Review: 'Either/Or' is Elif Batuman’s sequel to 'The Idiot'

Jessica Kiang It’s possible that the very first casualty of war is not truth, but nuance. Since Maksym Nakonechnyi’s grimly disturbing “Butterfly Vision” was conceived and shot, the protracted Donbas conflict during which it is set has flared into all-out war following Russia’s February 2022 invasion of Ukraine.

said, calling the president’s sanctions against Russia “counterproductive.” “Of course, this is in retaliation for installing Donald Trump as president.”Trump himself has, on multiple occasions, refuted findings that Russia meddled with the 2016 election. Responding to a clip of Biden saying that prices are not likely to come down “in the near term,” Carlson accused him of “single-handedly prolonging” the war in Ukraine instead of making a “push” for it to end.Later in the segment, Carlson turned his attention to the delays, cancellations and price increases plaguing airlines.

Naman Ramachandran Amazon Prime Video India has set its first Tamil-language long-form scripted original series, “Suzhal – The Vortex,” written and created by Pushkar and Gayatri (“Vikram Vedha”).The eight-part crime thriller revolves around the investigation of a missing girl that wreaks havoc and disrupts the fabric of a small town in South India. It is produced by Wallwatcher Films and directed by Bramma and Anucharan M.

instead of a subscription to a streaming service that’s turned into an ongoing competition to make the world’s worst movie. Running time: 96 minutes. Not rated.

HB 20 echoes claims made by conservatives that platforms such as Twitter and Facebook deliberately target conservative speech with content moderation policies such as “shadow banning,” which the platforms have repeatedly denied. However, the evidence is clear that that even with content moderation policies, Facebook still prioritizes conservative speech and ideologies and studies have proven that, for reasons that are unclear, right wing figures are amplified far more than left wing figures on Twitter.The tech industry and other parties have argued that the law would prevent content moderation of any kind, and enable hate speech to flourish online.

Lucas’ bishop warns him of the dangers before he sets out to minister to a remote community of Icelanders in Cannes Un Certain Regard title Godland. “It’s easy to go mad there,” he explains at his Copenhagen dining table, steadily chewing his way through the fabulous feast in front of him. Iceland, where the sun never sets on summer nights, where the weather is extreme, the landscape broodingly monumental: just remember the apostles, “a group of lonely men,” the bishop advises as he wipes his mouth. Lucas (Elliott Crosset Hove) is not eating; one glance tells you he’s a priest of an ascetic bent.

As countries go, Iceland is probably one of the most fast-changing in terms of its biological make up, its intense volcanic activities reshaping its surface and contours at a speed fast enough to be perceived within a single generation. Paradoxically, it is also a place where time appears to stand still, with the sun omnipresent for half the year and absent for the rest.

Peter Debruge Chief Film CriticIceland is like no other place on Earth, and the films that take place there can’t help but reflect this. In “Godland,” Icelandic writer-director Hlynur Pálmason attempts to see his homeland through outside eyes, the way it must have looked to the Danes who claimed and controlled it until World War II.

Lise Pedersen As the boundaries in cinema become increasingly fluid, emerging filmmakers whose films have been selected at the Cannes Film Festival have been discussing their journey from documentary to fiction at the Cannes Market’s Cannes Docs sidebar.Curated by the Documentary Assn. of Europe, the panel on Sunday brought together Ukrainian director Maksym Nakonechnyi, the director of Un Certain Regard title “Butterfly Vision,” and Erige Sehiri (“Railway Men”), the Tunisian director of “Under the Fig Leaves,” which had its world premiere in the Directors’ Fortnight sidebar.The titles are fiction debuts for Nakonechnyi and Sehiri, who are both experienced documentary filmmakers.Inspired by the conflict in Ukraine’s Eastern Donbas region that has been ongoing since 2014, “Butterfly Vision” is the story of a young Ukrainian soldier who returns home after being held captive for months and discovers she is pregnant after being raped by her Russian warden.

presumed dead (but was shown to be alive in a sinister camp in Russia, trapped by evil scientists). His distraught pseudo-daughter, Eleven (Millie Bobby Brown), went with the Byers family as Joyce (Winona Ryder), Will (Noah Schnapp) and Jonathan (Charlie Heaton) left Hawkins, Indiana for less-dangerous pastures. Steve (Joe Keery) made a new friend in Robin (Maya Hawke).

unleashed smoke bombs and unrolled a list of murdered women just before the world premiere of Ali Abbasi’s serial-killer drama “Holy Spider.” And if the demonstration’s cause was only too just, its context was all too uncommon, since these protesters were seemingly there to support, not oppose, Abbasi’s violent and disturbing film. To follow up his Un Certain Regard-winning “Border,” the Iran-born Denmark-based director has burrowed into a chilling bit of true-crime from his native country, reimagining the 2001 case of a religious fanatic who slaughtered 16 young women and using that premise to explore systemic misogyny writ large. He does so by turning the murder thriller upside down, telling a story where the killer’s identify is never in doubt and his intentions are always crystal clear, and where the greatest source of tension comes from wondering whether anyone in power will lift a finger to stop him. The killer in this case is middle-aged construction worker Saeed (Mehdi Bajestani).

CANNES, France -- Fashion models, Instagram influencers and Russian oligarchs collide on a yacht — and some very extreme sickness ensues — in Ruben Östlund's “Triangle of Sadness,” a social satire that had viewers at the Cannes Film Festival in hysterics.The Swedish filmmaker's latest, co-starring Woody Harrelson as a Marxist boat captain, has made one of the biggest splashes at this year's festival. At its premiere Saturday evening, there were such waves of laughter and applause that Östlund on Sunday compared it to a crowd at a soccer match.Östlund has already found an international audience for movies that take an uproarious, uncomfortable aim at money, masculinity and other big social targets in films like the Alpine marital drama “Force Majeure” (remade as “Downhill,” with Julia Louis Dreyfus and Will Ferrell) and the art-world satire “The Square,” which won the Palme d'Or top prize at Cannes in 2017.But in his first English-language film, and with a budget twice that of “The Square,” Östlund wanted to go even further with his particular brand of “rollercoaster for adults” cinema.“I wanted to do something that’s worth leaving your home and leaving your screens, leaving the streaming services you have at home,” Östlund said ahead of the film's premiere.

CANNES – We are living in yet another era of European history where old battles over the borders of nation-states are being disputed. Russia has invaded the sovereign nation of Ukraine after already annexing the province of Crimea less than a decade ago.

Guy Lodge Film CriticThere’s always an undertow of melancholy even to the most idyllic of summer vacations. Every blissed-out day that passes is another closer to it ending, and the shadow of normal life resuming — with its work and school and domestic obligations, shelving the freer, looser personae we adopt away from home — hovers beside our pleasure like a glum weather forecast.

Scottish writer-director Charlotte Wells lights up Cannes Critics’ Week with Aftersun, the absorbing story of an 11-year-old going on holiday with her father. Paul Mescal (Normal People, The Lost Daughter) stars alongside Francesca Corio in a terrific two-hander with engaging supporting performances. Shot on location in Turkey, the film is partly a comedy-drama about a package holiday, but also a meditation on memories of a father with mental health problems.

A cookery school in Didsbury is hosting an event for Ukrainian people living in Manchester to meet each other and 'build communities'. Food Sorcery Cookery & Barista School is hosting a chocolate fondant and sushi making class today, May 19. The event will run between 11am and 2pm and despite having limited capacity, still has some spaces available.