'My dad is a big fan': John Boyega's dad wears t-shirts with his face on

The Woman King” star Thuso Mbedu isn’t ruling out a potential sequel for the Sony film, which premiered on Sept. 16. Though Mbedu said director Gina Prince-Bythewood has made it known she doesn’t “believe” in sequels, her co-star John Boyega had an idea that may be too good to pass up. “I texted Gina the other day about it,” Mbedu told Variety at the Tribeca Chanel Women’s Filmmaker Program cocktail celebration on Thursday night, for which she was serving as a juror. “Gina said she doesn’t believe in sequels, but John had a nice idea for the sequel… I told it to Gina and she was like, ‘Ah, actually that could work,’ and then started bouncing ideas and I’m like, ‘Gina, go to sleep!’ And she was like, ‘No my mind is ticking already.’ So, we don’t know. Only Sony will tell us.”

Clayton Davis As the filmmaking team for “The Woman King” travels to Brazil to promote the historical epic, Viola Davis and her husband and producing partner Julius Tennon are celebrating the success of the film’s no. 1 debut at the box office, grossing $19 million domestically. The film had its world premiere at the Toronto Film Festival on Sept. 10, followed by opening in theaters one week later. It’s one of the rare films where critics and general audiences given it a similarly positive reception, with a 95% critics score and 99% audience score on Rotten Tomatoes. It even pulled off an “A+” Cinema Score. Davis emphasizes that the story of “The Woman King” can connect to all audiences, not only Black women.

Rebecca Rubin Film and Media Reporter It’s been proven time and time again that Academy Award attention has little to do with box office glory. Just look at recent winners like “Moonlight,” “The Hurt Locker,” or “CODA,” the first streaming movie to land the Oscar’s top prize, all of which were more beloved than seen, at least by the general public. But during a year in which several commercial movies, including “Top Gun: Maverick” ($1.44 billion globally and counting), “Elvis” ($284 million globally) “Black Panther: Wakanda Forever” (scheduled for Nov. 11) and “Avatar: The Way of Water” (scheduled for Dec. 16), look to find themselves in the awards race, film industry analysts believe the box office may play a part in keeping movies from major studios in the conversation.

Rebecca Rubin Film and Media Reporter “The Woman King,” a historical action epic starring Viola Davis, ruled over domestic box office charts in its opening weekend. Bolstered by stellar reviews and positive word-of-mouth, the movie collected $19 million from 3,765 North American cinemas over the weekend, arriving at the higher end of expectations. Independent tracking services projected “The Woman King” would kick off with $15 million to $18 million, while Sony estimated a debut closer to $12 million. Sony is lucky the film exceeded its ultra-conservative forecasts. “The Woman King” cost $50 million to produce, not including the tens of millions in marketing expenses, including a stop at the Toronto International Film Festival.

according to IMDB’s Box Office Mojo.Produced by and starring Viola Davis, The Washington Post called the film the actress’ “ultimate flex.” The drama, which cost $50 million to make, is projected to take in anywhere from $13.5 million to $22.5 million during its domestic debut, according to Forbes.Clubbing its way to second place was “Barbarian” which earned over $1.96 million. The horror-thriller, which Vogue said is one of “the best reasons to go to the movies right now,” tells the story of a young woman, played by Georgina Campbell, who discovers the remote home she booked on Airbnb was double-booked by a man, portrayed by Bill Skarsgård.

That opening weekend would be just a tad higher than the $17.2 million opening for fellow Sony release “Where the Crawdads Sing,” which legged out to an $86 million domestic run thanks to strong word-of-mouth from female audiences. For “The Woman King,” Sony is hoping for a similar long box office run during this sluggish box office period as audience buzz builds.So far, it looks like Sony’s hopes will be fulfilled.

J. Kim Murphy “The Woman King” has found its throne at the box office. The Sony release is drumming up a projected $18 million opening from 3,765 locations, in line with most analysts’ estimates heading into the weekend. The epic also benefited from landing some premium format auditoriums, such as Imax, lending an additional boost to revenue. Though that doesn’t necessarily qualify as a grand opening, it’s a solid start for the action film, which carries a $50 million production budget and has no ties to existing franchises. What’s more, it’s more than enough for “The Woman King” to top box office charts on a slow weekend with few rival releases.

Saturday AM Update: TriStar/eOne’s The Woman King is coming in higher than expected with a $18M opening boosted by lively word of mouth with an A+ CinemaScore and a massive 95% positive on Comscore/Screen Engine’s PostTrak. Friday, including $1.7M previews, came in at $6.8M.

“The Woman King,” the historical action epic starring Viola Davis, took in $1.7 million at the box office from its Thursday night preview screenings, which opened at 3 p.m. on 3,271 screens. The Sony and eOne film will launch at 3,765 locations this weekend.In its opening weekend, the studio projects “The Woman King” to earn $12 million against a $50 million budget.

Jordan Moreau Sony’s “The Woman King,” starring Viola Davis, has earned $1.7 million at the domestic box office, as theatergoers slowly embrace one of the first major studio releases in a few weeks. The historical epic is aiming for a $15 million opening this weekend, where it doesn’t face much competition from rival releases. Other projections see a launch as high as $18 million to $20 million, or as low as $12 million. “The Woman King” comes with a $50 million price tag, so results on the lower end would be less than royal for Sony. Directed by Gina Prince-Bythewood (“The Old Guard,” “Love & Basketball”), the movie premiered at the Toronto International Film Festival last week, where it had a warm reception from attendees. Set in the 1820s, the film stars Davis as a powerful general of the Agojie, an all-female military regiment that protected the West African kingdom of Dahomey. The cast includes John Boyega, Lashana Lynch, Thuso Mbedu and Sheila Atim.

John Boyega lost friends after he made an emotional speech backing the Black Lives Matter campaign two years ago. The actor, a proud and vocal activist on issues affecting Black people and communities, spoke during a 2020 protest in London's Hyde Park after the murder of George Floyd at the hands of police officers in America. During his rallying cry, he implored listeners to remember those who had died from police brutality, urged Black men to take care of Black women and even commented, "Look, I don't know if I'm going to have a career after this, but f**k that.

Rebecca Rubin Film and Media Reporter Fresh off its enthusiastic world premiere at the Toronto Film Festival, the Viola Davis-led historical epic “The Woman King” will touch down in 3,700 North American movie theaters over the weekend. The domestic box office desperately needs a boost, but will U.S. audiences be as receptive as festival-goers in Canada? Touted as the real-life “Black Panther,” Sony’s “The Woman King” is aiming to collect at least $15 million in its domestic debut. Independent box office observers are optimistic that opening weekend returns could reach $17 million to $20 million. Yet Sony, who co-financed the movie with eOne, is projecting $12 million, in line with 2018’s “Widows,” which also starred Davis. Replicating those ticket sales, even with tempered pandemic-expectations, would be tepid-at-best since “The Woman King” carries a $50 million price tag.

Deadline’s studio at the 2022 edition of the Toronto Film Festival continued with Day 2 by hosting fest-goers such as Viola Davis and John Boyega from The Woman King; Sterling K. Brown from Biosphere; Lily James from What’s Love Got To Do With It? and Eddie Redmayne from The Good Nurse. Click on the photo above to launch the gallery.

According to Viola Davis,  is more than a film about warriors — it's a movie about possibilities. The 56-year-old star and producer of the upcoming historical epic admits that she was initially apprehensive about the physical reality of starring as Agojie general Nanisca but shares that once she began the work, it opened her eyes.«When I started the martial arts [training], I was like, 'I'm 56, I'm a woman, I can't take down this dude, I can't do this, I can't do that.

If you close your eyes and listen to the latest episode of the "Rap Radar" podcast, who do you hear? Is it the voice of 45th President Donald J.Trump or Academy Award-winner Jamie Foxx?  If you're confused, you're likely not alone, as Foxx delivered an eerie impersonation of Trump, using catchphrases like "fake news" to bolster his riff. On the podcast to promote his Netflix film, "Day Shift" with Snoop Dogg, Foxx is seen getting into character, gesticulating in a manner that is reminiscent of Trump, and exclaiming, "excuse me," every time someone interrupted him.  Snoop Dogg, who is seated next to Foxx, is seen breaking out in laughter alongside the podcast hosts, Elliott Wilson and Brian ‘B.Dot’ Miller. Jamie Foxx, pictured with John Legend in 2019, has also done an excellent impersonation of the EGOT winner.

Close your eyes and you can almost imagine the visual of former President Donald Trump praising Death Row Records. That’s how good Jamie Foxx’s imitation of Trump is in a clip that’s virally circulating.

Jamie Foxx is proving once again he’s the king of impersonations.

The actor who played "Finn" in Disney's "Star Wars" sequel trilogy, John Boyega, says he's ready to move on from the franchise.  Currently, Boyega is set to star in the upcoming films "The Woman King" and "Breaking."  "At this point I’m cool off it. I’m good off it," Boyega said on the SiriusXM show "Tell Me Everything With John Fugelsang."  "I think Finn is at a good confirmation point where you can just enjoy him in other things, the games, the animation. But I feel like ‘[Episode] VII’ to ‘[Episode] IX’ was good for me," he added.