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11.11.2022 - 23:55 / deadline.com
How do you write music for a wandering donkey in EO? Composer Pawel Mykietyn didn’t take the responsibility lightly.
“First off this donkey survived,” the Polish composer told the audience, with the help of an interpreter, at Deadline’s Sound & Screen awards-season event. “I hope I don’t disturb the movie by music. … Sometimes it’s difficult to know what a donkey feels.”
EO, by Polish veteran Jerzy Skolimowski and submitted by Poland to this year’s Oscar International Feature race, is a vision of modern Europe as seen through the eyes of a a precious mule. “In the movie, the donkey is in a lot of different places, the donkey meets different people,” said Mykietyn. “There are different situations, some tragic, sometimes funny. I tried to follow the situation, follow the emotion … add some color.”
“It’s crazy,” added Mykietyn, whose other credits include 2010’s Essential Killing and 2015’s 11 Minutes. “But I love this kind of narration, this kind of art.”
EO is presented by Skopia Film and Jeremy Thomas and stars Sandra Drzymalska, Isabelle Huppert, Lorenzo Zurzolo and Mateusz Kosciukiewicz. Jeremy Thomas is the executive producer. The screenplay was written by Ewa Piaskowska and Jerzy Skolimowski.
Check back Monday for the panel video.
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Husband-and-wife writing and producing partners Jerzy Skolimowski and Ewa Piaskowska had the Deadline Contenders Film: Los Angeles crowd doubled over in laughter with their charming back and forth banter. The pair behid EO joined Saturday’s event via video and discussed their choice to create a film from a donkey’s point of view.
“The donkey is cute, but this is not a Disney movie,” said Jonathan Sehring, the former IFC Films head whose young distribution outlet Sideshow, with Janus Films, presents Jerzy Skolimowski’s Cannes Jury Prize winning EO at two NYC theaters this weekend. “We launched Sideshow for great movies that would otherwise get overlooked to give them the best release that they can possibly get,” he told Deadline.
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