‘Renfield’ Makeup Artist Reveals Nicolas Cage’s Teeth Were Shaved Down For Dracula

Charna Flam Count Dracula’s bold extravagance has never been an oversight for costume designers, but “Renfield’s” Lisa Lovaas wanted to add a bit of “rockstar flair” to Nicolas Cage’s take on the Prince of Darkness. While Lovaas still aimed for a “current but timeless” wardrobe for the iconic vampire, she pulled inspiration from David Bowie as well as classic versions of Dracula. As the film concludes and Renfield seeks his revenge on Dracula, Lovaas wanted to pay homage to former versions of the vampire in an unexpected way. Audiences’ last glimpse at the horror icon is him at his most extravagant, in an ultra-luxe deep burgundy velvet suit.

Dracula, where he’s been memorably portrayed by greats like Alexander Granach (in 1922’s silent Nosferatu), Dwight Frye (as a wide-eyed madman in 1931’s Dracula), and Tom Waits (chewing the scenery, and bugs, in 1992’s Bram Stoker’s Dracula), Renfield is perpetually overshadowed by the blood-sucking count.Universal’s new Renfield (★★☆☆☆), a big-budget spinoff of the Dracula story, set in present-day New Orleans, promises to give the character his overdue shine. Unfortunately, the film is an overcooked clash of genre and tepid grasps at modernization, whose greatest asset is — you guessed it — Dracula himself, played by a glammed-up, fang-gnashing Nicolas Cage.

The acting life isn’t always glamorous. Sometimes, you have to sacrifice for the part. Submitted for your approval is one Nicolas Cage, who has revealed a major regret captured on film while out promoting his current horror comedy, Renfield, which features Cage as Dracula and Nicholas Hoult as the title servant, R.M. Renfield.

The Late Show to promote new vampire movie Renfield.Responding almost immediately, Cage said: “I’m gonna start with Pig — that’s my favourite movie I’ve ever made.”He went on: “I love Mandy, that Panos Cosmatos directed. I love Bringing Out the Dead, that Martin Scorsese directed.

Jenelle Riley Deputy Awards and Features Editor This article first appeared as part of Jenelle Riley’s Acting Up newsletter – to subscribe for early content and weekly updates on all things acting, visit the Acting Up signup page. Sometimes, you find startling accuracy in the most unlikely places. Codependency and toxic relationships have long been fodder for film and television, but lately there’s been a batch of quality entertainment that does an excellent job of depicting the reality of an unhealthy relationship — and the struggle to break free from one. Surprisingly, it’s comedic entertainment that seems to be doing it best as of late. Take the first season of the Apple TV+ comedy “Shrinking,” which depicts a therapist (Jason Segel) trying to help a client (Heidi Gardner) break up with her verbally and emotionally abusive husband. It’s a character arc that rings only too true, expertly captured by “Saturday Night Live” breakout Gardner. Over on HBO Max, the animated series “Harley Quinn” has spent three seasons showing how its titular character starts a new life out from under the shadow of the ultimate toxic boyfriend, the Joker. While it’s a fantastical story that uses heroes and villains with superpowers, the metaphor is apt — Harley Quinn has no identity outside of her famous paramour and has to rebuild her life, and self-worth, on her own.

Five wide releases hit theaters this weekend, but Illumination and Universal’s Super Mario Bros. Movie will reign supreme with a second weekend, -60% of $58M. Already the plumbers have plunged a running stateside total through nine days of $260M, with $300M+ this weekend in sight.

Jazz Tangcay Artisans Editor When director Chris McKay was making “Renfield” he turned to production designer Alec Hammond (“Donnie Darko”) to help deliver a fresh and updated take on the Dracula story, by taking “a big monster movie, rooting it in the classic movies, but subverting any expectations.” The film starring Nicolas Cage as Dracula and Nicholas Hoult as his faithful sidekick Renfield, begins in 1931, in black-and-white. It was important, Hammond says, to set up Cage’s world in the historic context of harkening back to classic Dracula movies before jumping to the present day. The Charity Hospital in New Orleans, which had been abandoned since Hurricane Katrina, was the perfect location for Hammond to set Dracula and Renfield’s modern-day lair.

“The Late Show with Stephen Colbert” Thursday, the Academy Award winner took a trip down memory lane with the host while promoting his new film, “Renfield.”While Cage, whose real name is Nicolas Coppola, has some impressive blockbusters under his belt — including “National Treasure,” “Moonstruck,” and “The Rock” — the 59-year-old’s top five is comprised of his lesser-known work.“I’m going to start with ‘Pig’ that is my favorite movie I have ever made,” Cage told Colbert. “I love ‘Mandy,’ the movie that Panos [Cosmatos] directed. I love ‘Bringing Out The Dead’ that Martin Scorsese directed.

Stuck in a movie theater seat watching “Renfield” plod along, the answer is a resounding meh.As the Count from “Sesame Street” would say, “‘Renfield’ gets TWO stars! Ah, ah, ah.”Cage — whose career has become so goofy he recently played a parody version of himself who gets kidnapped by a Spanish drug lord — is as funny and self-aware as the evil old vampire. Crazy, it would seem, has become Cage’s new normal. But don’t come looking for a wacky sendup of the story in the vein of Mel Brooks’ “Young Frankenstein.” It’s actually not even as hilarious as that director’s much-worse 1995 movie “Dracula: Dead and Loving It,” and outside of a few basic details the film has little to do with Bram Stoker’s book.“Renfield,” directed by Chris McKay, has more in common with the (far better) “Zombieland” series, with high-body-count action sequences, quick-cut comedy and an unlikely, socially awkward hero. That would be Robert Montague Renfield (Nicholas Hoult), Count Dracula’s beleaguered “familiar,” who has been gifted an unnaturally long life in exchange for bringing the vamp fresh victims.

“Renfield,” an outrageous new take on Bram Stoker’s “Dracula,” told from the point of view of the count’s perpetually put-upon manservant (played here by Nicholas Hoult), the notion of being too over-the-top is considered and then hastily breezed by. In the opening sequence alone, an ancient curse is placed on the dark prince (played, with much scenery-chewing, by Nicolas Cage); when Dracula is freed he turns into a vaporous mist and explodes a priest from the inside. Then Dracula catches on fire and is turned into a crispy skeleton.The sequence is telling both for its bold tonal shifts and for the manic approach to action.

Few characters manage the passage of time quite like Dracula. From the character’s iconic beginnings as a Universal Studios monster to more recent attempts to craft a shared universe, Dracula adaptations often offer the clearest reflection of both the film industry and broader societal trends.

played by Jodie Foster and Kali Reis.In the teaser, which was revealed during Warner Bros. Discovery’s unveiling of the Max streaming service, Foster and Reis must put aside their shared resentment of each other to solve a frigid mystery after six workers disappear in the dangerous Alaskan landscape.“You think I wanna work with you,” Reis tells Foster in the teaser.

Rebecca Rubin Film and Media Reporter Expect “The Super Mario Bros. Movie” to capture the high score at the box office… again. Despite the release of two new movies — Universal’s wacky Dracula horror-comedy “Renfield” and Sony’s R-rated demonic thriller “The Pope’s Exorcist” — Universal and Illumination’s animated adaptation of the popular Nintendo video game looks to loom large in its second weekend of release. After its towering $146 million debut, “Mario” is estimated to bring in $58 million to $66 million, a 55-60% decline from its opening. The PG blockbuster, which cost $100 million and brought back the all-important demographic of family audiences, has generated $204.6 million in North America and $375 million globally since opening last Wednesday. It’s already the fourth-highest grossing animated movie in pandemic times, following “Minions: The Rise of Gru” ($939 million), “Puss in Boots: The Last Wish” ($480 million) and “Sing 2” ($408 million).

There have been so many variations and film versions of Bram Stoker’s classic Dracula, from 1926’s Nosferatu to Tod Browning’s 1931 Dracula to Francis Coppola’s well-regarded take with Gary Oldman to even comedic satires like Love at First Bite with George Hamilton taking on the role. Now in Universal’s latest effort to rescue its horror classics and make them new again, we have the perfectly cast Nicolas Cage as the Prince of Darkness. Even he has done an offshoot before, in 1988’s Vampire’s Kiss. However this time around the film is not centered on Dracula himself, but rather his beleaguered servant, henchman, whatever you choose to call him, Renfield, and it is another Nicholas, as in Hoult, who has the title role this time in Renfield. Cage’s part, though meaty, is actually supporting as the emphasis turns to the long-suffering assistant who was tasked with bringing his boss’ prey directly to him, consuming bugs of all sorts in order to get superhuman powers to conquer them, and basically taking the fall for anything this narcissistic vampire does not find to his liking.

In 2017 Universal debuted their ambitious plans for a series of reboots of their popular 1930s and 1940s horror films. Dubbed the Universal “Dark Universe,” it yielded only two features — 2017’s “The Mummy” with Tom Cruise and 2020’s “The Invisible Man” starring Elisabeth Moss — before being scrapped.

Chris McKay returns to theaters for the first time since 2017’s “The LEGO Batman Movie” with “Renfield” on April 14. And even though McKay directed “The Tomorrow War” in between, most movie fans still associate the director with his 2017 animated jaunt that features Will Arnett as the Caped Crusader.

Variety Thursday.“Nic wanted to emote and annunciate properly, so it was important the veneers were thin,” he said, explaining that the technology allowed him to make quick adjustments to the sharp dentures when needed.In order to put the 3-D printing to good use, Tinsley had to scan Cage’s teeth and then digitally sculpt them so they could fit in his mouth perfectly.The “National Treasure” actor also spent over three hours daily in the hair and makeup chair.“It was a full head of prosthetics, dentures, full body, torso, arms, hands and nails,” Tinsley noted. “Those take time.”Cage also stayed in character for the whole time they were shooting the flick, even when the camera wasn’t on him.

Jazz Tangcay Artisans Editor For Chris McKay’s “Renfield,” Nicolas Cage spent up to three hours each day transforming into the role of iconic vampire Dracula. But the biggest hurdle was developing Dracula’s razor-sharp teeth, makeup artist Christien Tinsely tells Variety. With the teeth design, it was important to consider how Dracula’s teeth would extract from the gums. Tinsley says McKay also wanted all of Dracula’s teeth to be sharp — not just the canines. Tinsley, whose credits include “The Passion of the Christ” and “Emancipation,” says he wanted to be able to make swift adjustments once Cage was on set, meaning he wouldn’t have much time to prep dentures and teeth casting using traditional denture methods. The eventual solution was to use 3D printing.

Here’s a hot take: Nicolas Cage is a fascinating actor. Controversial, I know.

Here’s a hot take: Nicolas Cage is a fascinating actor. Controversial, I know.