‘Napoleon’ soundtrack: listen to the epic score here

Love you, @DianaJenkins!!!!

At 24, Edouard Philipponnat has already worked with powerhouse director Ridley Scott twice and his latest project Napoleon has him going toe to toe with the likes of Joaquin Phoenix and Vanessa Kirby.

Napoleon’s screenwriter, David Scarpa, has revealed that the opening scene of the movie was originally very “different”.In a recent interview with IndieWire, Scarpa has shared the creative process surrounding Ridley Scott’s new biopic, starring Joaquin Phoenix as the French Emperor, Napoleon Bonaparte.In the interview, Scarpa revealed details of Scott’s creative mind, nuances behind the film’s script and some of the challenges that faced the filmmakers.One detail upon which Scarpa opened up was regarding the film’s opening scene, which shows the execution of Marie Antoinette in 1793. In a four-star review, NME wrote that this “vivid and dramatic start sets the tone of a film that is never less than full-blooded”.However, when asked about this scene, Scarpa shared: “That’s not how we originally started it.

Tim Chan If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. It’s hard to believe that it’s been 20 years since Paris Hilton and bestie Nicole Richie burst onto TV screens with “The Simple Life,” but as Hilton will tell you, time really does fly by when you’re having fun.

Oscar-contending documentary The Disappearance of Shere Hite will be making an appearance in cinemas in the U.K. and Ireland within weeks, courtesy of Dogwoof.

Michael Schneider Variety Editor at Large SPOILER ALERT: Do not read ahead if you have not watched Season 10, Episode 9 of “The Masked Singer,” “Disco Night,” which aired Nov. 29 on Fox. Former O-Town member Ashley Parker Angel had set aside performing in recent years to focus on his health and wellness company, High Level. But when “The Masked Singer” came calling, he couldn’t resist: “It was a hell yes, right from the start,” he told Variety.

As the year comes to a close, studios are getting into the mix, still releasing some last-minute titles into the fray (see Michel Franco’s “Memory” with Jessica Chastain). Another late entry in the 2023 films sweepstakes is “The End From Where We Start,” a new ecological disaster drama starring Jodie Comer (“Killing Eve”) and the directorial debut from director Mahalia Belo, a BAFTA TV Award winner for the 2017 TV film, “Ellen” and a 2019 BAFTA TV Award nominee for 2019’s mini-series “The Long Song.” READ MORE: ‘The End We Start From’ Review: Jodie Comer Stars In A Refreshingly Grounded Disaster Drama [TIFF] “The End From Where We Start” is based on the best-selling novel by Megan Hunter and adapted for screen by “Succession” writer Alice Birch.

Napoleon has made a strong start at the French box office despite some scathing reviews from French critics.The film – which stars Joaquin Phoenix as the famed French emperor – has received largely positive reviews internationally, though some French critics have slated the film.French GQ called it “deeply clumsy, unnatural and unintentionally funny”, while Le Figaro compared it to “Barbie and Ken under the Empire”.Nevertheless, it took $1.019million (£810,000) during its opening day in France last week (via Variety) – accounting for nearly a third of international takings – before making a total $5.6million (£4.44million) over its first five days.Its weekend takings also make France one of the biggest international markets for Napoleon, second behind the UK with $6.6million (£5.23million), according to ScreenDaily.Last week, director Ridley Scott hit back at French critics of the film, telling the BBC: “The French don’t even like themselves”.He added: “The audience that I showed it to in Paris, they loved it.”Scott also previously hit back at historian Dan Snow’s criticism of the film, after the latter broke down Napoleon‘s historical inaccuracies.“Get a life,” the director said. “I tend to be visual above all things, before the written word.”Napoleon focuses on the emperor’s rise to power and his relationship with Empress Joséphine (Vanessa Kirby).

Rebecca Rubin Film and Media Reporter Ridley Scott’s historical epic “Napoleon” may not have conquered the top spot in North America, but it emerged victorious at the worldwide box office. The film, starring Joaquin Phoenix as the infamous French ruler, debuted to $78.8 million, including $46.3 million internationally — enough to stave off the competition on global charts.

Napoleon was released in cinemas in the US and UK yesterday (November 22), ahead of an eventual digital release.The new movie stars Joaquin Phoenix as the historical military commander, Napoleon Bonaparte, and charts his rise to power, as well as his relationship with Empress Joséphine (Vanessa Kirby).According to an official synopsis, Napoleon “is a spectacle-filled action epic that details the checkered rise and fall of the iconic French Emperor”. It continued: “Against a stunning backdrop of large-scale filmmaking orchestrated by legendary director Ridley Scott, the film captures Bonaparte’s relentless journey to power through the prism of his addictive, volatile relationship with his one true love, Josephine, showcasing his visionary military and political tactics against some of the most dynamic practical battle sequences ever filmed”.The film also stars the likes of Tahar Rahim, Ben Miles and Rupert Everett.No streaming release date has been announced for Napoleon at the time of writing.

Joaquin Phoenix‘s new epic movie Napoleon, directed by Ridley Scott, is now playing in theaters and you might be wondering if there’s a post-credits scene.

Ridley Scott has been typically dismissive of critics taking issue with his forthcoming movie Napoleon, particularly French ones.

Ridley Scott’s Napoleon marches into cinematic battle with the bluster and confidence that comes with a reported $200-million budget and Sir Ridley’s decades-deep track record of well-mounted action epics.All that money and prestige is visible onscreen in the film’s far-flung locations, hundreds of extras, delectable period costumes and decor, and, as advertised, several massively-scaled scenes of battle, on land and sea, circa 1789 to 1815.Legions of infantry and cavalry clash on various rolling hills of Europe, shot in icy, desaturated blues and grays by Dariusz Wolski, Scott’s cinematographer on his last nine films (though not his next one, Gladiator 2, being lensed by Gladiator d.p. John Mathieson).Against vast fields of green or snow-covered grasses, and CGI-enhanced masses of combatants, soldiers’ coats flash a red that’s many shades brighter than the blood that flows and bursts violently across the screen.The filmmakers spare no visual detail in depicting the bodily devastation of hand-to-hand armed combat — death by bayonet, point-blank gunfire, horse hooves, or long-range artillery.Death here is bloody, disgusting, and woefully unnecessary, but it’s also the main currency of war, and this movie revels in the loud, explosive spectacle of war far more enthusiastically than it casts its feebly critical eye at the men who clamor for it.Above all else, the film renders tribute to Napoleon Bonaparte, portrayed by Oscar-winner Joaquin Phoenix as a shrewd but coarse, fearless, petulant, glowering egomaniac who rises to imperial power fighting and winning wars.

EXCLUSIVE: Getting a leg-up here on our Thanksgiving stretch preview, Apple Studios production of Ridley Scott’s Napoleon will invade the global box office via Sony this Wednesday, in what’s shaping up to be a $46M WW global start.

Joaquin Phoenix reportedly “walked out” of the premiere of his new film Napoleon earlier this week.The historical drama stars Joaquin Phoenix in the titular role as Napoleon Bonaparte, the military mastermind and Emperor of France. It spans 32 years from the outbreak of the French Revolution in 1789 to Napoleon’s death on St Helena in 1821, and explores significant battles as well as the romantic turmoil with his wife Joséphine de Beauharnais.Phoenix was spotted walking out of the film’s premiere in Paris on Tuesday (November 14) before it started.

Patrick Frater Asia Bureau Chief The Ridley Scott-directed historical epic “Napoleon” is set to get a release in mainland Chinese theaters next month. The Apple Original Films and Sony Pictures’ title has received approval for import into China and release in a Dec. 1 slot, Sony said on Thursday. Per a Sony synopsis, the film “details the checkered rise and fall of the iconic French Emperor Napoleon Bonaparte, played by Oscar-winner Joaquin Phoenix.

Apple Original Films and Sony Pictures’ Ridley Scott-directed action epic Napoleon has landed a theatrical release date in China of Dec. 1.

Joaquin Phoenix and Vanessa Kirby are stepping out for the UK premiere of their new movies.

Jennifer Maas TV Business Writer SPOILER ALERT: This article contains spoilers for the Season 1 finale of “Gen V, titled “Guardians of Godolkin,” now streaming on Amazon’s Prime Video. As a member of the “Gen V” cast, Chance Perdomo has gone through many on-set experiences specific to those in “The Boys” franchise: being repeatedly covered in fake blood and bodily fluids, shooting scenes with giant genitalia, and saying some truly filthy lines coming out of a superhero’s mouth. But Perdomo has another surprising connection to “The Boys.” “I came into this as a fan of ‘The Boys,’ I actually had originally auditioned for Hughie, years ago.” I read it and I thought it was such a great script.

Napoleon, with generally favourable reviews across the board.The historical drama stars Joaquin Phoenix in the titular role as Napoleon Bonaparte, the military mastermind and Emperor of France. It spans 32 years from the outbreak of the French Revolution in 1789 to Napoleon’s death on St Helena in 1821, and explores significant battles as well as the romantic turmoil with his wife Joséphine de Beauharnais.Many have praised director Scott for crafting the kind of bombastic spectacle favoured in late ’50s and early ’60s Hollywood, noting in particular the technical and theatrical skill enacted for the sweeping, bloody battle scenes.