The Motion Picture Association released its annual report on box office and home entertainment, and the bottom line is sobering but little surprise after a year of Covid closures.
01.03.2021 - 00:57 / deadline.com
Written, directed and starring Julie Delpy, the family drama My Zoe from Blue Fox Entertainment hit theaters this weekend before dropping on VOD on May 25. As the big banner and specialty box office attempt to find its footing as restrictions of the pandemic lift at a cautious glacial pace, the film managed to add some coin to its box office till, earning an estimated $32,506 for its opening weekend in 237 theaters.
Also reporting numbers for their opening weekends in the specialty box office
The Motion Picture Association released its annual report on box office and home entertainment, and the bottom line is sobering but little surprise after a year of Covid closures.
subtitled trailer for “Demon Slayer – The Movie” above.Also Read: 'Avatar' Overtakes 'Avengers: Endgame' as Highest Grossing Movie Ever After China Re-ReleaseAniplex of America and Funimation are handling the North American distribution plans.“Demon Slayer – Kimetsu no Yaiba – The Movie: Mugen Train” is directed by Haruo Sotozaki and features an original story by Koyoharu Gotoge with a screenplay and animation production by studio ufotable.
Japanese box office phenomenon Demon Slayer – Kimetsu No Yaiba – The Movie: Mugen Train has been set for a North American theatrical release on April 23. Aniplex of America and Funimation are distributing the anime adaptation which in December became the highest-grossing film in Japanese history, dethroning Spirited Away, which had held the title for 19 years. Check out a subtitled trailer below.
Naman Ramachandran The lucrative western India box office market will take a hit as a fresh wave of coronavirus has driven cinemas back to 50% occupancy.On Monday, the Brihanmumbai Municipal Corporation, which is in charge of Mumbai, the commercial capital of India and the home of the Bollywood film industry, ordered that cinemas return to 50% occupancy, and curtailed social gatherings.Cinemas across India had expanded to 100% capacity in February after operating at 50% for several
For years, specialty films have counted on an Oscar best picture nomination to provide a major boost at the box office. This time around, analysts are stumped as to how much the top nominees will benefit, considering that the box office has yet to recover from the pandemic.
Emiliano Granada “Words for an End of the World,” the third feature by Spain’s Manuel Menchón, continues his exploration of the towering figure of Miguel de Unamuno, also the subject of his prior fiction film, “The Island of Wind.” The documentary, however, covers new ground, embarks on a far more ambitious revisiting of Spain’s still not so distant past with a deep dive into a muddled history that for years has had just one interpretation that has simply been accepted as canon.Unamuno, the
Mark Schilling Japan Correspondent“Evangelion: 3.0+1.0 Thrice Upon a Time,” the fourth film in the Rebuild of Evangelion sci-fi anime series created and co-directed by Anno Hideaki, has earned $30.6 million from 2.2 million admissions in its first week on release, according to distributor figures released on Monday.Bowing on March 8 on 466 screens, the film has grabbed 45% more at the box office than the third “Rebuild of Evangelion” film, “Evangelion: 3.0 You Can (Not) Redo,” which had a
Theaters are beginning to open up on both coasts and the specialty box office life is starting to get some shine with each passing week. Things are slowly yet surely are gravitating to something a little more — dare I say — normal?
“Avatar” has reclaimed the title of the highest-grossing movie ever worldwide, taking the crown back from “Avengers: Endgame” on Saturday after a re-release in China that earned the James Cameron film an estimated $8.9M since Friday. This both closes and surpasses the $7.82M global box office lead held by the Marvel film prior to the re-release.
Patrick Frater Asia Bureau ChiefA notable launch for “Minari” lifted the South Korea box office to its second highest weekend of 2021. The Korean-language American-made drama performed 80% higher than the weekend’s other significant new release Disney’s “Raya and the Last Dragon.”Opening in first place, “Minari” clocked up $1.68 million over the weekend, according to data from the Korean Film Council’s KOBIS box office tracking service.
After winning a Golden Globe, numerous critics circle accolades as well as SAG Award, Independent Spirit Award and Critics Choice nominations, Minari has taken its success overseas as the A24 American family drama has opened at number one in South Korea.
Refresh for latest…: Disney’s Raya And The Last Dragon didn’t exactly come roaring out of the gate at the international box office with $17.6M from 32 markets. The global bow, including domestic’s launch, was $26.2M. Double-digit million-dollar debuts for Hollywood movies in the pandemic era are still a rare positive — and we’ve certainly seen family movies excel — but while not all openings are apples-to-apples, Raya’s start is being seen as a somewhat muted affair.
Imax posted lower revenues during its fourth quarter, compared to pre-pandemic 2019, but an Asian box office resurgence helped the giant screen exhibitor offset a continuing hit to its North American theaters from the COVID-19 crisis. On Thursday, Imax reported a loss attributable to shareholders at $21.2 million, compared to a year-earlier profit of $18.2 million, and the adjusted loss per share was 21 cents, compared with a 35 cents-per-share profit in 2019.
Imax sales slumped last quarter but beat Wall Street estimates and it swung to a loss. The stock popped in late trading as the company highlighted a strong box office in China and Japan, upbeat outlook and continued sales of its big-screen systems despite the pandemic.
EXCLUSIVE: Lion’s Heart (Corazón de León), which is one of the most successful Argentinian movies of all time with more than two million cinema tickets sold, will be getting the Italian remake treatment after the Fremantle-owned Wildside landed rights.
Tom & Jerry made a number of friends at the weekend box office with a North American debut of $13.7 million from 2,475 theaters and a global total of $38.8 million through Sunday. Domestically, the feature film about the iconic alley cat and pesky mouse who are frenemies scored the second-best three-day launch of the pandemic behind fellow Warner Bros.
Patrick Frater Asia Bureau ChiefJapanese hit animation “Demon Slayer The Movie: Mugen Train” enjoyed a 32% surge to move to the top of the Korean box office. It grossed $745,000 over the weekend to expand its cumulative total to $7.74 million in just over four weeks of release.“Demon Slayer” had not previously topped the Korean chart.
A not-so-distant recovery for movie theatres could be glimpsed Sunday, as Warner Bros.′ live-action-animation hybrid “Tom & Jerry” debuted with $17.4 million ($13.7M USD) in ticket sales, the best domestic opening of the year.
NEW YORK -- A not-so-distant recovery for movie theaters could be glimpsed Sunday, as Warner Bros.' live-action-animation hybrid “Tom & Jerry” debuted with $13.7 million in ticket sales, the best domestic opening of the year.The better-than-expected opening came despite just 42% of U.S. theaters being open, according to data firm Comscore.
Refresh for latest…: Warner Bros’ hybrid live-action/animated feature Tom & Jerry began offshore rollout in mid-February, and this session became the first studio title to hit China in the wake of the Lunar New Year, as well as adding a host of other new markets. The Hanna-Barbera rascals scampered off with a further $19.4M from 33 markets at the international box office in the session, which made for a global $33.1M weekend including domestic‘s strong start.