‘Planet of the Apes’ Timeline Explained, From the 1968 Original to ‘Kingdom’

Jack Dunn Umbrelic Entertainment has unveiled the cast of its upcoming horror film, “The Possession at Gladstone Manor,” which includes Caylee Cowan (“Hypnotic”), Jesse Metcalfe (“John Tucker Must Die”), Charlotte Kirk (“The Reckoning”), Darren Weiss (“Inside Man”), Barbara Crampton (“You’re Next”), William Mapother (“Blackhat”) and Lin Shaye (“Insidious” franchise). Production is currently underway in Kansas City, and AMP’s Anthony Buckner is handling international sales at this year’s Cannes Film Festival. According to an official logline, “The Possession at Gladstone Manor” picks up “when Jamie Black discovers her mother has gone missing [and] resolves to investigate by applying for the same job her mother held at Gladstone Manor.

Marta Balaga Following “The Zone of Interest,” Jesse Eisenberg’s “A Real Pain” and Berlinale offering “Treasure,” about a Holocaust survivor, the latter starring Stephen Fry and Lena Dunham, Poland might be welcoming more foreign shoots in the future. “I would always be willing to return and shoot in Poland,” says “Treasure” director Julia von Heinz. “Our co-producer Mariusz Włodarski from Lava Films realized that during the tenure of the Law and Justice [PiS] government, there was no chance of obtaining public funding for a story where Polish people are portrayed not just as victims and heroes, but as complex human beings.

Megan Thee Stallion has officially launched her Hot Girl Summer Tour and the set list is now available!

John Hopewell Chief International Correspondent Principal photography has begun on “The Captive,” a historical epic from “The Others’” Alejandro Amenábar, starring Julio Peña (“Berlin”) as “Don Quixote” author Miguel de Cervantes, a prisoner of Ottoman corsairs, seen in a very first still from the film, alongside Alessandro Borghi (“Suburra”), playing his captor, which has been shared in exclusivity with Variety. Paris and London-based production, finance and sales house Film Constellation handles worldwide sales.

Elsa Keslassy International Correspondent The Bureau Sales has teamed with French production banner Paprika and filmmaker Vincent Munier on “Whispering in the Woods,” a documentary that will be teased to buyers at the Cannes Film Market. “Whispering in the Woods” marks Munier’s follow-up to “The Velvet Queen” (co-directed by Marie Amiguet), a critically acclaimed documentary that competed for a Golden Eye Award at the Cannes Film Festival and won a Cesar prize in 2022. The doc is currently filming across different locations, from the Vosges mountains to Tibet, and is expected to be delivered by next spring.

Annika Pham Paris-based The Party Film Sales and Heather Millard of Iceland’s Compass Films have reunited with “When the Light Breaks” Rúnar Rúnarsson on his next poetic filmic venture ‘O’. The Icelandic film “When the Light Breaks” is due to open Cannes’ Un Certain Regard section May 15.Headlining Iceland’s major international star Ingvar E.

Leo Barraclough International Features Editor The first-look photo of Pierce Brosnan and Amir El-Masry on the set of “Giant,” written and directed by Rowan Athale, has been revealed. The sports drama is shooting in Leeds, England.

EXCLUSIVE: Ryan Phillippe (Shooter) and Kate Beckinsale (Underworld) are leading thriller The Patient, which is launching in the Cannes market with International Film Trust.

Patrick Frater Asia Bureau Chief “Kingdom of the Planet of the Apes” debuted on top of the mainland China box office with an opening weekend score of $11.4 million (RMB81.1 million). That was only the fourth weekend this year that a Hollywood film has topped the China charts and the third time in 2024 that a Hollywood title has opened on top. “Apes” was also the top film this weekend in North America and international markets. Data from consultancy firm Artisan Gateway showed that the film accounted for some 30% of the theatrical total on a weekend where theaters earned a combined $38.2 million.

Rebecca Rubin Senior Film and Media Reporter Disney and 20th Century’s “Kingdom of the Planet of the Apes” climbed to $72.5 million at the international box office in its first weekend of release. The newest film in the long-running “Apes” series also notched No. 1 in North America with $56.5 million, bringing its initial global tally to a promising $129 million.

Rebecca Rubin Senior Film and Media Reporter Primates ruled over the North American box office as “Kingdom of the Planet of the Apes” collected $56.5 million in its first weekend of release. Those ticket sales were a hair above early projections of $50 million to $55 million and were easily enough to tower over the nonexistent competition.

Kingdom of the Planet of the Apes” isn’t monkeying around. The latest “Apes” entry from 20th Century Studios earned $22.2 million from 4,075 theaters on its opening day, a figure that includes $6.6 million in previews. “Kingdom of the Planet of the Apes” is estimated to make between $52 million and $56 million in its debut, which about the same as the last three installments.

EXCLUSIVE: 20th Century Studios/Disney’s Kingdom of the Planet of the Apes is beating its chest towards a $125M global bow this weekend. At the international box office, we understand the Wes Ball-directed installment is at around $31M through Friday. As Anthony has reported, domestic is looking at a $52M-$55M start for the full frame.

Jordan Moreau SPOILER WARNING: This story contains spoilers for the ending of “Kingdom of the Planet of the Apes,” now playing in theaters. A new decade means a new “Planet of the Apes” trilogy. The “Kingdom of the Planet of the Apes” ending teases much more story to come, and director Wes Ball has already confirmed there are plans for two more sequels. At that rate, the reboot series, comprised of two trilogies, will surpass the five-movie original series, which ran from 1968 to 1973.

Zack Sharf Digital News Director Moviegoers flocking to see “Kingdom of the Planet of the Apes” in theaters might leave with the same question: What does the cast exactly look like? In the tradition of James Cameron’s “Avatar” franchise and the last “Planet of the Apes” trilogy, “Kingdom” director Wes Ball utilized groundbreaking motion capture technology to make sure every ape character in his movie was played by a real human being. Leading star Owen Teague told Variety that he attended six weeks of “ape school” in order to help his transformation into a primate be as believable as possible. He and the rest of the film’s cast worked with a movement teacher to get in touch with their simian sides.

Todd Gilchrist editor After 10 installments and 56 years, “Planet of the Apes” is one of the longest-running science-fiction series in film history. Even Pierre Boulle, who wrote the novel upon which the 1968 film was based, never imagined a future this long, complicated, or full of talking simians.

Jordan Moreau It’s all monkey business at the box office. “Kingdom of the Planet of the Apes,” the latest film in 20th Century Studios’ primate franchise, will rule over the box office this weekend.

EXCLUSIVE: UTA has signed filmmakers Ryan J. Sloan & Ariella Mastroianni for representation in all areas, with UTA Independent Film Group coming aboard to handle domestic sales for Sloan’s feature directorial debut, Gazer, which is set to premiere as part of Directors’ Fortnight and compete for the Camera d’Or at Cannes.

It has been 56 years since “Planet of the Apes,” arguably one of the greatest science fiction films of all time. To see the franchise display such promising growth and evolution almost six decades later is phenomenal and deeply heartening.

After 2017’s masterful War of the Planet of the Apes, which completed the trilogy that started with 2011’s Rise and 2014’s Dawn and told the epic story of wise leader Caesar and the apes who created this whole new world, I really thought there was nowhere else to go with this franchise that had itself started so brilliantly in 1968 with the original starring Charlton Heston as an astronaut who lands in this futuristic world dominated by intelligent apes. Many other iterations would come, even a side foray by Tim Burton, but it was that most recent trilogy (the first directed by Rupert Wyatt, the final two by Matt Reeves) that really popped. But being box office successes, 20th Century’s new owner Disney knew there was more to be mined, and they were right.