A team of painters were at work this week restoring the mega-photographed Hollywood sign, a mission that carries a perverse irony.
14.10.2022 - 00:06 / deadline.com
“Every movie needs a rabbi,” the great and grumpy Robert Altman once warned fellow filmmakers. “You need at least one important critic to champion your cause.”
Altman found Pauline Kael as his advocate for Nashville, but his warning seems relevant this week given the disastrous opening of Amsterdam, an $80 million-plus project that failed to find either a champion or an audience ($6.5 million opening weekend). Having worked with Altman from time to time, I personally witnessed his quarrels with studio management over budgets, schedules and inept marketing strategies.
With a gifted cast and an accomplished director, Amsterdam is a darkly entertaining movie — its opening scene is a disturbingly meticulous autopsy. Its dead-on-arrival box office total, however, has prompted deep concerns for other films aimed at post-Marvel ticket buyers — even The Fabelmans from Steven Spielberg. Thus, an autopsy of the film itself and its release might be in order.
Its protagonist (Christian Bale) is a sort of ravaged doctor-from-hell whose glass eye pops out at inopportune times, much as the film’s narrative leaps across decades.
The movie’s’s other stars, Margot Robbie and Robert DeNiro, are buttressed by quirky performers like Chris Rock, Taylor Swift, Rami Malek and Mike Myers who pop up in key moments.
Amsterdam is not as easy to assimilate as David O. Russell’s earlier hits like American Hustle or even Three Kings. Its style and pace represent the polar opposite of streaming films now in vogue. It’s a convoluted who-done-it in which no one turns out to be who he or she (or they) represent themselves to be.
One character collects shrapnel from the bodies of wounded soldiers and displays the pieces as a distinct art form. She
A team of painters were at work this week restoring the mega-photographed Hollywood sign, a mission that carries a perverse irony.
The new movie Amsterdam has been in theaters for just one week, but it’s already been deemed a massive failure due to its disappointing box office performance.
While tentpoles resuscitated moviegoing this past summer with pics like Top Gun: Maverick, it’s true that the more, adult-skewing fare is having a much harder time now. No where was this more true than with David O. Russell’s Amsterdam which rivals believed had a shot at opening to $12M-$15M this past weekend based on the period absurdist comedy’s glossy ensemble of Christian Bale, Margot Robbie, John David Washington, Rami Malek, Robert De Niro, Anya Taylor Joy, Taylor Swift, Michael Shannon (the list doesn’t stop…).
“Smile” has become the latest original horror film, joining Universal/Blumhouse’s “The Black Phone” and 20th Century’s “Barbarian” to find low budget success thanks to strong word-of-mouth among horror fans. Against a production budget of $17 million, “Smile” now has a 10-day domestic total of $50 million, creating an intriguing match-up next weekend as the theatrically exclusive film goes up against a franchise horror film, Universal/Blumhouse’s “Halloween Ends,” which has a much higher profile but will also be released day-and-date on Peacock this Friday.
Rebecca Rubin Film and Media Reporter David O. Russell’s star-studded period drama “Amsterdam” collapsed in its box office debut, earning an anemic $6.5 million from 3,005 North American theaters. The movie, which cost $80 million to produce, couldn’t overcome bad reviews and minimal buzz and is shaping up to be one of the biggest misfires of the year. This weekend’s other newcomer “Lyle Lyle Crocodile” also fell short of expectations with $11.5 million from 4,350 cinemas in its opening weekend. However, Sony’s animated family film, an adaptation of the popular children’s book about an anthropomorphic reptile (who sings!) voiced by Shawn Mendes, won’t be as painful for the studio given its $50 million price tag.
David O Russell’s oeuvre, it’s that great film-making chops (Three Kings!) meet wildly divergent outcomes (often within a single film); Russell will fall out with some of his cast, and said cast will be star-filled. His latest is Amsterdam, a period crime romp led by Margot Robbie, Christian Bale and John David Washington, abetted by Robert De Niro, Anya Taylor-Joy, Chris Rock, Rami Malek, Mike Myers, Andrea Riseborough, Zoe Saldaña, Michael Shannon and Taylor Swift. Results may vary.
“Amsterdam,” the new David O. Russell historical mystery, has enough mega-watt stars to power a midsized American city.The cast includes (but is not limited to) Margot Robbie, John David Washington, Anya Taylor-Joy, Rami Malek, Chris Rock, Mike Myers, Zoe Saldaña, Timothy Olyphant and Matthias Schoenaerts. If there’s a lead in the movie, it’s Christian Bale, who developed the project with Russell and who stars as an injured veteran of World War I who is now looking to help his fellow wounded soldiers start their new lives in New York.
“Amsterdam,” a new historical mystery from “Silver Lining’s Playbook” and “The Fighter” director David O. Russell is here. And if the marketing material has been more than a little confusing (because, admittedly, it has been), we’re here to clear up all of your questions – what the movie is, where you can watch it and who is a part of the unstoppable, all-star cast.Read on for a definitive cheat sheet on one of this year’s more star-studded films.It is in theaters, exclusively, starting October 7.
Joe Otterson TV Reporter Matthias Schoenaerts will star opposite Kate Winslet in the upcoming HBO limited series “The Palace,” Variety has learned. The series was picked up at HBO in July. Per the official logline, it “tells the story of one year within the walls of the palace of an authoritarian regime as it begins to unravel.” Exact character details are being kept under wraps. Schoenaerts can currently be seen in the David O. Russell film “Amsterdam” in the role of Detective Lem Getweiler. Up next, he will be seen in the Canal+/Sky series “Django” and the feature “The Way of the Wind” from Terrence Malick. He also recently wrapped filming on the Netflix film “The Old Guard 2.” His past credits include films like “Rust and Bone,” “The Danish Girl,” and “Far from the Madding Crowd.”
“Amsterdam,” David O. Russell‘s first movie in seven years, hits theaters on Friday, and it’s his third team-up with Christian Bale.
Brent Lang Executive Editor In one corner, a star-studded murder mystery from one of the most acclaimed directors in Hollywood. In the other, a family fable that features a CGI crocodile who sounds a lot like Shawn Mendes. As Hollywood heads into another quiet fall weekend at the box office, David O. Russell’s “Amsterdam” is squaring off against “Lyle, Lyle, Crocodile,” and both new releases are facing strong competition from reigning champ “Smile.” Of the two new entrants, “Lyle, Lyle, Crocodile” seems to be in the stronger position. There haven’t been many movies geared toward kids — the last one was “DC League of Super-Pets” way back in July. The $50 million production will open in more than 4,300 locations, where it should make $15 million or more. Sony Pictures, the studio behind the film, is being more conservative and projecting an opening in the $11 million to $12 million range. That could be enough for a first-place finish, depending on how steeply “Smile,” which opened to $22.6 million, drops in its second weekend of release.
Christian Bale, Margot Robbie, John David Washington, Rami Malek, Robert De Niro, Chris Rock, Anya Taylor-Joy . . .
“Amsterdam” is a star-studded film.Its cast includes (deep breath) Christian Bale, Margot Robbie, John David Washington, Anya Taylor-Joy, Chris Rock, Zoe Saldaña, Andrea Riseborough, Rami Malek and Robert De Niro (among others). It’s a lively, spirited historical mystery about World War I and a vast right-wing conspiracy on American shores. But the movie becomes even more electric when two stars appear on screen together: Mike Myers and Michael Shannon.The two performers play spies who assist our heroes, first in the title city and later in New York, as they attempt to thwart a growing threat to democracy.
Don’t underestimate the second weekend of Paramount’s horror movie Smile. The Parker Finn directed and written title, which has provided many in town that horror remains a bankable genre for the big screen after a $22.6M opening, has a shot of possibly upsetting Sony’s family movie Lyle, Lyle, Crocodile and 20th Century Studios/New Regency/Disney’s upscale David O. Russell comedy Amsterdam for No. 1 with around an $11M+ take.
A humbling moment. Christian Bale thought he and costar John David Washington were doing a great job singing while filming Amsterdam – until director David O. Russell had Taylor Swift step in to set them straight.