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11.02.2022 - 03:59 / variety.com
Clayton Davis Phil Lord and Chris Miller are down the Oscar road again as producers on the animated feature “The Mitchells vs. the Machines,” receiving an Academy Award nomination earlier this week.
However, their nomination wasn’t a given because the duo has clear memories of being snubbed in 2014’s “The Lego Movie.”On this edition of the Variety Awards Circuit Podcast, Lord and Miller stop by to give their reaction to their well-deserved Oscar nomination and how they continue to redefine the animation medium with each new outing. The pair also discuss their choice to get into the business and how a meeting with ex-Sony Pictures chair Amy Pascal while working on “Cloudy with a Chance of Meatballs” helped them move beyond jokes to telling a story.
Finally, the pair also touch on the upcoming “Spider-Man: Across the Spider-Verse,” if Marvel Studios has approached them about integrating it into the MCU and they respond to the “21 Jump Street / Men in Black” film that never came to be. Listen below: From director Michael Rianda and co-director Jeff Rowe, “The Mitchells vs.
the Machines” tells the story of a quirky, dysfunctional family that takes a road trip to drop off their daughter Katie (voiced by Abbi Jacobson), an aspiring filmmaker. Unfortunately, their journey is upended when a robot apocalypse threatens the planet, and the family of misfits, which includes father Rick (Danny McBride), mother Linda (Maya Rudolph) and dinosaur-loving little brother Aaron (Michael Rianda), come together to save the world.Distributed by Netflix, the film is nominated for best animated feature at the Academy Awards for Rianda, Lord, Miller and producer Kurt Albrecht.
DirecTV has dropped RT America, the sister network to Russia Today, in the wake of Russia’s invasion of Ukraine.
Stuart Miller In Hollywood, it’s easier to sell a movie if you can say, “It’s like a new take on ___” and fill in the blank with a box office hit. But the films that get nominated for director are usually the result of a singular vision, one that’s hard to pin down and categorize.Still, just as many Americans love doing DNA searches for their own family, we can trace the genre roots of this year’s director nominees.“Belfast,” Kenneth BranaghAn acclaimed British director, who earned his first Oscar nomination for a picture filled with action sequences and memorable quotes, earns another for an intimate autobiographical story about a childhood in which encroaching violence casts a shadow.
Clayton Davis Kodi Smit-McPhee has maintained a stronghold this awards season for his work as Peter Gordon in Netflix’s “The Power of the Dog,” winning the most critics prizes, including the Golden Globe for best supporting actor. However, he doesn’t take his acting craft for granted and is still learning with each new outing.“I always treat myself as a student, not only my craft but of the world,” McPhee tells Variety’s Awards Circuit Podcast. “I’m in a constant state of observing and acting like a sponge and taking everything in.
Clayton Davis Jessica Chastain’s nod as Tammy Faye Bakker in “The Eyes of Tammy Faye” marks her Oscar third nomination — yet she says this awards season is a bit of a refreshing experience. That’s because the award is no longer overshadowed by some of the ugly campaign tactics employed by the likes of Harvey Weinstein — the disgraced studio head convicted in 2020 of multiple counts of rape and sexual assault (whom Chastain doesn’t reference by name).On this episode of Variety’s award-winning Awards Circuit Podcast, we talk to Chastain about “The Eyes of Tammy Faye” and her approach to portraying the controversial televangelist. She reveals what lies ahead via upcoming film roles including playing Tammy Wynette in the forthcoming “George and Tammy” limited series, Tobias Lindholm’s “The Good Nurse” and Rawson Marshall Thurber’s “The Division.” The actor also discusses her friendship with fellow Julliard classmate Oscar Isaac, whom she’s worked with on several films and tv projects.
Apple TV Plus series “The Afterparty” is, by definition, a murder mystery. But it’s also part action-thriller, police procedural, musical, rom-com — oh, and animation.The series follows escape room designer Aniq (Sam Richardson), who earnestly attends his high school reunion hoping for a second chance at love with his old crush Zoë (Zoë Chao), but instead finds himself the primary suspect in a murder when the afterparty goes terribly wrong.
Ariana DeBose looks gorgeous in a floral fuchsia dress at the Carolina Herrera fashion show during 2022 New York Fashion Week in New York City on Monday (February 14).
Tick, Tick…Boom! While this may have been the actor's best performance of 2021—if not the best of his career—it's far from the only one.Not only did Garfield star alongside fellow Oscar-nominee in The Eyes of Tammy Faye, but he also made a triumphant return to the role of Peter Parker in the Marvel blockbuster, . After starring in two Spider-Man films of his own back in the mid-2000s, fans were beside themselves to watch Garfield join forces with the OG, , and the latest, , in theaters. Now, it seems the bond between Peters has grown into a strong friendship. "I got a sweet, sweet text from Tom and Tobey.
Oscar nomination morning was heavenly for the creative team behind Netflix and Sony Pictures Animation’s “The Mitchells vs The Machines.” The celebrated tale of an everyday family taking on a legion of sentient robots earned an Animated Feature nomination. It was director and co-writer Mike Rianda‘s first Academy Award nomination while producers Chris Miller and Phil Lord won their Oscars in 2019 for “Spider-Man: Into the Spider-Verse.” READ MORE: ‘The Mitchells Vs.
Netflix’s The Mitchells vs the Machines, produced by Sony Pictures Animation, received an Oscar nomination for Best Animated Feature this morning. Along with Flee, Mitchells is one of only two animated films nominated that aren’t made by Disney.
Luca was nominated today for an Oscar in the Best Animated Feature category. While the film is one of three Disney features nominated this year, but Luca is the only Pixar movie.
Raya and the Last Dragon is one of three Disney films nominated today for an Oscar in the Best Animated Feature category. Directors Don Hall and Carlos López Estrada spoke to Deadline after their nomination was announced.
CODA star Troy Kotsur this morning became the first deaf male actor ever to earn an Oscar nomination, speaking with Deadline about what the watershed moment centered on the Apple film means for the deaf community, as well as his upcoming film Flash Before the Bang and more.
In an apparent Oscar first, two real-life couples – Penelope Cruz and Javier Bardem, and Kirsten Dunst and Jesse Plemons – received nominations covering all four acting categories.
Troy Kotsur made history this morning as he landed his first Oscar nomination for his turn in Apple’s acclaimed family drama, CODA, becoming the first deaf male actor to earn this recognition.
Sian Heder’s family drama CODA broke ground this morning as both the first Apple Original, and the first feature led by a predominantly dead cast to land a Best Picture Oscar nomination.
Lin-Manuel Miranda saw his second career Oscar nomination today in the Best Song Category for “Dos Oruguitas” from the Disney animated movie Encanto, putting him on track once again to reach EGOT status. Encanto counted three noms this morning overall with noms for Best Animated Feature and Germaine Franco’s Original Score.
Peacock has released a brand new trailer for their highly anticipated new series, Joe Vs. Carole!
Claudia Eller Co-Editor-in-ChiefWhen Neil Young pulled his music from Spotify over the audio streamer’s continued support of Joe Rogan, whom he accused of spreading “misinformation and lies” about COVID via his podcast interviews, there were some nasty “who cares?” tweets directed at the folk-rock icon. But the haters should care that this deadly pandemic has been raging for nearly two years and it ain’t over yet.Young has been adamant for some time that artists shouldn’t be touring because of COVID; he even pulled out of a Farm Aid benefit, a charity he co-founded.
Margaret Qualley (Maid, Once Upon a Time… In Hollywood) has signed on to exec produce and star in The End of Getting Lost, an Amazon Studios thriller from Mustang director Deniz Gamze Ergüven, which also has Paul Mescal (The Lost Daughter, Normal People) in talks to co-star, Deadline has confirmed.