Lana Del Rey has avoided the small-screen stage for years following her widely-discussed 2012 “SNL” performance.
19.09.2023 - 20:25 / variety.com
David Benedict “What a terrible tragedy.” Indeed. That’s the lyric cried out as, in theory, the famously magnificent Cornish home at the heart of the story burns to the ground at the climax of the musical of “Rebecca.” Or, rather, when smoke is pumped into the auditorium, the frontcloth glows red and cast members race around to startlingly little dramatic effect.
Daphne du Maurier’s beloved, near-Gothic romance centers on a mystery – but the chief mystery here is what anyone thought they were doing entrusting a large-scale property (once famously destined for Broadway) to a 265-seat off-West End house with a creative team and production budget so woefully underfunded. The premiere of an English language version of Germany’s runaway musical hit (by bookwriter and lyricist Michael Kunze and composer Sylvester Levay) comes at a considerable production cost, immediately made plain by the 19-strong cast and the 18-piece band.
But anyone expecting the new production to be an automatic hit needs to think again: The multi-location plot, running from extravagant Monte Carlo hotel to washed-up Cornish beach hut via multiple grand interiors including a courtroom and a plot-crucial staircase, requires a level of investment and invention that are painfully missing from director Alejandro Bonatto’s production, which is eye-widening in all the wrong ways. In so small a theater with almost no wing space, activating the audience’s imagination with more abstract visuals could have yielded results.
But production designer Nicky Shaw opts instead for a thuddingly literal approach. Despite the libretto describing “priceless antiques and possessions,” locations are clumsily established via single items of furniture and large, poorly lit
.Lana Del Rey has avoided the small-screen stage for years following her widely-discussed 2012 “SNL” performance.
Meet Nicolas Cage — the man of your dreams — in the official trailer for “Dream Scenario”.
‘The Madigan Chronicles’ Optioned By Particle6
Nick Vivarelli International Correspondent A lavish Arabic-language film titled “Sukkar,” that draws inspiration from U.S. writer Jean Webster’s epistolary novel “Daddy-Long-Legs” and is being touted as the Arab world’s first musical movie in the Western canon, is set to release in cinemas across the Middle East and North Africa.
Royal fans enjoyed a double treat last week as two of our favourite couples took to the public stage. While the Prince and Princess of Wales joined forces in Hereford for a lowkey engagement, it was the Duke and Duchess of Sussex’s appearance in Dusseldorf, Germany that had everyone talking.The sixth annual Invictus Games, set up by Prince Harry to support wounded servicemen and women, marked the first time in weeks that the pair had attended an official event.
TORONTO – “American Fiction,” the directorial debut from Cord Jefferson, is genuinely a very, very funny movie. And that’s hyperbole on our part.
Watching Mountains, which just made its international debut as part of the Toronto Film Festival’s Centerpiece program, I could not help but think of two other landmark films it seems to recall in its own way. One was 2019’s The Last Black Man In San Francisco, a remarkable story of gentrification and its effect on those being edged out of their home that starred Jimmie Falls and launched the career of Jonathan Majors. The other was the 1960 film version of Lorraine Hansberry’s oft-performed A Raisin In The Sun in which Sidney Poitier as Walter Lee Younger played a struggling husband, son, and father with a dream for a new house and a better life for his family.
Craig Gillespie’s comedy-drama Dumb Money starts its three-step platform release this weekend courtesy of Sony, opening in eight theaters in LA, NY, Chicago, DC, Boston and San Francisco ahead of an expansion next week and a Sept. 29 wide release. Gillespie (I, Tonya, Lars and the Real Girl) saw lots of love in Toronto for the premiere of his tale of meme stocks, retail traders, riches and battles won and lost. Opening week cinemas include AMC Century City and The Grove (LA); AMC Lincoln Square, Regal Union Square (NY); AMC River East (Chicago); AMC Georgetown; AMC Boston Commons; and AMC Metreon (San Francisco).
Ellise Shafer Prime Video’s upcoming crime thriller “Bambai Meri Jaan” tells an action-packed tale of good vs. evil in post-independence India — but at its core, the show is a story about family. Premiering Sept.
The passing pleasures of watching the fine young actors Jessie Buckley, Riz Ahmed and Jeremy Allen White can’t make up for the increasing distaste that develops from contact with Fingernails, an irritating and, finally, ridiculous examination of relationship matchmaking carried far too far. Greek director Christos Nikou won unanimous critical plaudits for his compellingly eerie debut feature Apples, which dealt with amnesia patients, and here again he appears drawn to troubled and mysterious states of mind that develop in the quest for love, commitment and some sense of security in modern life. The film debuted at the Telluride Film Festival and screened at the Toronto Film Festival.
Thania Garcia Bad Bunny candidly addressed several of the headlines surrounding his superstardom that have led the narrative for much of this year in a new interview with Vanity Fair. Among the topics discussed, the Puerto Rican singer touched on his loss for album of the year at the 2023 Grammys. Bunny’s “Un Verano Sin Ti” broke countless records after its release last, including making history as the first Spanish-language album nominated for album of the year.
Making a grand entrance into the world of directing, Billy Bryk and Finn Wolfhard present their feature debut, Hell of a Summer. With the vibes reminiscent of Friday the 13th and Sleep Away Camp, this film delivers nostalgia that captures the essence of the golden age of horror slasher cinema. Each character checks off the 1980s horror trope boxes, ensuring that every campy moment feels both authentic and delightfully over the top. Bryk and Wolfhard also star.
Thania Garcia Latin singer-songwriters Mau y Ricky have launched a new independent label venture called Why Club Records in partnership with Warner Music Latina. The duo are listed on the roster and will continue to be managed by Armando Lozano, who has supported the Venezuela-born and Miami-based Latin Grammy-nominated artists since their first placement and as fresh Warner Latina signees in the early 2010s. They’ve co-written plenty of radio hits for artists like Karol G, Ricky Martin, Maluma and Anitta, with one of their biggest being the Hot 100-charting “Sin Pijama” for Becky G and Natti Natasha.
Marta Balaga Director Katja Gauriloff has made history with “Je’vida,” the first feature shot in the Skolt Sámi language. “It’s my native tongue, but because of forced assimilation in Finland [of the Sámi people] I didn’t actually learn it. I am studying it only now,” she tells Variety ahead of the Toronto premiere.
Catherine Bray In a typical scene from “An Endless Sunday,” three teenage delinquents wander beside a canal. They end up killing a frog with a brick. Another group of children slightly younger than they are are also mucking about, and one of them is playing the recorder, blasting out a wobbly but recognizable version of Beethoven’s Ninth Symphony, the second movement.
For her directorial debut Anna Kendrick chose a particularly daunting task in tackling the story of the notorious serial killer, Rodney Alcara. who staged a terrifying murder spree in the 70’s in which he is thought to have killed upwards of 130 people. The center of Kendrick’s movie, Woman Of The Hour, focuses on his appearance in plain sight on a 1978 episode of ABC’s The Dating Game in which he was the bachelor that contestant Cheryl Bradshaw wound up choosing to go on a date with, not knowing that this was a period in the middle of his murderous spree.
It is only appropriate that Sony’s terrific new comedy, Dumb Money starts with the Columbia Pictures logo. That was the studio that Frank Capra famously helped build with his movies where the little guy triumphs over the corporate bad guys. Dumb Money is positively Capraesque in the way it tells its David vs Golitath improbable story about how an internet geek started a movement that blew up the heretofore loser stock of shopping mall game store GameStop and became the toast of Wall Street while bankrupting a couple of billionaire hedge funds in the process. It had its World Premiere tonight at the Toronto International Film Festival before its theatrical release later this month.
Flesh-eating sewer monsters, genitals with wings, grave robbing, two confused “identical twins” and 90 minutes of sexual innuendo is what you can expect from comedians Aaron Jackson and Josh Sharp’s stage show-turned-movie. Directed by Larry Charles and written by and starring the duo, the film also features Nathan Lane, Megan Mullally, Megan Thee Stallion and Bowen Yang. As a viewer, I often wondered how the hell this got turned into the movie because it is so outrageous. Thankfully, it succeeds at being fun and funny because anything less would have amounted to torture.
Ah, the years of one’s youth— a topsy-turvy, illogical rollercoaster of emotions, hormones, and boundless wonder. The finest films that capture this spirited chaos often use their child characters as conduits, letting them revel in the sheer essence of being a kid.
K.J. Yossman Apple TV+ has set its first German-language series, “Where’s Wanda?” “Where’s Wanda?” tells the story of a couple desperate to find their missing daughter. After months of waiting for the police to track her down, Dedo and Carlotta Klatt finally take matters into their own hands.