The trailer for the nine-part AppleTV+ series Masters of the Air has arrived!
16.11.2023 - 23:43 / deadline.com
The consensus is clear: Hollywood feels it must pursue what Bob Iger tactfully (or ominously) calls “some fixes.”
The “fixes” post-strike hopefully will move beyond cutbacks and delays — we’ve already been absorbing their impact. Disney alone has cut 8,000 jobs and $7.5 billion in costs. High-profile movies ranging from Disney’s Snow White to Paramount’s Mission: Impossible 8 to Sony’s Spider-Verse have again been shoved back a year.
More complex “fixes” already are hinted at: Netflix pledges a new approach on content – a “half as many but twice as good” mandate. Its viewers worldwide will be fascinated to see how that plays out.
Other major brands, too, are under scrutiny: The opening numbers for The Marvels dented that legacy. The HBO label once dominated the “for your consideration” ads, but this year’s ads will carry a pleading subtext: If you can’t “consider” it, at least find it.
For industry veterans, the pressure to “fix” and “re-imagine” is a rerun of that moment 40 years ago when Hollywood’s three most powerful players decided to assume personal leadership of that mission.
Steven Spielberg, David Geffen and Jeffrey Katzenberg announced creation of a new dream machine that would do everything differently: Even studio stages would be designed distinctively. Compensation formulas would be re-invented, as would the machinery of decision-making. The product itself would break new paths.
In their opening press conference, the Dream Team left out a few details: Where would it be built? Who would fund it? What content would it create?
For that matter, what would it be called?
While the media scoffed at this vagueness, I found it admirable. The seers of show business weren’t going to give away their secrets or
The trailer for the nine-part AppleTV+ series Masters of the Air has arrived!
UPDATED: Apple TV+ has released the latest trailer for its epic World War II drama Masters of the Air. The trailer opens with Austin Butler‘s Maj. Gale ‘Buck’ Cleven promising to write letters to his girl while he is away, because “a girl worth writin’ to is hard to find.”
Masters Of The Air starring Austin Butler and Barry Keoghan has arrived – check it out below.The upcoming nine-part limited series is the follow-up to Band Of Brothers and The Pacific, and is set to debut worldwide with the first two episodes on January 26, 2023 via Apple TV+.The high-production drama reunites Steven Spielberg, Tom Hanks and Gary Goetzman, who produced 2001 miniseries Band Of Brothers and 2010’s The Pacific. Masters Of The Air is written by John Orloff, while episode directors include Cary Joji Fukunaga (No Time To Die), duo Anna Boden and Ryan Fleck (Half Nelson), Dee Rees (Mudbound) and Tim Van Patten (Black Mirror).The series follows the true story – based on Donald L.
The Marvels” won’t live up to its sparkling title.The Disney-produced superhero movie, from all indications, will wind up as the lowest-grossing Marvel Cinematic Universe movie in its entire 15-year history.While the film starring Brie Larson, Iman Vellani and Teyonah Parris opened less than a month ago — and has so far grossed a scant $80 million domestically and $197 worldwide — any hopes of it becoming a sleeper hit have disappeared.According to the Hollywood Reporter, the 33rd MCU film’s box office dropped a staggering 78% in its second weekend, and it’s only gotten worse from there.And Variety reported that Disney sent a note to press saying, “With ‘The Marvels’ box office now winding down, we will stop weekend reporting of international/global grosses on this title.”The previous record-holder for biggest MCU loser was 2008’s “The Incredible Hulk” starring Mark Ruffalo, with $80 million domestically and $264.7 million worldwide. The numbers for “The Marvels” are especially dire when you consider the boffo earnings of the studio’s most popular titles: “Avengers: Endgame” ($2.8 billion worldwide); “The Avengers” ($1.52 billion); “Avengers: Age of Ultron” ($1.4 billion).
The Marvels has been officially named the lowest-grossing installment in Marvel Cinematic Universe’s history.The movie, which stars Brie Larson, Zawe Ashton and Teyonah Parris, was not predicted to perform well in the box office.Against a $220million budget, the movie has grossed just $197million, unlike other Marvel movies such as Avengers: Endgame which made over $2.5billion globally in its opening weekend.The Marvels, which was released on November 10, had the worst debut weekend in the history of MCU, with only $46million in ticket sales. With only $80million made in North America, the movie is the first of the studio’s films that failed to reach the $100million milestone at the domestic box office.According to CNBC, Disney’s CEO, Bob Iger, has recently addressed the struggles that have faced the movie, saying: “The Marvels was shot during COVID.
The Marvels is achieving the kind of milestone no film wants to reach.
Disney CEO Bob Iger blames the pandemic effect as part of the reason for the dismal box office results on The Marvels.
Disney CEO Bob Iger is sharing his thoughts on the box-office performance of The Marvels.
partly blamed the debacle on a lack of “supervision.” ″‘The Marvels’ was shot during COVID,” Iger, 72, said. “There wasn’t as much supervision on the set, so to speak, where we have executives [that are] really looking over what’s being done day after day after day.” Variety previously reported that the director of “The Marvels,” Nia DaCosta, began another project during postproduction.“If you’re directing a $250 million movie, it’s kind of weird for the director to leave with a few months to go,” a source told the trade.“The Marvels,” the 33rd film in the MCU, had the lowest opening weekend at the box office ever for the franchise, grossing just $47 million domestically.
Having won an Oscar for her gritty first film about a revenge murder, Emerald Fennell’s second movie, out this week, reminds us that she doesn’t believe in happy endings. Saltburn is about a vengeful college student who aspires to an even wider death toll.
Disney CEO Bob Iger had plenty to say about the MCU‘s current issues at The New York Times‘ annual BookDeal summit yesterday. But CNN reports that Iger also had a multilayered explanation for why “The Marvels” did so poorly in theaters earlier this month, taking in just $47 million domestically its opening weekend.
Zack Sharf Digital News Director Disney CEO Bob Iger said at the New York Times’ DealBook Summit (via CNBC) following “The Marvels” flopping at the box office that there was a lack of supervision on the set of the film as a result of the COVID pandemic. The combination of pandemic set restrictions and Disney’s increased output due to the launch of streamer Disney+ made it increasingly difficult for studio executives to oversee the onslaught of new productions.
One of 2023’s biggest stories in the entertainment industry is Disney CEO Bob Iger‘s call to retrofit the swollen release calendar of various IPs, namely the MCU and the “Star Wars” universe. Iger’s reasons? The sheer glut of releases in theaters and on streaming dilutes focus and attention from moviegoers and lowers the overall quality of what Disney creates.
Shifting away from sentiments he expressed in an interview last summer that Disney‘s linear TV networks “may not be core” to the company, Disney CEO Bob Iger said they are “not for sale.”
Taraji P. Henson, Fantasia Barrino, and Danielle Brooks are stepping out to promote their highly-anticipated new movie musical.
Rebecca Rubin Film and Media Reporter Paul Greengrass has been hired to adapt the big-screen version of T.J. Newman’s novel “Drowning: The Rescue of Flight 1421.” Greengrass will write, direct and produce the film, which is set at Warner Bros. The studio emerged victorious earlier this year in a bidding war, one that drew interest from the likes of Nicole Kidman, Alfonso Cuarón and Steven Spielberg, along with seven-figure offers from Apple and Bruckheimer, Paramount and Damien Chazelle, Legendary and Universal Television.
Emerald Fennell’s dark comedy Saltburn takes a massive jump from to over 1,500 screens today as Bradley Cooper’s Maestro, Hayao Miyazaki’s latest The Boy and the Heron, animated They Shot The Piano Player and other festival favorites launch awards season runs this Thanksgiving specialty weekend.
Zack Sharf Digital News Director Disney CEO Bob Iger announced in February that a new “Toy Story” movie was in development along with new installments in the “Frozen” and “Zootopia” franchises. No further details were provided at the time, but it appears the new “Toy Story” movie will not be another tangentially-related spinoff like “Lightyear” but a return to the core story centered on Woody and Buzz Lightyear.
Owen Gleiberman Chief Film Critic “When You Wish Upon a Star” is one of those songs, like “Somewhere Over the Rainbow,” that’s bigger than a song. It was first heard, of course, in the 1940 Walt Disney animated classic “Pinocchio,” where it was sung by Jiminy Cricket.
Illinoise, a theatrical adaptation of Sufjan Stevens‘ career-breakthrough 2005 concept album Illinois, will make its New York City premiere in March at Manhattan’s Park Avenue Armory, the arts venue announced today.