‘Napoleon’ Rules U.K., Ireland Box Office

Searchlight Pictures’ Poor Things had a monster of an expansion, sewing up $1.3 million at just 82 theaters for a no. 10 spot at the weekend box office. American Fiction and The Zone of Interest, from, respectively, Amazon MGM Studios and A24, opened nicely as specialty films with original stories of all kinds are seeing traction with ticket buyers.

Timothée Chalamet’s Wonka is in theaters now, and the opening weekend box office numbers are in!

Refresh for latest…: After opening early in 37 international box office markets last weekend, Warner Bros/Village Roadshow/Heyday Films’ Wonka expanded its release this session to the rest of the world (save Korea which goes in late January). The results are sweet.

Rebecca Rubin Film and Media Reporter Timothée Chalamet’s fantasy musical “Wonka” hit a sweet box office milestone, surpassing $150 million globally. The song-and-dance movie about the early days of the eccentric chocolatier opened to No. 1 in North America with $39 million.

Patrick Frater Asia Bureau Chief Fact-based action drama “12.12: The Day” won a fourth weekend at the South Korea box office and became the second highest grossing film of the year. The political thriller incurred a steep week-on-week drop in takings, managing only $5.89 million in its fourth weekend, compared with $11.4 million in its third. But it still hogged a 72% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). After releasing on Nov.

Rebecca Rubin Film and Media Reporter “Wonka,” a fantasy musical starring Timothée Chalamet as the eccentric chocolatier, charmed in its box office debut, collecting $39 million over the weekend. It’s a sweet start, as long as the $125 million-budgeted family film has momentum around the holidays. The good news for Warner Bros.

according to IMDB’s Box Office Mojo.The musical fantasy, which tells the story of the fictional proprietor in the 1964 Roald Dahl novel “Charlie and the Chocolate Factory” stars Timothée Chalamet in the titular role. The Post said the actor exudes “impish charm and oddball quirks” and the film “delivers not so much a world of pure imagination as a land of constant cuteness.”The flick reportedly cost $125 million to make, so will have to earn double its budget, $250 million, to be deemed a box office success, according to Screen Rant.

J. Kim Murphy Oompa loompa doopity doo — here is a box office opening for you. “Wonka” is off to a promising start in North America after earning $14.4 million across Friday and preview screenings.

UPDATED, Saturday AM: Refresh for updates and chart Warner Bros.’ Wonka is doing what it’s suppose to do this weekend for a mid-December, pre-Christmas family title: A- CinemaScore on its way to an improved $37M-$38M after a higher than expected previews/Friday of $14.4M. Some industry estimates have Wonka at a $40M opening.

Naman Ramachandran Warner Bros.’ “Wonka,” starring Timothee Chalamet, has debuted atop the U.K. and Ireland box office with £8.9 million ($11.2 million), according to numbers from Comscore. In its third weekend, Disney’s “Wish” climbed up to £1.9 million in second place for a total of £5.8 million.

The filmed version of Broadway’s Waitress: The Musical was a surprise hit at the box office this past weekend and now the movie will stay in theaters longer than expected!

Leading movie theater operator AMC Entertainment has wrapped a $350 million at-the-market equity offering and reduced its debt by $62 million.

With awards shows’ ratings dropping annually, many have pinned that on mainstream viewers tuning out because their favorite tentpoles are overlooked in the Best Picture categories.

Patrick Frater Asia Bureau Chief Fact-based political thriller “12.12: The Day” dominated the Korean box office for the third successive weekend and advanced its takings haul beyond $50 million. It was far ahead of “Napoleon,” which opened a disappointing third. The Kim Sung-soo-directed picture earned $11.4 million between Friday and Sunday, accounting for 75.8% of nationwide weekend cinema revenues, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). It has held up particularly strongly and dropped by only 12% in its third weekend.

Naman Ramachandran One of the most popular events at the 34th Singapore International Film Festival (SGIFF) was a panorama event where six of the country’s leading indie film lights shared a panel to discuss opportunities and challenges. Opportunities are plentiful, with the festival world embracing Singaporean films and filmmakers warmly. Hong Kong-based Anthony Chen has had a stellar year with his directorial efforts “Drift” and “The Breaking Ice” which premiered at Sundance and Cannes, respectively.

Biggest Single-Day Domestic Box Office For A Foreign Live-Action Film, according to Screen Rant.It is also the Largest Domestic Debut For A Live-Action Japanese Film and the Second-Highest Debut For A Live-Action Foreign-Language Film Ever.Moviegoers are raving about the film, which slithered its way to the No. 2 spot in the box office on Friday, according to IMDB’s Box Office Mojo.“I believe the hype, the hype is well worth it.” said Miguel Santos, 46, a technician from Jersey City who caught the flick at the Times Square AMC.

according to IMDB’s Box Office Mojo.The Japanese animated fantasy, which The Washington Post called a “magical, otherworldly tale,” is expected to enjoy a $10.7 to 12 million opening weekend, Deadline reported.It is the only entirely foreign film to lead the weekend box office this year, the first since August 2022’s “Dragon Ball Super: Super Hero.”In second place was “Godzilla Minus One,” with a $2.25 million take. The film, which is the 37th in the Godzilla franchise, now holds the title ofBiggest Single-Day Domestic Box Office For A Foreign Live-Action Film, according to Screen Rant.Queen Bey was dethroned this week as Beyoncé’s film, which was in first place last week, fell down to third.Her documentary concert movie “Renaissance: A Film by Beyoncé” took injust $1.6 million, a drop of 75% since last Friday.“Trolls Band Together,” which debuted on Nov.

Elsa Keslassy International Correspondent Justine Triet‘s “Anatomy of a Fall” missed out on being chosen as France’s Oscar entry, but the movie has been a critical and commercial hit — including in the U.S., where it’s become the highest-grossing specialized foreign-language release post-pandemic, according to distributor Neon. Released in the States on Oct. 13, “Anatomy of a Fall” has pulled in $3.5 million so far, putting it ahead of Joachim Trier’s “The Worst Person in the World” and on track to match last year’s Palme d’Or winner “Triangle of Sadness,” another Neon movie.

Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are appearing in pockets of the world all the time and it can be hard to keep track… So, we’re going to do the hard work for you.

Patrick Frater Asia Bureau Chief Ridley Scott’s historical epic “Napoleon” was cruelly defeated at the mainland Chinese box office, where it opened in only fifth place on its opening weekend. Chinese crime thriller “Across the Furious Sea” headed the mainland China charts for a second weekend, earning $20.0 million (RMB142 million), according to data from consultancy Artisan Gateway. “Napoleon” earned just $2.8 million ($19.6 million) in China, according to the firm whose figures are generally considered as final, not estimates. The film earned generally mixed to positive reviews, but only a middling score of 6.6 out of 10 from users of the Douban movie fan site. But it appears that Chinese audiences found the travails of an ancient French emperor to be too much of a specialist topic.