Remembering Piper Laurie in ‘Carrie’ and ‘The Hustler’: A Special Combination of Vulnerability and Power

Owen Gleiberman Chief Film Critic Helena (Daisy Ridley), the title character of “The Marsh King’s Daughter,” is a woman living what she thinks is a safe, comfortable middle-class existence — just like the heroes of “Cape Fear” or “Straw Dogs.” And like those characters, she’s ripped out of her cocoon by a man with a vengeful agenda. In this case, the self-righteous stalker-invader is her father, Jacob (Ben Mendelsohn), who raised her in a cabin in the marshland wilderness of Michigan’s Upper Peninsula, teaching her how to hunt and survive.

Peter Caranicas Deputy Editor Adam Driver, star of Michael Mann’s “Ferrari,” will travel to Camerimage, the cinematography-oriented film festival, to accept Special EnergaCamerimage Award for an Actor. He will also introduce the film, one of the entries in the Camerimage Main Competition and a prominent awards contender this season. The fest will run in Toruń.

Selome Hailu Mike Birbiglia has set his newest comedy special, “The Old Man and the Pool,” at Netflix. The hour-long set debuts on the streamer on Nov.

A live orchestra is set to perform the scores of some of the most played and beloved video games in a live show in Manchester.

Owen Gleiberman Chief Film Critic In the early days of the culture war, science stood on one side and religion on the other. In 1925, the so-called Scopes Monkey Trial hung on whether a Tennessee high-school instructor had violated state law by teaching human evolution. He was on trial, but it was really Charles Darwin who was on trial.

kicked off the highly anticipated “Live’s Halloween: The Eras Show” as Cher, and her late husband, Sonny Bono, Tuesday. The longtime “Live” host, 52, showed off her figure in a yellow and white outfit with heavy eye makeup and black wig. Consuelos, who took over hosting duties from Ryan Seacrest, wore a yellow 70s-looking shirt, which he covered with a white jacket.

Owen Gleiberman Chief Film Critic A movie’s central character needn’t be someone we admire, but he should probably be someone we’re drawn to, someone we vibe with in sympathetic fascination, who we feel we know and understand even as he crosses over to the dark side. Few movies have lived out that dynamic more cathartically than the underworld dramas of Martin Scorsese.

Owen Gleiberman Chief Film Critic A femme fatale is in the business of fooling people, though we’ve seen enough of these characters to be overly familiar with their tricks. Maybe that’s why, in 2023, the most effective femme fatale is one who can fool the audience. Take Stéphane (Laure Calamy), the desperate young woman at the center of the delectable French family thriller “The Origin of Evil.” The film’s rather abstract title could refer to several things, but the most accurate is probably the cliché that first leaps to mind: Money is the root of all evil.

On the heels of the wonderful 2019 The Two Popes, in which Anthony Hopkins starred as Pope Benedict XVI in an imagined conversation with Jonathan Pryce’s future Pope Francis, Hopkins is once again involved in the same kind of cinematic historical fictional meeting as founder of psychoanalysis Sigmund Freud, who is engaged in a private debate with The Chronicles of Narnia author and theologian C.S. Lewis (played by Matthew Goode) on the existence of God. As with The Two Popes, there is no proof whatsoever that any meeting ever took place, but it clearly provides lots of material to wrap your head around. That is exactly what Mark St. Germain did in creating his 2009 play Freud’s Last Session, which was built on the 1967 Harvard lectures of Dr. Armond M. Nicholi Jr in his presentation “The Question of God: C.S. Lewis and Sigmund Freud Debate God, Love, Sex, and the Meaning of Life.”

Is Tom Sandoval really a narcissist? We’re about to find out!

EXCLUSIVE: Sheryl Lee Ralph (Abbott Elementary), Timothy V. Murphy (Appaloosa) and Bruce Greenwood (The Fall of the House of Usher) have boarded The Fabulous Four, a new comedy from Bleecker Street, which has entered production in Georgia under an Interim Agreement from SAG-AFTRA.

Owen Gleiberman Chief Film Critic In too many thrillers to count, the key scene, and the most suspenseful one, arrives when the hero or heroine, investigating a chemical spill or a murder or what have you, sits down at the computer and deep dives into a web search, the information-age detective work culminating in that inevitable “Aha!” moment of discovery. So here’s where the darkness leads. There’s a sequence like that in “Another Body,” a groundbreaking, creepy, fascinating, and important documentary about a phenomenon that’s only going to grow in significance: the deepfaking of pornography.

Owen Gleiberman Chief Film Critic Hollywood loves to repeat success, and now more than ever it needs to. If there’s a promising way to draw people into movie theaters that the industry doesn’t capitalize on, it will only be colluding in the decay of its own future. So when I came out of “Taylor Swift: The Eras Tour,” having experienced, for the first time in a while, what it was like a share a concert film with an ecstatic audience, one of my first thoughts was, “How could they do this again?” You might say that’s a silly question, since it has one obvious answer: They can’t.

Gene Maddaus Senior Media Writer A group of A-list actors is adding pressure on SAG-AFTRA leadership to find a way to resolve the actors strike, which has now lasted 97 days. George Clooney, Tyler Perry, Scarlett Johansson, and others held a Zoom meeting on Tuesday afternoon with Fran Drescher, the president of SAG-AFTRA, and Duncan Crabtree-Ireland, the union’s executive director. Though the tone has been described as “supportive,” the actors did not call the meeting merely to express support.

Chris Willman Senior Music Writer and Chief Music Critic There aren’t a lot of precedents in pop music for the pairing of Billie Eilish and Finneas, when it comes to brother-and-sister performing or songwriting duos. But in the world of music for films, it might not be too soon to start considering a comparison with a very famous married duo: Alan and Marilyn Bergman, the long-reigning king and queen of movie theme songs.

Sophia Scorziello editor A24 has unveiled the trailer for Jonathan Glazer’s “The Zone of Interest.” The German-language Holocaust drama tells a chilling story of real-life German SS officer Rudolf Höss and his wife Hedwig, who raised their children in a farmhouse next door to Auschwitz. The film premiered this year at Cannes Film Festival, where it won the Grand Prix, the fest’s second most prestigious award.

Jordan Moreau Soon you’ll be able to watch the atomic bomb go off from the comfort of your own home. Christopher Nolan’s blockbuster movie “Oppenheimer” has set its digital release date, arriving on Nov. 21.

told Entertainment Weekly that Laurie was “one of the most remarkable and versatile actresses of her day, a brilliant and creative mind, and a glorious human being.”According to Rosenberg, the actress died of a long, unspecified illness at her home in Los Angeles.The Post reached out to Rosenberg for comment.Born Rosetta Jacobs on Jan. 22, 1932, Laurie changed her name after she landed a contract with Universal Studios in 1949.

Piper Laurie has sadly passed away.

Piper Laurie, whose impressive work in the films Carrie and The Hustler made her a screen icon, died Saturday morning in Los Angeles. She was 91 and had been ill for some time.