Richard Arnold caused quite the stir on Good Morning Britain on Friday (May 26) while celebrating 50 years of The Rocky Horror Show.
08.05.2023 - 14:55 / nme.com
Oscars’ new diversity and inclusion standards, saying “they make me vomit”.The Jaws actor discussed the Academy’s diversity initiative during an interview with PBS’s Firing Line With Margaret Hoover. The changes, which will come into effect in 2024, will alter the qualifying criteria for the Best Picture category to improve the diversity of its nominees.“They make me vomit,” Dreyfuss said, when asked his view on the changes.
“Because this is an art form. It’s also a form of commerce and it makes money, but it’s an art.“No one should be telling me as an artist that I have to give in to the latest, most current idea of what morality is.
And what are we risking? Are we really risking hurting people’s feelings? You can’t legislate that. You have to let life be life.
And I’m sorry, I don’t think that there is a minority or a majority in the country that has to be catered to like that.”The actor went on to defend the use of blackface by Laurence Olivier for the 1965 film Othello, adding: “He played a Black man brilliantly. Am I being told that I will never have a chance to play a Black man? Is someone else being told that if they’re not Jewish, they shouldn’t play the Merchant of Venice? Are we crazy? Do we not know that art is art?“This is so patronising.
Richard Arnold caused quite the stir on Good Morning Britain on Friday (May 26) while celebrating 50 years of The Rocky Horror Show.
They’re back!
Prince Harry and Meghan Markle have entered into a legal row with Backgrid, the photo agency that was allegedly involved in a near-catastrophic car chase in which paparazzi hired by the agency followed the royals following an event in New York.The Duke and Duchess of Sussex's lawyers have since demanded that Backgrid hand over any footage of the chase, as they argue this will enable them to improve their security. A letter from their lawyer, seen by US celebrity news outlet Page Six, reads: "We hereby demand that Backgrid immediately provide us with copies of all photos, videos, and/or films taken last night by the freelance photographers after the couple left their event and over the next several hours." Lawyers for the photo agency have hit back at these demands, with their own letter, which reads: "In America, as I’m sure you know, property belongs to the owner of it; Third parties cannot just demand it be given to them, as perhaps Kings can do.
Zack Sharf Digital News Director Warner Bros. Discovery is on the eve of launching Max, its new streaming service that combines the already-existing platforms of HBO Max and Discovery+. But don’t expect Aubrey Plaza to be among Max’s subscriber base. “The White Lotus” star revealed to Vanity Fair that she refuses to use streamers because she often gets enraged while using them. So no, Plaza never streamed her own season of “The White Lotus” and stays off HBO Max. “I get really angry,” Plaza said about using streamers. “I was trying to watch ‘Top Chef’ Season 20. Couldn’t figure out how to fucking get Hulu + Live. I give up! I can’t. I just can’t. And so what I like to do is go on iTunes and buy movies that are old. Or I’ll go on iTunes and just, like, buy the whole ‘Sopranos’ series, and then my husband will be like, ‘You literally can watch that for free on HBO Max.’”
Leo Barraclough International Features Editor Grandave Intl. has acquired the international sales rights of sports drama feature film “Sweetwater,” starring Golden Globe winner and Emmy Award winner Jeremy Piven and Academy Award nominated actor Richard Dreyfuss. Other cast include SAG Award nominated actor Cary Elwes, SAG Award winner Kevin Pollak, and rising star Everett Osborne. The film will be released in the U.S. by Universal and Briarcliff Entertainment, in partnership with the NBA. It is written and directed by Martin Guigui (“The Bronx Bull,” “9/11”). The producers are Tim Moore (“American Sniper”), Dahlia Guigui (“9/11”), Darren Moorman (“Blue Miracle”), and Josi Konski (“Babette’s Feast”).
Emmerdale fans were left baffled as they watched the latest drama for Moria and Cain Dingle unfold. It became clear in the ITV soap earlier this week that the couple are struggling for money with various bills mounting.
K.J. Yossman Denise Richards is set to star as a radio host looking for a date to the company Christmas party in holiday movie “A Christmas Frequency,” Variety can reveal. Veteran director Lindsay Hartley (“The Romeo and Juliet Murders”) will helm the project, which is being produced by Nicely Entertainment. Ansley Gordon (“Crazy Ex-Girlfriend”), who wrote the screenplay for “A Christmas Frequency,” will also star in the movie alongside Johnathan Stoddard (“Furry Little Christmas”) and James Hyde (“The Young and the Restless”). In the film, which is already in production, Richards stars as morning radio show host Brooke Walkins, who is not only secretly separating from her husband Todd (Hyde) but haemorrhaging ratings on her show. When she finds out the show is being axed, Brooke’s producer Kenzie Parker (Gordon) has the bright idea of setting up the host with a series of blind dates live on air to help Brooke find someone to take to the company’s Christmas party.
Gemma Atkinson has issued a warning to Gorka Marquez as she confirms a decision about their family ahead of welcoming their second child. The Hits Radio host and her Strictly Come Dancing star beau announced the wonderful news back in January that they were expecting baby number two.
Viewers were stunned as Coronation Street favourite Helen Flanagan was forced to say her goodbyes on I'm A Celebrity South Africa along with ex EastEnders actor Dean Gaffney. Former Corrie actress Helen was eliminated just minutes into Wednesday night's episode (May 10) after a race between campmates to stay in camp.
Latest EastEnders spoilers show Jay and Lola spend a special day together at the seaside as the latter heartbreakingly faces the final months of her life. With Lola having to leave her job at the salon because of her terminal cancer diagnosis, Kim organises a leaving karaoke party for her. But the day becomes too much for Lola and she retreats outside.
Georgia 'Toff' Toffolo and Andy Whyment became the latest celebs to leave the camp after being locked in a head-to-head battle with Myleene Klass and Jordan Banjo on I'm A Celebrity South Africa. Made In Chelsea star Toff and Coronation Street actor Andy, who plays Kirk Sutherland in the ITV soap, left by boat after being covered in sticky molasses in their final trial.
Richard Dreyfuss is one of the most recognizable actors in the history of cinema. Starring roles in films like “Jaws” and “Close Encounters of the Third Kind” will forever cement him as one of the best of his era.
Richard Dreyfuss is not a fan of The Academy‘s newly implemented inclusivity rules.
Clayton Davis Senior Awards Editor Richard Dreyfuss doesn’t get it, but most grouchy, self-proclaimed keepers of the old Hollywood guard never do when it comes to creating an industry that gives a chance for everyone to thrive. It was Sept. 8, 2020, and I was one week into my job as the awards editor for Variety when the Academy dropped its bombshell news that as part of its Aperture 2025 initiative, the organization was introducing new representation and inclusion requirements for submitting in the best picture category. There are four standards a film must meet in order to be eligible. So naturally, the news designed to promote and encourage diversity in the Hollywood system was met with divisive reactions. Some, such as Viggo Mortensen, said, “It’s about exclusion, which is discrimination.”
This year, the Academy of Motion Picture Arts and Sciences will be introducing four new diversity and inclusion standards that must be met in order for a film to be considered for an Oscar nomination.
implemented for next year’s Oscars, saying the new standards “make me vomit.”“This is an art form. It’s also a form of commerce, and it makes money.
stating the changes are “designed to encourage equitable representation on and off screen in order to better reflect the diversity of the movie-going audience.”You can watch the entire interview at the top.
J. Kim Murphy Oscar-winning actor Richard Dreyfuss issued some criticism for the Academy of Motion Picture Arts and Sciences’ new diversity and inclusion standards, saying that the updated requirements for Oscar contention “make me vomit.” Dreyfuss’ comments came during a wide-ranging interview on PBS’ “Firing Line With Margaret Hoover,” in which the actor discussed civics education in the United States, partisan discourse and the Academy’s diversity inclusion initiative. “It’s an art. No one should be telling me as an artist that I have to give in to the latest, most current idea of what morality is. What are we risking? Are we really risking hurting people’s feelings? You can’t legislate that,” Dreyfuss told Hoover. “You have to let life be life. I’m sorry, I don’t think there is a minority or majority in the country that has to be catered to like that.”
Richard Dreyfuss is receiving backlash on social media over his comments about the new diversity rules to be eligible for the Best Picture award at the Oscars.
Todd Gilchrist editor Over three seasons (and a pandemic special) on Showtime, “Couples Therapy” has quietly become a destination for healing for television watchers who are interested in the difficult work of digging into interpersonal relationships — or watching other people do that work, anyway. Through the empathetic, incisive probing of Dr. Orna Guralnik, executive producers Elyse Steinberg, Josh Kriegman and Eli Despres have not only explored the complexity of couples’ shared and individual lives, but the essential, often painful and yet invariably revelatory therapeutic process that helps people understand themselves, their partners and the world around them. Following the April 28 premiere of Part 2 of the show’s third season, Variety spoke to Steinberg, Kriegman and Despres about “Couples Therapy” as a mirror for the challenges that many relationship face. In addition to talking about the themes that emerged from the conversations shared with their selected couples this season, the filmmaking trio broke down the process, both logistical and philosophical, that guided them, and examined some of the deeper notions exposed by the series’ format — and by therapy itself.