Paramount Inks First Look Deal With Damien Chazelle & Olivia Hamilton’s Wild Chickens Prods Ahead Of ‘Babylon’ Opening

These star families are busting at the seams!! And no, we’re not just talking about Nick Cannon‘s procreating ways. LOLz!

It’s official: Damien Chazelle‘s “Babylon” is a box office bomb, and one of the biggest bombs of 2022, to be precise. The film made only $5.3 million over the four-day holiday weekend off a budget of $80 million.

It seems this time of year every critic is going to weigh in with their 10 Best List for something or other. It is what we do at the end of the year, and 2022 is no different. And as I always do , I cheat. So, sue me. In what has turned out to be a very good year I think for movies, considering the sad state of box office success for the more ambitious and adult-aimed films out there, it has actually been heartening in this still pandemic-affected era to see the Hollywood studios so heavily in the game of producing quality crowd pleasers that also are good enough and deserving enough to make any of these lists, unless that is you are one of those grumpy critic-types who only go for the most obscure anti-entertainments out there. That ain’t me. I like to cheer on what I call movie movies, and I don’t penalize any of them for making some money along the way and bringing back audiences. If they are good, big or small , they are worth championing and so this annual ritual is just another cog-in-the-wheel of doing just that. Now for the “cheating” part.

Are Courtney Love and Brad Pitt mortal enemies? That’s what she seems to think!

Avatar: The Way of Water‘s mega-publicized opening has brought movies back into the conversation, but movie-makers seem to have been lost in the mist. James Cameron’s persona is ablaze across the media but, by contrast, the very personal work of Sam Mendes, James Gray and even Steven Spielberg has done a fade-out in recent weeks.

How do you know, without seeing the film, that “Babylon” is full of chaos and debauchery? Well, you can read all of the early reviews, which use the term “cocaine-fueled” quite a bit, or you can watch the new trailers for the film. One is called the “naughty” trailer.

2ND UPDATE, 9:20 AM: Paramount has released a pair of new trailers for Babylon — one deemed “naughty” and the other “nice.” Watch them here, and see the first trailer for Damien Chazelle’s early- Hollywood extravaganza starring Margot Robbie and Brad Pitt farther below.

How do you know, without seeing the film, that “Babylon” is full of chaos and debauchery? Well, you can read all of the early reviews, which use the term “cocaine-fueled” quite a bit, or you can watch the new trailers for the film. One is called the “naughty” trailer.

Dressed to impress! Kelly Rowland, Margot Robbie, Olivia Wilde and more stars turned heads at the Babylon premiere on Thursday, December 15.

Is a new celebrity couple brewing? Brad Pitt and Ines de Ramon are “spending time together” following her split from Paul Wesley, a source tells Us Weekly.

It feels like the skeleton key to Damien Chazelle’s “Babylon” is a line late in the film, when fallen star Jack Conrad (Brad Pitt) despairs of his latest picture, “It’s shit. A giant swing at mediocrity.” One gets a sense of the writer talking there, and not the character – that there is nothing on this earth worse than reaching for nothing.

After enormous success and Oscars for films ranging from Whiplash to La La Land to First Man Director/Writer Damien Chazelle returned to an early dream project first envisioned 15 years ago, a no-holds barred look at early Hollywood, a time when not only movies were transitioning from silent to sound, but Los Angeles itself was booming from desert to bulging metropolis. People were caught up in a turbulent time of change, and it didn’t always work out for some. As witnessed in the resulting film and years of meticulous research, Babylon is a sight to behold, a decadent, free wheeling, at times even poignant look at a series of dreamers, stars, fringe players, and all who wanted a piece of a world that felt out of control, uninhibited, and full of promise – and downfall.