‘Poor Things’ Review: Emma Stone and Yorgos Lanthimos Fly Their Freak Flags in a Delicious Coming-of-Age Story Like No Other
01.09.2023 - 17:51
/ variety.com
Guy Lodge Film Critic It’s a failing of our society that we’ve allowed “interesting” to become a euphemism, a blandly veiled insult, something to say when no other praise comes to mind. Little in life is more important than interest: having it, attracting it, identifying it in any crevice of the everyday, making it strange and fresh in the process.
Across his career, Yorgos Lanthimos has befuddled many a viewer into calling his work “interesting” as a placeholder for their confusion and excitement, and it’s hard to imagine that he’d ever take offense. He’s a filmmaker who revels in interest, in curiosity at the price of comfort, and in his lavish, violently ravishing new film “Poor Things,” he zeroes in on a heroine with the same craving.
To Bella Baxter, a literal child in a woman’s body, everything is new and everything is interesting — words, bodies, maps, music, sugar, sex — and Lanthimos matches her fascination with rampant glee. Alasdair Gray’s 1992 comic novel “Poor Things” is a work of peculiar, obsessive genius, a book-within-a-book-within-a-book that satirizes Victorian Britain’s seemingly conflicting preoccupations with decorum and grotesquerie, all while teasing the modern reader’s own tabloid-trained taste for the lurid.
In an adaptation at once liberal and faithful to the novel’s fastidious construction, unhinged humor and revolting body horror, Lanthimos and screenwriter Tony McNamara (whose lascivious wit was so integral to the success of their previous collaboration “The Favourite”) have shed its ornate literary affectations — and, in a move that may infuriate some Gray loyalists, its specific Scottish burr — without simplifying the plunging philosophical questions contained within its jokery. What
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