Blair Underwood, Connie Nielsen, Emily Yancy, Jasmine Cephas-Jones, Finn Wittock, Victoria Pedretti, Isha Blaaker and Myles Frost.

Richard Linklater brought his Hit Man to the Venice Film Festival on Tuesday, world premiering the comedy thriller out of competition to a six-minute ovation inside the Sala Grande.

Owen Gleiberman Chief Film Critic Is it something in the air? At this year’s Venice Film Festival, the unofficial theme appears to be hit men. David Fincher’s “The Killer” is all about an icy methodical professional executioner. Woody Allen’s “Coup de Chance” turns on an act of murder-for-hire.

That Glen Powell is a gem of an actor is nothing new, but twenty years into his career, and after stealing the show in a bunch of films and series, we can all finally stop praying for him to get a leading role worthy of his talents. In “Hit Man,” Powell reunites with his “Everybody Wants Some!!” director Richard Linklater for a part that allows him to be by turns nerdy, sexy, and funny, but at all times almost unbearably charming.

It was 22 years ago that Skip Hollandsworth wrote a Texas Monthly article about Gary Johnson, a school teacher who moonlights as a hit man who doesn’t kill people. Now if that doesn’t sound like the formula for a hit movie, you may understand why it has taken so long for Gary’s story to make it to the silver screen, so long in fact that its subject passed away before he could hit the red carpet of the Venice Film Festival where the film is having its World Premiere tonight. Nevertheless Glen Powell never forgot the story and has teamed with Richard Linklater to finally tell it, but it is only “loosely” based on the article. Certain details in the screenplay co-written by Linklater and Powell are made up, and those are the details that actually help make this a hilarious winner, as well as perhaps Linklater’s most commercial movie since School Of Rock. Its quirky true crime element also has a bit in common with Linklater’s Bernie which starred Jack Black. The director seems drawn to this kind of offbeat tale, with some level of truth to it.

On its surface, a comedy about a college professor who becomes a phony hitman for the police department to catch criminals hoping to whack a stubborn spouse or bothersome business associate might seem an odd fit for a European festival noted for heavy dramas and extended runtimes. It helps, of course, that Hit Man, which premieres at Venice Film Festival this evening, is directed by Richard Linklater, a noted master of independent filmmaking for more than 30 years, and that initial reactions to it have been universally effusive.

Richard Linklater’s Hit Man debuts out of competition in Venice this evening, and while the story follows a professional killer, the filmmaker told the press corps today, “I’m pretty sure movies invented hitmen, they aren’t real.”

Ellise Shafer Richard Linklater said production on his musical comedy “Merrily We Roll Along” is set to resume soon — pending that the ongoing Hollywood strikes are resolved. During the Venice Film Festival press conference for his upcoming movie “Hit Man,” Linklater briefly discussed “Merrily,” which will be filmed periodically over the course of 20 years. Principal photography began in 2019 with a target release date in 2039, and the film stars Paul Mescal, Beanie Feldstein and Ben Platt.

Sofia Coppola’s Priscilla got a rousing response at its world premiere at the Venice Film Festival on Monday evening. The pic, a biopic of Priscilla Presley, who was in attendance for the move based on the memoir she co-authored, scored a 7-minute, 45-second ovation.

Priscilla Presley was all shook up at the Venice Film Festival premiere of “Priscilla.” The subject of Sofia Coppola’s drama wiped away tears from her face on Monday night in Italy as the audience on the Lido exploded in a 7-minute standing ovation for the A24 indie film. Coppola and Presley attended the premiere alongside Cailee Spaeny and Jacob Elordi, who star as Priscilla and Elvis. The actors were granted a SAG-AFTRA waiver to promote the film amid the strike.

Bradley Cooper appears to have another winner on his hands.