Netflix Sets Xavier Gens’ Genre Movie Set in Paris’ Seine, Starring Berenice Bejo as Next French Film Original (EXCLUSIVE)

Elsa Keslassy International Correspondent Music Box Films has bought U.S. rights to “The Crime Is Mine” (“Mon Crime”), a period comedy by French helmer François Ozon (“Swimming Pool,” “8 Women”). “The Crime Is Mine” stars Rebecca Marder and Nadia Tereszkiewicz, who just won the Cesar Award for female newcomer, alongside Isabelle Huppert, Fabrice Luchini, Dany Boon and André Dussolier. Music Box Films plans a theatrical release for later this year, followed by a home entertainment rollout. Adapted from a 1934 play by Georges Berr and Louis Verneuil, “The Crime Is Mine” follows struggling actress Madeleine (Tereszkiewicz), and her best friend and roommate Pauline (Marder), an unemployed lawyer in 1930s Paris. Madeleine ascends to fame after standing trial for the murder of a movie producer, with Pauline serving as defense counsel and media circus ringmaster. Upon Madeleine’s acquittal, a new life of fame, wealth and tabloid celebrity awaits — until the truth comes out.

Elsa Keslassy International Correspondent Mikael Marcimain, the popular Swedish director of “Call Girl” and “Gentlemen,” is on track to direct “Devastation,” an epic and horrific tale of survival set in 1867. “Devastation” is one of the first projects developed by Mylla films, the new banner set up by Jakob Abrahamsson and Patrik Andersson (“Midsommar”). Mylla films has enlisted Nordic distributor and co-producer Scanbox and French boutique genre specialist Alexis Perrin of Rumble Fish as co-producers. A period piece set in Northern Sweden, “Devastation” is penned by Melina Maraki (“The Liberation of Harold Kvist”). Unfolding during the ever-ending winter and famine of 1867, the film revolves around two brothers, one the local industrialist and the other the local preacher, who keep a sawmill society in a tyrannical stronghold. An uprising begins from the most unexpected place.

Elsa Keslassy International Correspondent Playtime has boarded “Monsieur Aznavour,” the prestige biopic of legendary French-Armenian Charles Aznavour starring Tahar Rahim (“A Prophet,” “Napoleon”). Budgeted at €26 million, the film will start principal photography on May 30. Pathé has scooped French rights and will give it a wide release in theaters. Surely one of the hottest packages to hit this year’s Cannes market, the film will chart Aznavour’s sprawling life journey, from his poor childhood to his rise to fame, from his triumphs to his failures, from Paris to New York. Aznavour was devoted to his art until the very end, singing his songs in ten languages, on every stage, in every city, desperately searching for perfection. He sold more than 180 million records around the world.

Elsa Keslassy International Correspondent Catherine Corsini, an outspoken queer activist and co-founder of France’s feminist organization 50:50, should have been celebrating her new film’s inclusion in the competition lineup of the Cannes Film Festival. Instead, she found herself in the middle of a firestorm after “Homecoming,” her coming-of-age story, failed to get the proper government approvals for a scene of a sexual nature involving two minors.   Corsini admits that mistakes were made. But she says that she took every effort to protect her young actors from being exploited.   That scene, which was eventually cut from the movie, became the object of wild rumors, which Corsini said are false, “crazy, completely out of control.” “I’m hallucinating at things I’m reading, accusing me of having forced Esther to do a blowjob or masturbate herself,” she said. 

Elsa Keslassy International Correspondent Cannes Film Festival’s chief Thierry Fremaux asked journalists Monday if they really believed Cannes was celebrating rapists, as recently suggested by “Portrait of a Lady on Fire” actor Adele Haenel in an open letter published last week in Telerama. Haenel, who quit acting in films after Roman Polanski won best director at the Cesar Awards in 2020, said she retired from the film industry for political reasons, and said Cannes was “ready to do anything to defend their rapist chiefs,” citing Polanski, Gerard Depardieu and Dominique Boutonnat, the president of the National Film Board (CNC). Fremaux told journalists at a press conference ahead of the 2023 festival’s opening night that Haenel, who was at Cannes to present “Portrait of a Lady on Fire” in competition in 2019, was making “radical” comments that were “false.”

Elsa Keslassy International Correspondent The city of Cannes has banned protests along the Croisette and its surroundings during the Cannes Film Festival. The labor union CGT, which is represented by Denis Gravouil on the administration board of the Cannes Film Festival, is still preparing a large demonstration on May 21 but it will take place along Boulevard Carnot, far away from the Croisette and from the festival’s headquarters. There will also be a rally of hospitality workers, including staff from hotels, cafes and restaurants, in front of the Carlton hotel – whose famous guests this year include Martin Scorsese — on May 19, from 1 p.m. to 3 p.m. The rally, which will likely involve protesters banging saucepans to express their anger, is technically allowed because the front of the Carlton is a private area.

Elsa Keslassy International Correspondent Orange Studio is launching several French projects at the Cannes Film Market, including Simon Bouisson’s “Drone,” a thriller produced by Haut et Court (“The Night of the 12th”), and “Miss Violet,” a period drama directed by Eric Besnard (“Delicious”) and starring Alexandra Lamy (“Rolling to You”). Bouisson, who is directing “Drone,” previously penned and directed the short-format series “Stalk” which was hit on France Televisions’ youth-centered service and has been optioned for a remake in the U.S. The thriller stars Marion Barbeau, the dancer-turned-actor who broke through in Cedric Klapisch’s “Rise,” as well as Eugénie Derouand (“Paris Police”), Cédric Kahn (“November”) and Stefan Crepon (“Peter Von Kant”)

Elsa Keslassy International Correspondent Rolling off a successful collaboration on “Charlatan,” Films Boutique has boarded Agnieszka Holland’s next film “The Green Border,” which just completed principal photography in Poland. Now in post production, “The Green Border” tells the fateful story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by President Lukaschenko opening doors to migrants in Belarus as a back door to enter the EU.  The screenplay, penned by Holland, Gabriela Łazarkiewicz-Sieczko and Maciej Pisuk, is inspired by real events. Research for the film included hundreds of hours of document analysis, interviews with refugees, border guards, borderland residents, activists and experts.

Elsa Keslassy International Correspondent “Flo,” a biopic of popular French sailor Florence Arthaud slated to world premiere at Cannes’ Cinema de la Plage, has been boarded by Other Angle. The French sales company will introduce the film to buyers at Cannes. Set to unspool on May 19, “Flo” charts Arthaud’s unique achievement in the male-dominated world of sailing, notably her victory of the Route du Rhum, a transatlantic sailing race, in 1990. The movie also portrays Arthaud as a fiercely independent woman who chose to live her dreams to the fullest rather than follow her pre-determined path. The film is directed by Geraldine Danon and is produced by Manuel Munz, in association with Metropolitan which will release the film in French theaters on Nov. 25.

Elsa Keslassy International Correspondent Noémie Merlant, the French actor of “Tár,” is reteaming with Celine Sciamma, who directed her in “Portrait of a Lady on Fire,” for her sophomore outing, “The Balconettes.” The fantastical comedy horror movie is being written by Merlant with the collaboration of Céline Sciamma. MK2 Films will launch sales at the Cannes Film Market. Filming is slated to begin this summer. Set in a boiling Marseille neighborhood plagued by a heat wave, the movie revolves around three roommates who gleefully meddle in the lives of their neighbors from their balcony. Until a late-night drink turns into a bloody affair. Merlant stars in the film alongside Souheila Yacoub (“Dune”) and Sanda Codreanu (“Mi Iubita Mon Amour”).

Elsa Keslassy International Correspondent Paris-based company Indie Sales has acquired Teddy Lussi-Modeste’s topical third feature, “The Good Teacher,” co-written by “Happening” filmmaker Audrey Diwan. François Civil, the French star of “The Three Musketeers” and “The Wolf’s Call,” stars as a young teacher wrongfully accused of sexual misconduct by a teenage girl from his class. As he faces mounting pressures from the girl’s older brother and her classmates, the situation spirals out of control: Allegations spread, the entire school is thrown into turmoil, and the teacher has to fight to clear his name. “The Good Teacher” marks the second collaboration between Indie Sales and Lussi-Modeste following “The Price of Success” which screened at Toronto and San Sebastián New Directors’ competition. “The Price of Success was picked up by Netflix for a multi-territory deal including the US.

Elsa Keslassy International Correspondent Adèle Haenel, the French star of Cannes prize-winning film “Portrait of a Lady on Fire,” vanished from the film world in the aftermath of the 2020 Cesar Awards ceremony. That year, Roman Polanski won best director and Haenel, who was on the ground for her nomination with “Portrait of a Lady on Fire,” walked out of the ceremony in a burst of anger upon hearing Polanski’s name, shouting “Bravo pedophilia!” Several months prior, Haenel had accused French director Christophe Ruggia of having sexually harassed her for years starting when she was just 12 years old, prompting the birth of France’s #MeToo movement. Since then, Haenel exited the movie biz to dedicate herself to political activism, as well as theater and dance with the artist Gisèle Vienne. She recently appeared on French TV to support the strike and protest against the country’s unpopular pension reform.

EXCLUSIVE: Liev Schrieber (Ray Donovan) is in negotiations for the lead role in action-thriller The Guns Of Christmas Past, which will be directed by Xavier Gens (Gangs Of London).

Elsa Keslassy International Correspondent Anonymous Content has come on board California surf-themed animated feature adapted from illustrator AJ Dungo’s celebrated graphic memoir, “In Waves.” Produced by Paris-based Silex Films, “In Waves” marks the feature debut of Phuong Mai Nguyen (“Brazen”), and is being penned by Fanny Burdino and Samuel Doux, whose screenwriting credits include “After Love” and “The Origin of Evil.” The feature is produced by Priscilla Bertin and Judith Nora, co-Founders of Silex Films, alongside Charades and Nick Shumaker, Garrett Kemble, and David Levine who will executive produce on behalf of Anonymous Content.

Elsa Keslassy International Correspondent Pulsar Content has acquired “Niki,” a film about the famous French-American artist Niki de Saint-Phalle, for international sales. The Paris-based banner will introduce the period project to buyers at the Cannes market with exclusive first stills. “Niki” marks the feature debut of popular French actor Céline Sallette and stars Charlotte Le Bon (“The Walk” “Saint-Laurent”) as de Saint-Phalle. Le Bon recently made her feature debut with “Falcon Lake” — which bowed at Cannes last year — and previously starred in Robert Zemeckis’s “The Walk,” as well as Terry George’s “The Promise” and Jalil Lespert’s “Saint-Laurent.” Le Bon stars in “Niki” opposite Damien Bonnard (“Les Misérables“).

Elsa Keslassy International Correspondent Catherine Corsini, the French director of “Le Retour,” which was added to the competition lineup for the 76th edition of Cannes on Monday, has addressed the reports in French media of alleged inappropriate incidents during production of the film. Corsini’s competition slot was on hold for nearly 10 days after Cannes’s administration board heard that a scene of a sexual nature involving the 15-year old female protagonist of the film was added to the script and allegedly filmed without the consent of the Commission des Enfants du Spectacle, a government-backed organization. French reports also said Corsini was allegedly being accused of harassment by crew members, while other members of the crew had been allegedly been accused of inappropriate acts against two female actors.

Elsa Keslassy International Correspondent Blue Fox Entertainment has acquired U.S. rights to Cédric Klapisch’s (“The Spanish Apartment”) hit dance film “Rise” (“En corps”) from Studiocanal. One of 2022’s highest grossing French films, “Rise” sold nearly 1.3 million tickets in local theaters and was sold around the world. The movie tells the story of a young ballet dancer whose life is upended when she suffers a career-threatening injury and catches her  boyfriend cheating on her. As she begins her physical and emotional rehabilitation, she finds solace in friends, a new love, and a new contemporary dance troupe. Marion Barbeau, a dancer-turned-actor, delivers a breakthrough performance in the lead role, and stars opposite French stars, including François Civil (“Three Musketeers”), Pio Marmaï (“How I Became a Super Hero”), Denis Podalydès (“Anaïs in Love”), as well as Hofesh Shechter (“Send Me an Angel”).

Elsa Keslassy International Correspondent Leo Maidenberg’s Paris-based company Place du Marché Productions is developing a slate of French and international films and TV series with acclaimed talents, including Daphna Levin, the creator of the Israeli series “Euphoria,” as well as Sarah Kaminsky (“Raid Dingue”) and Leïla Sy (“Banlieusards”). Maidenberg, who launched Place du Marché in 2018 after a career in diplomacy and made his producing debut with Caroline Fourest’s politically charged action film “Sisters in Arms,” has teamed with Kim Younes at Elvie Productions on a pair of high concept Israeli series. The first title produced by the two banners is “The Truth,” a police thriller series co-written and directed by Levin, whose credits also include the original Israeli series “In Therapy.” Set in Tel Aviv, “The Truth” opens on the day of the final verdict for the most controversial murder case in Israel, 10 years after the incident which took place in a high school gym. That same day, a new murder happens in identical circumstances. Juvenile inspector Rachel Zohar, a student at the high school at the time of the first murder, must revisit her trauma to solve the case. Aurit Zamir (“Babysitter”) co-wrote the series with Levin.

Elsa Keslassy International Correspondent Netflix has set the launch date for Part 3 of “Lupin,” its popular heist series starring Omar Sy, for Oct. 3. Louis Leterrier, who’s just been tapped to helm the next installment in the “Fast and Furious” franchise, is back in the director’s chair for the third part of “Lupin,” which will come more than two years after Part 2. As previously reported, the new season of “Lupin” started filming in the French capital in November 2021, so the launch comes a good deal of time after Part 2 debuted in June 2021. Sy is reprising his role as Assane Diop, a character inspired by the world-famous gentleman thief and master of disguise, Arsène Lupin. The cast will also bring back Ludivine Sagnier and Clotilde Hesme, among others.

Elsa Keslassy International Correspondent Quentin Tarantino has been named honorary guest at the upcoming edition of Directors’ Fortnight, the selection running alongside the Cannes Film Festival. The tribute will take place on May 25, on the closing of Directors Fortnight. “As an exceptional and generous cinephile, Tarantino is at home at the Fortnight. He will be our guest this year to present a secret screening and discuss his counter-history of cinema,” said Directors’ Fortnight in a statement. Tarantino was recently in Paris to promote his first non-fiction book, “Cinema Speculation,” which tells his coming-of-age as a director through a look at iconic American films from the 1970s era.