Optimism, Can-Do Spirit Fires Up Black Nights Film Festival’s Industry Program

Nick Holdsworth At the closing ceremony of the 3rd edition of the Red Sea Film Festival Thursday, which took place in Jeddah, Saudi Arabia, in front of an audience that included Hollywood stars Nicolas Cage, Gwyneth Paltrow, Halle Berry, Jason Statham and Adrien Brody, the Golden Yusr for best film and a $100,000 cash prize went to Pakistani-Canadian horror film “In Flames,” directed by Zarrar Kahn. The director said that the indie movie was shot for “just $300,000 — the size of a Red Sea Fund production grant.” He urged “everyone who gets a grant to go make a movie, because this was made for nothing.” The Silver Yusr prize for best feature film went to Tarsem Singh for “Dear Jassi.” The film, an India/Canada/U.S.

The Sundance Film Festival is celebrating its 40th anniversary in January and it’s no surprise that some legendary Park City filmmakers are returning with new films for the 2024 edition. Among the alumni are Steven Soderbergh, whose landmark film “Sex, Lies and Videotape” debuted at the 1989 fest; Debra Granik, whose Best Picture nominated “Winter’s Bone” won the Grand Jury Dramatic prize at the 2010 festival; and Anna Boden and Ryan Fleck, who will premiere their fourth movie at Sundance following 2006’s “Half Nelson,” 2008’s “Sugar” and 2015’s “Mississippi Grind.” READ MORE: “American Fiction,” “May December,” and “Past Lives” Top 2024 Film Independent Spirit Awards Soderbergh’s latest effort is “Presence,” starring Lucy Liu, Chris Sullivan, and Julia Fox.

MBC Studios is developing a series adaptation of popular Saudi writer Osamah Almuslim’s best-selling debut horror novel Khawf (Fear).

Jaden Thompson The 30th Slamdance Film Festival has announced its complete 2024 lineup, including 32 features, 75 shorts and five episodic titles. Slamdance will take place in-person at Yarrow Hotel in Park City and in Salt Lake City, Utah from Jan. 19-25, and online screenings will be offered on the Slamdance Channel from Jan.

EXCLUSIVE: On the heels of his debut feature Calladita (The Quiet Maid)’s November world premiere at the Tallinn Black Nights Film Festival, rising Spanish filmmaker Miguel Faus has signed with Artists First for management.

The Marrakech Film Festival celebrated its 20th edition this year, arriving at the landmark some 22 years after its 2001 launch due to the missed years of the pandemic.

Saudi Arabia’s Red Sea Film Festival launched its third edition on Thursday with a characteristically starry red carpet featuring the likes of Michelle Williams, Johnny Depp, Sharon Stone and Will Smith.

Martin Dale Contributor Moroccan director Hicham Lasri (“The End,” “Headbang Lullaby”) is presenting the world premiere of his seventh feature film, “Moroccan Badass Girl,” at the Marrakech Film Festival, and also participating in the Atlas Workshops with “Happy Lovers.” He describes both as dark comedies about antiheroes in the Arab world, “a bit in the vein of the Coen brothers.” “Moroccan Badass Girl,” starring Fadoua Taleb, is a contemporary low-budget pic about a headstrong, unpredictable young Moroccan woman in Casablanca. “Happy Lovers” features a clumsy French writer who accepts a mission to kill a well-known author, with a fatwa on his head. Both projects mark a major change from Lasri’s previous six feature films, which have all been set in Morocco in the 1980s, at the end of the so-called “Years of Lead,” during the reign of King Hassan II.

Nick Vivarelli International Correspondent Though the Red Sea Film Festival will feature a slew of films from the Middle East and North Africa (MENA) region – including 11 feature films from Saudi Arabia – there is a rich roster of international fare set to launch locally from Jeddah. Kaleem Aftab, the festival’s director of international programming, says they received lots more submissions for this year’s third edition.

Leo Barraclough International Features Editor AGC Intl., the international sales and distribution arm of Stuart Ford’s fast-growing independent content studio AGC Studios, has picked up world rights from Image Nation Abu Dhabi, MBC Studios and VOX Studios on Yasir Al Yasiri‘s “HWJN,” and from O3 Medya and Dhafer L’Abidine’s Double A Productions on L’Abidine’s “To My Son.” Saudi fantasy romance ‘HWJN’ will open the Red Sea Film Festival on Nov. 30, while the emotional family drama “To My Son” will premiere in Red Sea’s Arab Spectacular section.

Stuart Ford’s AGC International has picked up world rights to two Arab-produced titles, HWJN by Yasir Al-Yasiri and To My Son byDhafer L’abidine, ahead of their debuts at Saudi Arabia’s Red Sea Film Festival. 

EXCLUSIVE: Bombay Berlin Film Productions (BBFP) has revealed that August Diehl has been cast to play the role of German Olympic athlete Otto Peltzer in upcoming biopic The Distant Near. 

Navigating social media advice on fragrances can be tricky, given the highly personal nature of choosing scents. However, there's a product creating quite a buzz among perfume enthusiasts for its affordable price, diverse range of delightful aromas and overall value for money: the Sol de Janeiro Cheirosa Body Mists.

At the Award Ceremony of the 27th Tallinn Black Nights Film Festival (PÖFF), awards were presented to the winners of the festival’s five competition programmes and PÖFF’s youth and children’s film sub-festival Just Film.The jury of the Official Selection Competition, headed by Trine Dyrholm, selected Emma Dante’s drama Misericordia as their favourite, handing the film the Grand Prix for Best Film. Dante adapted her own play of the same name, telling the story of three prostitutes who live in the wasteland by the sea, where a village of outcasts has emerged. Its star Simone Zambelli also scooped the Best Actor Award.

Every November, the Tallinn Black Nights Film Festival embraces the cold of the coming winter, Estonia’s capital shining bright in the darkness of night, showcasing the latest the Baltics and beyond can offer. Each year, for over two weeks, the annual festival, now in its 27th year, offers up hundreds of features and shorts presenting them to both the international press and the cinema-going public. Nearly ten years ago, the festival was awarded A-class status, which puts it alongside the likes of Berlin, Cannes, Venice, Karlovy Vary, Warsaw, and San Sebastian. For the past few years, we’ve been invited along to sample its many delights.This year, the festival played host to 185 feature films from 73 different countries, including 51 world premieres and 24 international premieres, distributed among 5 competitive programmes and 14 side programmes.

John Bleasdale Guest Contributor Italian writer-director Emma Dante’s “Misericordia” has won the top prize at the Black Nights Film Festival in Tallinn, Estonia. Adapted from her own play, her third feature tells the story of a young man (Simone Zambelli) with learning difficulties, cared for by a group of sex workers on an island, protecting him from the cruelty of his abusive father. It’s a raw portrait of a marginalized group of people, mixing natural beauty of the locations with the grime of everyday existence.

The Peasants would already be a daunting project in the best of times. Like their previous film, Loving Vincent, directors Hugh and DK Welchman oversaw a team of animators painting each frame of the film based on live-action reference material. Hugh, who came to Los Angeles from Poland just for his 12-minute Contenders panel, said The Peasants also had to work around COVID and the Ukraine War.

John Hopewell Chief International Correspondent Belgium’s Stenola Productions, behind Joachim Lafosse’s 2022 Cannes Competition player “The Restless” and this year’s San Sebastian’s Golden Shell contender “A Silence,” has boarded “Elena,” written by Cannes Camera d’Or winner César Díaz (“Our Mothers”) and a potential highlight at this month’s Ventana Sur Proyecta forum. Stenola, which looks set to handle part of post-production, joins Norwegian lead producer Staer, founded by Elisa Fernanda Pirir, and Lithuania’s Just a Moment on a film which marks the anticipated feature debut of Dalia Huerta Cano, whose “Flesh That Remembers” won best doc short at Mexico’s Morelia Film Festival and DF Docs.

Paul Ridd, a long-term acquisitions exec at Picturehouse Cinemas, has been named director of the Edinburgh International Film Festival (EIFF).

a Q&A with the actor on Sunday.“What do you think about [the] crash scenes?” Driver was asked by the audience following the screening. “They looked pretty harsh, drastic and, I must say, cheesy for me.