Oscar-Qualifying HollyShorts Film Festival Hands Out Awards; ‘We Were Meant To’ Claims $60K Prize

Rebecca Rubin Film and Media Reporter Patricia Arquette, Lulu Wang, Finn Wolfhard, Barry Jenkins, Camila Morrone, Willem Dafoe and Colman Domingo mixed and mingled at Variety and Chanel’s annual female filmmaker dinner during the Toronto Film Festival. At the glamorous event, held on Saturday night at Soho House and hosted by Variety co-editor-in-chief Ramin Setoodeh, VIP attendees nibbled on tuna tartare, striploin steak and heirloom tomato salad as they toasted the recipients of Chanel’s Women Writers’ Network. The year-round program is designed to advance the careers of women and non-binary alumni of the TIFF Writers’ Studio.

Holly rings her school to tell them she is staying at home. She isn’t sick. She just can’t bring herself to go. “Bad things are going to happen today,” she says just above a whisper, her voice cracking.

It’s interesting how the Venice Film Festival has gone from one of the festivals of the fall festival season to arguably the best film festival in the world now, even overshadowing Cannes in recent years thanks to the fact that Netflix now avoids the Croisette for the most part because of France’s theatrical laws and save their Oscar contenders for the Lido. Venice has had an amazing run, arguably since 2017 when Guillermo del Toro’s “The Shape Of Water” won the top prize and then went on to win the Oscar for Best Picture, which has happened one more time since with “Nomadland” and several key Oscar contenders since).

fired back at an unnamed reporter at the Venice Film Festival on Friday over a question regarding cast diversity in their new film, “The Promised Land.”The movie is set in 1750’s Denmark. Mikkelsen, 57, stars as an army captain struggling to raise his social status and maintain his values in an increasingly hostile climate.

Everyone assumes Mathieu’s life is marvelous. He is a popular film actor, as evidenced by the waiters and receptionists who take it upon themselves to give an appreciative commentary on his film career as they serve the soup or sign him into a hotel. He is married to a celebrity news anchor. When he checks into a spa retreat in a seaside town otherwise deserted for the winter, he finds a glossy magazine with his face on the cover next to one of the relaxation chairs. The story inside has him talking about his marvelous life, in particular his forthcoming stage debut, with accompanying quotes from his highflying wife. This is the woman who was too busy even to say goodbye before he came here. But the worst of it is that he is there: He has pulled out the play. When it came to it, he was afraid to do something new. Nobody knows it yet, but he is a failure.

Natalie Portman and Julianne Moore‘s new movie May December is set to introduce the 2023 New York Film Festival later this month!

Patrick Frater Asia Bureau Chief The QCinema International Film Festival in the Philippines has beefed up its industry program by introducing a project market strand, QCinema Project Market (QPM). It acts as a networking and funding platform for Filipino and Southeast Asian projects in advanced development.

Busan International Film Festival (BIFF, October 4-13) has unveiled its full line-up, including opening and closing films, and announced that Hong Kong star Chow Yun-fat has been named as Asian Filmmaker of the Year. 

With no film industry to speak of, and limited funds to make a movie in one of the most remote places on earth, young Bhutanese director/writer Pawo Choyning Dorji pulled off a miracle with his first feature, Lunana: A Yak In The Classroom which came out of nowhere to get an Oscar nomination for Best International Feature (formerly Best Foreign Language Film) in 2019. It was a charmer of a movie set in a village in Bhutan with no connection to the outside world and where a young teacher must decide whether he wants to stay and teach the kids or follow his dreams to Australia.

In principle, using the rainy-day, kitchen-sink post-rock of Manchester band The Smiths so prominently in a film like The Killer seems incredibly perverse, given that it’s an exotic, globe-trotting thriller about an American assassin. But in reality, it’s actually very sound choice indeed: legend has it that the band’s singer, Morrissey, had two reasons for naming his band so, the first being that “Smith” is one of the most common and thus unremarkable surnames in the world. The second, and much more subversive theory, suggests that it’s also a reference to David and Maureen Smith, brother-in-law and sister of ’60s serial killer Myra Hindley, the snappily dressed couple whose testimony blew open the Moors Murderers case and whose beatnik likenesses adorn the cover of Sonic Youth’s 1990 album “Goo”.

Five years after his triumphant A Star is Born world premiered at the Venice Film Festival, Bradley Cooper is back on the Lido with Maestro. Except, the director and star is only here in spirit owing to the SAG-AFTRA strike.

Mads Mikkelsen and his son Carl Jacobsen Mikkelsen make quite a dashing pair!

The Venice Film Festival is now underway, albeit without a lot of actors on the Lido thanks to the ongoing SAG-AFTRA strike. But Variety reports that “Ferrari” star Adam Driver is at the festival to support Michael Mann‘s latest film (as it’s not part of the AMPTP), and he didn’t hold back about certain companies refusing to meet guild demands.

Not only a beautiful destination, the Telluride Film Festival is a cinephile’s paradise; a secluded city in the Colorado mountains that’s hard to get to and then rather exclusive, which is probably partly the draw and the reason so many filmmakers and actors adore Telluride. But it’s also a cinephile’s haven in terms of community, there’s a knowing togetherness, lack of hierarchy and you can easily be in line for a film with a random science teacher from Albuquerque who is also a massive film nerd as you could be next to legendary director Werner Herzog.

A 73m x 7m submarine was always going to be a left-field substitute for A-lister Zendaya after Luca Guadagnino’s hotly anticipated tennis movie Challengers was pulled from the Venice Film Festival’s prestigious opening-night slot. And although the gargantuan Cappellini is a formidable presence in Eduardo De Angelis’s 1940-set war drama, Comandante seems woefully out of its depth as a curtain-raiser to a festival still reckoning with the effects of the SAG strike.

EXCLUSIVE: The Hot Springs Documentary Film Festival – the country’s longest running all-documentary festival – is preparing to launch an innovative new Filmmaker Forum.

George Clooney and his wife Amal looked loved-up as they arrived in Venice ahead of the 80th International Film Festival on Tuesday.

Naman Ramachandran The 67th BFI London Film Festival has unveiled the titles that will compete in its official, first feature, documentary and short film competitions. Festival director Kristy Matheson said: “The films represented in each of these competitive strands offer audiences an exciting array of U.K. and global filmmaking voices and cinematic forms.

The Venice Film Festival is upon us again, and we can’t believe it. While we are a little sad that it means that summer is winding down, the positive is that it implies that audiences everywhere are about to have a treasure trove of sure-to-be spectacular films to look forward to.

Ahead of its world premiere in competition at the 80th Venice Film Festival, Sofia Coppola’s Priscilla, which follows the Presleys from the perspective of the King’s young bride, has secured a SAG-AFTRA Interim Agreement.