‘Only The River Flows’ Teaser: Wei Shujun’s Noir Thriller Debuts At This Year’s Cannes

Anthony Chen’s well-regarded Mainland China-set “The Breaking Ice” has found favor with multiple European and Asian buyers in the few days since its Sunday premiere as part of the Cannes Film Festival’s Un Certain Regard. The film narrates a love triangle story among China’s lost youth generation and is set in the middle of winter in Yanji, a town that is heavily populated by ethnic Koreans. It is headlined by a star-studded Chinese cast of Zhou Dongyu (“Better Days”), Liu Haoran (“Detective Chinatown” franchise) and Qu Chuxiao (“The Wandering Earth”). “The Breaking Ice” has been newly licensed to Challan for release in South Korea, Trigon-Film for Switzerland, One From the Heart for Greece, Tucker Film for Italy and Edko Films for Hong Kong.Rights sales are handled by Rediance, Mainland China’s leading indie sales company, which reports that addition territory deals are currently being negotiated.

Nick Vivarelli International Correspondent Italy’s RAI Cinema, which has four titles in this year’s Cannes selection, has closed a deal on Ron Howard’s next movie “Origin of Species,” a hot project at the Cannes market starring Daisy Edgar-Jones, Ana de Armas, Jude Law and Alicia Vikander. RAI Cinema chief Paolo Del Brocco said the company – which is the film arm of Italian state broadcaster RAI – has teamed up with Rome-based Lucisano Media Group to acquire Italian rights from CAA Media Finance on Howard’s survival thriller penned by Noah Pink (“Tetris”) about a a group of eclectics who turn their backs on civilization and head to the Galapagos. In Cannes, RAI Cinema also picked up Italian rights from Gaumont on family movie “Moon The Panda,” by French humans and animals adventures specialist Gilles de Maistre, known for “Mia and the White Lion”and “The Wolf and the Lion.” De Maistre’s latest, about the friendship between a boy and a panda, is set to shoot later this month in China’s Sichuan mountains.

Chinese actress Zhou Dongyu, who is in Cannes with Anthony Chen’s Un Certain Regard title The Breaking Ice, has had a fairytale career trajectory. 

Jessica Kiang Imagine the gleaming surfaces of Park Chan-wook’s terrific “Decision to Leave” stripped of romance, all scuzzed-up and grimy. Imagine drilling down through Diao Yinan’s Berlin-winning “Black Coal, Thin Ice” and finding unexpected seams of absurdist dark comedy. You are now somewhere in the seamy offbeat world of “Only the River Flows,” director Wei Shujun’s inventive riff on Asian-noir that gives the expanding subgenre something its Chinese contributions often lack: a pitch-black sense of humor.  Wei has been laying claim to the title of laid-back joker in China’s new-gen pack since debuting with affable slacker comedy “Striding into the Wind” in 2020 (a selection in 2020’s canceled Cannes festival) and following it up with autoreflexive filmmaking satire “Ripples of Life.” Now he brings his wry sensibilities to bear on this murdery mindbender, which he adapts, with a healthy disdain for boring stuff like “linear plotting” and “resolution,” alongside Kang Chunlei, from a short story by postmodernist author Yu Hua.

King Charles III thanked Armagh for the warm welcome he and Queen Camilla received during the second day of their visit to Northern Ireland.The son of the late Queen Elizabeth II attended a service at St Patrick’s Cathedral attended by various religious leaders while wife Camilla visited the Armagh Robinson Library and Museum, which is home to a number of local archaeological items. At the library Camilla met children from Drelincourt Primary School and volunteers from Dementia NI, before signing a commemorative photograph for the museum.

Patrick Frater Asia Bureau Chief Magic Fair, a Miami-Paris based indie sales company and Hong Kong- and Paris-based All Rights Entertainment have launched rights sales on upcoming feature animation “Pigsy,” directed by Chiu Li-Wei (“Barkley”) during the Cannes Film Festival’s Marche du Film. The film is a reimagining of the classic Chinese tale “Journey to the West.” The story follows a self-absorbed and lazy pig on a journey to lasting happiness. Set in a distant future, the film sees Pigsy embark on a deceitful quest for a better life, only to find that true happiness may be closer than he thinks. The production has recently added Taiwanese stars Greg Han, Liu Kuan-Ting, Harlem Yu, Tuo Tsung-Hua, Chung Hsin-Ling, Ivy Shao, Waa Wei and K.R. Bros. The film is to be completed in time for release at Chinese New Year in early 2024. Production is by the Netherland’s studio Submarine (“Where is Anne Frank,” TV series “Undone” Season 2, “Apollo 10 ½ : A Space Age Childhood”) with Taiwan’s Greener Grass (“GrX”) and Studio2 (“Barkley,” “Get the Hell Out,” “The Tag-Along”).

Disney’s return to live-action takes of their animated vault in the fullest theatrical form happens this weekend with Rob Marshall’s The Little Mermaid which is eyeing a $180M worldwide start.

Lise Pedersen Moving towards a more equitable and accountable curation in film programming and selection processes, ethical representation in storytelling and the challenges posed by the lack of awareness and accountability was at the heart of a panel discussion at Cannes Docs, the Cannes Film Market event dedicated to documentary film, on May 20. Panelists included Egyptian director and producer Nada Riyadh, British-Chinese writer and director Paul Sng, Brazilian producer Yolanda Maria Barroso and Swedish producer Malin Hüber; it was moderated by the BFI’s Race Equality Lead Rico Johnson-Sinclair. Opening on a positive note, Riyadh said that, “as an Arab woman,” she welcomed the presence in the official selection at Cannes this year of docs by Tunisian director Kaouther Ben Hania (“Four Daughters,” main competition) and Moroccan filmmaker Asmae El Moudir (“The Mother of All Lies,” Un Certain Regard), even though “in the real world I still get asked whether I do docs or real films,” she added with a smile.

Chinese director Wei Shujun has just premiered his third film, neo-noir thriller Only The River Flows, in Cannes Un Certain Regard to positive reviews. 

Lise Pedersen Award-winning US producer and distributor Karin Chien (“Robot Stories,” “Circumstance”), whose latest co-production, “Man in Black,” is one of two films by Chinese director Wang Bing running in Cannes’ official selection, shared her experience with the crowd during a masterclass at Cannes Docs, the Film Market section dedicated to documentary films. “Man in Black” premiered at a special screening in Cannes on May 22. Wang’s other film selected in this year’s edition is main competition title “Youth.” In the talk, moderated by Documentary Association of Europe co-founder Brigid O’Shea, Chien put on her distributor’s hat to talk about a job she said was “not pitched enough but [represented] some of the most meaningful work she [had] ever done.”

Prime Video, Hulu, Disney+, HBO Max (soon to be, simply, Max), Paramount+, Netflix, Peacock, Discovery+, Starz and even more streaming services, there’s no shortage of options when choosing what to binge-watch in your free time. However, sometimes the amount of great film and television available to stream can be overwhelming and lead to scrolling aimlessly — hoping to land on that perfect piece of content.

Godard speaks! Again. Quite rightly there’s a lot of hoopla about the world premiere of a 20-minute trailer the late cinema legend Jean-Luc Godard made for a feature film that will never exist: Phoney Wars. 

In 2013, filmmaker Anthony Chen’s first feature, “Ilo Ilo,” won the coveted Caméra d’Or at Cannes. Centered around the inseparable bond between a 10-year-old Singaporean boy and his Filipina nanny, Chen’s full-length debut deployed a specific lens — a family weathering the 1997 Asian financial crisis — to tell a universal story exploring the nooks and crannies of our shared humanity.

In 2013, filmmaker Anthony Chen’s first feature, “Ilo Ilo,” won the coveted Caméra d’Or at Cannes. Centered around the inseparable bond between a 10-year-old Singaporean boy and his Filipina nanny, Chen’s full-length debut deployed a specific lens — a family weathering the 1997 Asian financial crisis — to tell a universal story exploring the nooks and crannies of our shared humanity.

After a $60M opening for Fast X, a $110M 4-day start for The Little Mermaid, and a $80M+ debut for Spider-Man: Across the Spider-Verse, Paramount will keep the summer tentpole train going with Transformers: Rise of the Beasts with an estimated $68M to $70M start in U.S. and Canada.

While Southeast Asian films have premiered at the Cannes Film Festival many times before, and even won the Palme d’Or, there’s an energy around the region this year that we haven’t felt on the Croisette at previous editions. 

Former Manchester United midfielder Jordi Cruyff will leave his position as Barcelona sporting director this summer after nearly two years in the job.

Naman Ramachandran Emerging star from Hong Kong, Isabella Wei, headlines Silent D Pictures’ comedy-drama “High Wire.” The film follows the story of Go-wing, a British-Chinese takeaway girl who discovers her inner strength and artistic bravery when a circus comes to her small English town. As Go-wing navigates the challenges of her dual cultural identity, she finds herself at a crossroads and must decide between conforming to societal expectations or forging her own path towards her dreams. The film pays homage to the first and second generations of Chinese immigrants and their journey to adapt to life in England whilst facing issues of systemic racism and discrimination.

Todd Spangler NY Digital Editor Amazon Games is taking another shot at Middle-earth. The ecommerce giant announced a deal with Middle-earth Enterprises for Amazon Games to develop and publish a new massively multiplayer online (MMO) game based on J.R.R. Tolkien’s fantasy epic “The Lord of the Rings.” The upcoming game, as yet untitled, will be “an open-world MMO adventure in a persistent world set in Middle-earth, featuring the beloved stories of ‘The Hobbit’ and ‘The Lord of the Rings’ literary trilogy,” according to Amazon. The game is in early stages of production, with development led by Amazon Games Orange County, the studio behind Amazon Games’ open-world MMO game “New World.” Amazon Games will publish the game globally for PC and consoles, but it did not announce an expected launch date.

Good afternoon Insiders, Max Goldbart here, and with Cannes just a few days away we’ve got plenty for you to digest in this week’s newsletter. You can subscribe here.