Oliver Stone Talks ‘Nuclear’ And Hollywood’s Misguided Love Of Disaster Movies [Interview]

After star turns in “The Last Black Man In San Francisco,” “The Harder They Fall,” and “Devotion,” what does Jonathan Majors have up next? Well, being Kang the Conquerer in various MCU fare is one answer, but here’s another, more audacious one. Deadline reports that Majors is set to star as ex-NBA star Dennis Rodman in Lionsgate‘s upcoming film, “48 Hours In Vegas.” READ MORE: New ‘Devotion’ Trailer: Jonathan Majors & Glen Powell’s Korean War Drama Has Its World Premiere At TIFF This September The upcoming film follows the infamous story now made legendary by last year’s Michael Jordan–Chicago Bulls documentary, “The Last Dance.” While the Bulls vied for their second thee-peat championship run, Rodman took a 48-hour trip to Las Vegas to unwind in the middle of the 1998 finals.

Jordan said on the docuseries. “So, when Scottie came back, Dennis wanted to take a vacation.”“48 Hours in Vegas” will explore the wild bender that Rodman enjoyed during that vacation, which according to Jordan ended with him finding Rodman hungover while his then-girlfriend Carmen Electra hid herself.

A dad-of-four, who had been planning to drive his car off a cliff in a ‘moment of madness’, smashed into a family car as he sped around a bend. A couple in their 60s were injured in the crash and their three young grandchildren were all left with bruises.

John Oliver returned with a new episode of Last Week Tonight on HBO and HBO Max after taking a week off. The main topic of the night was Brasil and its president Jair Bolsonaro.

Zack Sharf John Oliver said on the Sept. 19 episode of “Late Night with Seth Meyers” that it was “pretty shitty” to have his Queen Elizabeth II jokes censored by the U.K. television network Sky following the British monarch’s death. During the first episode of Oliver’s HBO show “Last Week Tonight” that aired after the queen’s passing, the host quipped that the U.K. was “reeling from the shocking death of a 96-year-old woman from natural causes.” Oliver was being sarcastic, which led Sky to censor the comment from the show. “All we said was that Britain is still mourning the shocking loss — right? — of a 96-year-old woman from natural causes. It’s literally not a joke,” Oliver told Seth Meyers about the censorship. “Scientifically, it’s not a joke. That’s just a fact with a kind of dick-ish inflection, that’s all it is. And yet they cut it out, which is pretty shitty because apparently all we’ve heard all week is the queen had this incredible sense of humor. Just nonstop. Oh, she was so funny. Seth, she was so funny. The queen, she was razor sharp.”

Kelly Clarkson has officially been honoured with a Hollywood star.

Don’t worry, darling — Florence Pugh isn’t going anywhere. She’s already booked her next Marvel project with the all-star movie Thunderbolts alongside Sebastian Stan and more familiar faces.

Surprisingly, Nuclear is not one of Oliver Stone’s “devil’s advocate” documentaries, the spate of films he started making in the early 2000s that seemed to troll liberals everywhere by spending time with notorious human-rights abusers such as Fidel Castro, Hugo Chavez and Vladimir Putin. In the real world right now, nuclear power is about as toxic as those three men put together, but this intelligent and surprising film is an investigation into how that PR damage came about, which makes it arguably more of a piece with his famous conspiracy thriller JFK than any of those. At nearly two hours, it’s a hard watch, being dominated by Stone’s dense, monotonous voice-over and featuring scientists with next to no screen presence (this explains a lot about Adam McKay’s decision to shoot Don’t Look Up with A-listers). Nevertheless, it puts forward a lot of unexpected proposals about nuclear energy, debunking powerful myths along the way.

Ben Croll Presenting his latest documentary, “Nuclear,” at the Venice Film Festival, director Oliver Stone reflected on the climate crisis in a tone all too rarely struck – optimism. “[We need to] get away from that mentality of fear,” Stone said from a press conference just before his film’s world premiere. “Like everyone else, I saw ‘An Inconvenient Truth’ in 2006, at it was scary. I kept reading the news, and it kept getting worse.” “The movies, television, books [about climate change] are all negative,” he continued. “And I find all that doomsday stuff to be depressing beyond belief.”

Oliver Stone is in Venice this year to debut his latest documentary, Nuclear. Written alongside political scholar Joshua S. Goldstein, the film sets out to re-examine the role nuclear power can play in our lives and makes the case that the energy source is humanity’s only realistic alternative to fossil fuels in the fight against climate change. Deadline sat down with Stone and Goldstein prior to the film’s premiere on the Lido to discuss why the pair decided to link up and how the lengthy production process almost “took the life” out of Stone.

Elsa Keslassy International Correspondent MK2 Films has scored key territory deals on Japanese director Koji Fukada’s “Love Life,” which makes its world premiere in competition at the Venice Film Festival. Set in contemporary Japan, “Love Life” is a character-driven film revolving around Taeko and her husband, Jiro, who are living a peaceful existence with her young son, Keita. When a tragic accident brings the boy’s long-lost father, Park, back into her life, Taeko throws herself into helping this deaf and homeless man to cope with the pain and guilt. Popular Japanese actress Fumino Kimura (“The Fable: The Killer Who Doesn’t Kill”) headlines the film. MK2 Films has now sold the movie to Teodora (Italy), Imagine (Benelux), Leopardo (Portugal), Demiurg (Ex Yugoslavia), New Cinema (Israel), Swallow Wings (Taiwan), Edko (Hong Kong), Impact Films (India) and Encore Inflight (Airlines).