Oscar-nominated Holocaust film ‘Zone of Interest’ will screen at Auschwitz

yikes! – DeGeneres, Kevin Spacey, Brad Pitt, Angelina Jolie, Bradley Cooper, Jared Leto, Julia Roberts, Meryl Streep and more today and you’ll witness something akin to a prehistoric fossil recovered from the La Brea Tar Pits. Those poor stegosauruses.First, DeGeneres herself was knocked off her Queen of Daytime perch after allegations were made in a 2020 BuzzFeed article accusing the comic of lording over a “toxic workplace environment.” A resulting thread on Twitter, now called X — appropriately resembling a skull and crossbones — dubbed her “the meanest person alive.” Eeek!An “Ellen DeGeneres Show” source later told The Post, “The stories are all true!”.

Peter Debruge Chief Film Critic If the Academy judged features by the same standards that they do live action shorts, the best picture ballot would be full of starry, quasi-political issue movies: well-meaning but manipulative films like “Father Stu” and “The Janes.” In this category, it’s the message that matters to Oscar voters, which makes this year’s “2024 Oscar Nominated Short Films: Live Action” program (available in theaters and on demand from ShortsTV) one of the most frustrating lineups in recent memory. Or it would, if not for the presence of one genuinely brilliant, liberatingly unserious nominee among them.

Jaden Thompson The Oscars can always be counted on to prompt discourse. From “Barbie” snubs to racial diversity to a certain on-stage slap, the prestigious awards ceremony often serves as the impetus for societal debates. This year, Good Energy and Colby College are hoping to spark conversations about the representation of climate change on screen, with the invention of the “Climate Reality Check,” an evaluation modeled after the Bechdel-Wallace Test measuring female representation on screen.

If you are aiming to win your Oscar pool you may feel relatively safe right about now predicting, as most are, a sweep by Oppenheimer, especially after its overwhelming showing last week winning 7 BAFTA awards, the DGA honor for Christopher Nolan the week before that, and on Saturday sweeping 3 of the 5 movie awards at SAG and winning top prize at PGA last night. However key to actually winning your pool will not be those marquee feature film categories but rather the three for shorts that run under the radar, but can spell the difference in triumphing over all others in whatever pool you enter. So who could – or should for these purposes – prevail in the Documentary, Animated, and Live Action shorts contests this year? Shorts TV in association with distributor Magnolia Pictures has, as usual. put all of them in theatrical release in theatres across the country, so if you are lucky you could have the chance to see the three different programs offered on the big screen. Some, like MTV’s The ABC’s Of Book Banning are available for free on You Tube, and some are available on the various streaming services like Netflix, Hulu, Disney+, Amazon, Apple. I have seen all 15 of the films spread across these categories with 5 nominees each. Here is my take on the artistic merits of each.

Major news today for Oscar-nominee To Kill a Tiger. Actress Priyanka Chopra Jonas is joining the award-winning feature documentary as an executive producer, alongside Dev Patel, Mindy Kaling, and other bold-faced names. The news comes as Netflix inks a deal to launch the film globally on its platform soon.

Addie Morfoot Contributor Audiences will get a chance to see MTV Documentary Films‘ Oscar nominated short documentary “The ABCs of Book Banning” for free on YouTube beginning on Feb. 23 until the end of the month. The 27-minute film, about the rising tide of book banning efforts around the United States, marks docu titan Sheila Nevins‘ directorial debut.

Italy’s Best International Feature Oscar-nominated Io Capitano starts its U.S. run today in ten market on 21 screens, a bit wider than usual for Cohen Media Group but with Academy final voting just started, reviews are gold for the odyssey that director Matteo Garrone calls “a movie about human rights. About the rights of everybody to move, to look for a better life.”

Oscars has almost reached its end. The final award show before Hollywood’s biggest night, the 2024 SAG Awards, is just around the corner.The 30th annual ceremony will take place on Feb. 24, celebrating the best and brightest across the film and television industries.

Matt Sweeney, a pioneering special effects artist who was Oscar-nominated for his work on Ron Howard’s 1995 space epic Apollo 13, died February 19 of lung cancer at Burbank’s Providence Saint Joseph Medical Center. He was 75.

The LAUSD Education Foundation is embarking on a major capital campaign to benefit the musical instrument repair operation documented in the Oscar-nominated film The Last Repair Shop.

Robin Williams called him every week to cheer him up while he was filming his 1993 Holocaust movie, “Schindler’s List.”Spielberg’s friendship with Williams stretched back to “Hook,” the 1991 flick that Spielberg directed and featured Williams as an adult Peter Pan.Spielberg opened up about “Schindler’s List,” and several other topics, in a wide-ranging interview in the Hollywood Reporter to talk about the 30th anniversary of the movie, which was filmed in Krakow, Poland, in 1993.The movie, which won seven Oscars at the 66th Academy Awards in 1994 — including Best Picture and Best Director (for Spielberg) — told the story of German industrialist Oskar Schindler (Liam Neeson), who saved thousands of Jews from the Nazis during the Holocaust by employing them in his factories.“Robin knew how hard it was for me on the movie, and once a week, every Friday, he’d call me on the phone and do comedy for me,” Spielberg said.“Whether it was after 10 minutes or 20 minutes, when he heard me give the biggest laugh, he’d hang up on me.”Neeson also remembered Williams’ Friday phone calls to Spielberg.“Steven would tell us afterward the sorts of things Robin would say,” Neeson recalled. “Once he started a riff of ‘I’m not a Nazi, I’m a nutsy,’ all this sort of s – – t.”Williams, the comedically brilliant “Mork & Mindy” star and Oscar-winning actor (“Good Will Hunting”), died by suicide in 2014 at the age of 63.Spielberg said that shooting “Schindler’s List” took its toll on him, emotionally.“The hard days were beyond my imagination and the easy days were never easy,” he told THR.

In the opening moments of 20 Days in Mariupol, Mstyslav Chernov’s chilling account of the siege of the Ukrainian port city, a Russian tank marked with the ominous ‘Z’ swivels its turret toward a hospital. On an upper floor of the building, Chernov and his small team record as the cannon slowly rotates towards them, preparing to fire.

By any indicator, filmmaker Sean Wang has had a career year–and we’re only in Month Two. His narrative feature debut, Dìdi, captured the Audience Award and a Special Jury Award for Best Ensemble in the US Dramatic Competition at the recently concluded Sundance Film Festival, and that same week, he earned an Academy Award nomination for Best Documentary Short Subject for Nǎi Nai & Wài Pó (Grandma & Grandma). What’s more, Focus Features acquired Dìdi for a mid-summer release, and Nǎi Nai & Wài Pó just premiered on Disney+ as part of the streamer’s “People & Places” series.

Jazz Tangcay Artisans Editor When filmmaker Jonathan Glazer sent sound designer Johnnie Burn the script for his Holocaust drama “The Zone of Interest” a year before production even began, Glazer laid down clear guidelines for the role sound was going to play: He did not want to share images that audiences knew and he wasn’t going to show the familiar, devastating scenes of the Polish concentration camp. He wanted to reflect everything through sound.

Christopher Vourlias Oscar nominee Abderrahmane Sissako (“Timbuktu”) returns to the screen for the first time in nearly a decade with his latest feature, “Black Tea,” a lushly lensed romantic drama about a love spanning cultural divides that world premieres Feb. 21 in competition at the Berlin Film Festival.

The Avenue release Land of Bad, powered by Variance, grossed $1.8 million on 1,120 screens, landing in the top ten for the weekend as Variance noted strong word of mouth with Saturday grosses jumping 37% from Friday’ (not including Thursday sneaks). The estimate for the four days is $2.07 million.

The Oscar-nominated artisans from Ridley Scott‘s epic Napoleon joined me as part of Apple Original Films‘ presentations at Deadline’s Contenders Film: The Nominees event. Veteran production designer Arthur Max and costume designers Janty Yates and David Crossman talked extensively about what it was like to work with Sir Ridley on the ambitious, large-scale production that saw Joaquin Phoenix play Napoleon Bonaparte and Vanessa Kirby his wife Josephine.

Tomris Laffly There is a pivotal scene in Greta Gerwig’s dust-pink “Barbie” that has come to define the Oscar-nominated movie — a disarmingly truthful monologue that is not delivered by the film’s many Barbies, nor its numerous Kens. Instead, supporting actress Oscar nominee America Ferrera’s Gloria crisply sums up the movie’s themes around a picture-perfect doll confronted by the real-world, patriarchy-fueled challenges of womanhood. “You have to answer for men’s bad behavior, which is insane, but if you point that out, you’re accused of complaining.

Shanelle Genai “I think that the six or seven months I spent with Sofia at this time in my life — as a mother, as a wife, having felt like wanting to quit and give up — she pushed me into knowing you have everything that you need inside of you to continue this next chapter and leg in life.” This epiphany by “The Color Purple” star Danielle Brooks about the character she portrayed is just one of many powerful yet similar revelations that connect a handful of female Oscar nominees and their respective performances in movies ranging from “Nyad” to “Barbie,” “Poor Things” and “The Holdovers.” For them, stories of female self-realization that began on-screen transformed them off-screen. When Brooks got the chance to return to her role as Sofia for the movie musical adaptation of “The Color Purple” nearly 10 years after her initial Broadway debut performance, it was vastly different due to the stage of her life at the time.

Whitney Friedlander The Academy’s tendency to award trophies to Holocaust movies has long been whispered about — and even occasionally joked about by cheeky comedians. In 2009, shortly after Kate Winslet won a Golden Globe for her performance as a former Auschwitz guard in “The Reader,” presenter Ricky Gervais pointed to her in the audience and deadpanned, “I told ya, do a Holocaust movie; the awards come.” Winslet, who would go on to receive an Academy Award for her part in Stephen Daldry’s film, had several years earlier appeared on Gervais and Stephen Merchant’s HBO comedy “Extras” as an actor who stars in a film about the Holocaust in the hopes that it will earn her an Oscar.