Peter Sohn Revisits The Emotional Box Office Comeback Of ‘Elemental’ [Interview]

After one Japanese title delivered at the sleepy December box office last weekend, that being Godzilla Minus One, here’s another that’s set to dominate: Studio Ghibli and GKIDS’ Hayao Miyazaki‘s The Boy and the Heron which is looking at a No. 1 lead with $10M+ after $2.39M Thursday and early access previews.

Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are appearing in pockets of the world all the time and it can be hard to keep track… So, we’re going to do the hard work for you.

Beyoncé‘s concert film, Renaissance: A Film By Beyoncé, stormed at the box office this weekend, with $21million in ticket sales in North America alone.READ MORE: Beyoncé – ‘Renaissance’ review: a celebration of love and Black joyWritten, directed and produced by the 42-year-old singer herself, the movie focuses on the tour for her Grammy-winning album ‘Renaissance‘.Debuting in 2,539 theatres in the US and Canada, and 94 other territories globally, the movie features guest appearances from Diana Ross, Kendrick Lamar and Megan Thee Stallion.However, the opening did not quite reach the enormous success of the release of Beyonce’s peer and friend, Taylor Swift’s concert movie tour which debuted in October.Taylor Swift: The Eras Tour made a staggering $92.8million in its opening weekend.

Patrick Frater Asia Bureau Chief Political drama thriller “12.12: The Day” dominated the South Korean box office for a second weekend with a $13 million haul. Its second weekend outing topped its first session, when it earned $11.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). And the film (aka “Seoul Spring”) increased its share of the weekend’s total cinema market to a crushing 81%. Separately, ComScore calculated that the film’s single country receipts made it the seventh highest grossing film in the world over the weekend. After two weekends on release, “12.12: The Day” has garnered $34.2 million, making it already the sixth ranking film in Korea this year and the third biggest Korean-produced picture.

When it comes to parenting, singer and dad of four Peter Andre believes everything has to be equal and has exclusively revealed the one rule he lives by. In his weekly column, the star admitted that as his kids - specifically Princess, 16, and 18 year old Junior - must be given the same set of rules and that he can't be stricter with one and not the other. He said: "I really am protective over Princess.

Rebecca Rubin Film and Media Reporter There’s nothing heroic about the final box office performance of “The Marvels.” The superhero sequel is officially the lowest-grossing installment in the history of the Marvel Cinematic Universe. After four weeks on the big screen, the comic book tentpole is running out of steam with $80 million in North America and $197 million globally. There would typically be optimism that attendance could rebound over the busy holiday season, but Disney apparently doesn’t expect that to be the case.

Three very different movies, original, with arthouse cred and in theaters for weeks, are drawing audiences showing welcome depth and breadth in the specialty market as awards season kicks off. Nicolas Cage’s nerdy character sees his life collapse when he randomly starts appearing in people’s dreamsas Dream Scenario has a solid expansion, Saltburn is attracting young crowds on the coasts, The Holdovers drawing elusive older demos to theaters.

according to IMDB’s Box Office Mojo.The documentary concert film written, directed and produced by Beyoncé Knowles-Carter, is expected to enjoy as much as a $24-million-dollar opening, according to Deadline.Variety said the movie, which chronicles her 2023 tour, “highlights the pursuit of perfection with dazzling results.”Japanese adventure “Godzilla Minus One,” which also debuted Friday, landed in second, with earnings of $4.72 million. The Hollywood Reporter called the flick, the 37th in the Godzilla franchise “one of the best Godzilla films ever.“The Hunger Games: The Ballad of Songbirds & Snakes,” which was in the No.

Disney CEO Bob Iger blames the pandemic effect as part of the reason for the dismal box office results on The Marvels.

Disney CEO Bob Iger is sharing his thoughts on the box-office performance of The Marvels.

Patrick Frater Asia Bureau Chief Multi-territory European cinema operator, Pathe Cinemas has expanded its existing deal with premium large format technology company Imax. The new agreement sees the addition of five new Imax With Laser systems in Europe, including four in France.

“The Hunger Games: The Ballad of Songbirds and Snakes” stayed at No. 1 at the box office on Black Friday, retaining the top spot in its second week on the screens.

Brent Lang Executive Editor There’s a good old fashioned box office battle brewing. Disney’s “Wish,” an animated adventure that had been expected to dominate the Thanksgiving holiday is facing off against Lionsgate’s “The Hunger Games: The Ballad of Songbirds and Snakes” for the top spot over the five-day stretch. And the dystopian prequel, which is currently in its second week of release, is showing impressive resilience against the family flick.

Zack Sharf Digital News Director With “Twilight” celebrating its 15th anniversary this month, director Catherine Hardwicke joined the “Happy Sad Confused” spinoff podcast “Watchalong” to remember all the highs and lows that went into getting the vampire romance made. One of her more interesting revelations revolves around how impossible it was to predict the film’s box office. No one was expecting a phenomenon, and Hardwicke was even told her film would probably never crack the $30 million mark.

Broadway box office took a 7% slide in the week before the Thanksgiving holiday, with the 29 shows settling in at a total $27,060,113 in receipts.

The Marvels has dismissed concerns about the film’s disappointing box office performance, saying it is only a concern for studio bosses.Iman Vellani, who reprises her role of Kamala Khan in the film, having previously played her in the miniseries Ms. Marvel, was asked about the relatively poor performance of the film in an interview with Yahoo Entertainment.“I don’t want to focus on something that’s not even in my control,” she said.

said in an interview with Yahoo Entertainment. “That’s for Bob Iger.”The Disney-produced film, which was made on a hefty $200 million budget, currently holds a 62% on RottenTomatoes, making it the third-lowest-scoring MCU film after “Ant-Man and the Wasp: Quantumania” and “Eternals.”In a zero-star review, The Post called the movie starring Brie Larson, Vellani and Teyonah Parris “interminable,” and said it was “a sad study of the downfall of America’s favorite screen franchise.”And ABC News’ Peter Travers echoed those sentiments, writing, “The MCU, once the spawner of glories, is stuck in a rut.

Patrick Frater Asia Bureau Chief Mystery-horror film “Five Nights at Freddy’s” landed on top of the South Korean cinema box office. But fellow new release title “The Hunger Games: The Ballad of Songs and Snakes” managed only a fourth placed start. “Five Nights” earned $1.78 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council.

Patrick Frater Asia Bureau Chief Local crime drama film “Last Suspect” returned to the top spot at the mainland China box office over the latest weekend, as “The Hunger Games: The Ballad of Songbirds and Snakes” opened quietly in third place. Narrowly beaten last week by “The Marvels,” “Last Suspect” climbed one place while “The Marvels” fell out of the top five in China. In its third weekend of release, “Last Suspect” recorded $10.1 million (RMB76 million), according to data from consultancy Artisan Gateway.

EXCLUSIVE: Getting a leg-up here on our Thanksgiving stretch preview, Apple Studios production of Ridley Scott’s Napoleon will invade the global box office via Sony this Wednesday, in what’s shaping up to be a $46M WW global start.