‘Mountains’ Review: Touching Story Of Haitian Family In Miami Is Impressive Directorial Debut For Monica Sorelle – Toronto Film Festival

Chloe Madeley has opened up and revealed she had the “biggest row ever” with her husband James Haskell over X-rated photographs of other women.The argument is shown in Chloe’s reality series, Chloe Madeley: A Family Affair, when her husband was away in Ibiza and shared photos on his social media of “other girls' a***s”.The former England rugby player, 38, has now forged a new career as a DJ and spends most weekends during the summer months in Ibiza. While Chloe accepted that he would be surrounded by women, she didn’t want to see it posted all over his social media.

Fans of American Horror Story were taken aback by one of the guest stars on the show, none other than Kim Kardashian herself. Despite initial scepticism about her acting abilities, viewers were surprised by her performance, considering it much better than expected.

Nick Vivarelli International Correspondent Italy’s Fandango Sales has taken international distribution rights to quirky comedy “Volare” about the fear of flying that marks the directorial debut of actor Margherita Buy. Buy is known internationally for frequent roles in Nanni Moretti movies, most recently in “A Brighter Tomorrow” that launched from Cannes. Her smart concept movie is being lead-produced by Simone Gattoni for Kavac Film, the company founded by veteran auteur Marco Bellocchio.

David Beckham is wearing his heart on his finger.

Naman Ramachandran Toronto Film Festival gala presentation “Thank You for Coming” is that rarity – a Bollywood sex comedy that also serves as a patriarch-bashing women empowerment tale. Bhumi Pednekar stars as Kanika Kapoor, a Delhi food blogger and serial monogamist, who has spent her adult life seeking a satisfying love match, both emotionally and physically, but has never had an orgasm.

There’s a misconception that the British are a stoic people who just might get quite cross in the event of a zombie apocalypse. But the truth is rather different, as was shown in 2005, when six people were hospitalized and a man stabbed when an Ikea store in North London put 500 leather sofas on sale for less than 60 bucks each and a riot ensued.

Scooter Braun needed some good press. So, on August 29, the Daily Mail came through, publishing an article with the headline: “Scooter Braun’s label teams up with billionaire David Geffen’s former record company to create ULTIMATE ‘global girl group’; talent search docuseries for Netflix.” The only problem? Braun has nothing to do with the series.

Day Of The Fight, the directorial debut of actor Jack Huston, has been set as the opening film of the 31st edition of the Raindance Film Festival, running October 25 — November 4.

The passing pleasures of watching the fine young actors Jessie Buckley, Riz Ahmed and Jeremy Allen White can’t make up for the increasing distaste that develops from contact with Fingernails, an irritating and, finally, ridiculous examination of relationship matchmaking carried far too far. Greek director Christos Nikou won unanimous critical plaudits for his compellingly eerie debut feature Apples, which dealt with amnesia patients, and here again he appears drawn to troubled and mysterious states of mind that develop in the quest for love, commitment and some sense of security in modern life. The film debuted at the Telluride Film Festival and screened at the Toronto Film Festival.

The Burial is a not-so-great title; it sounds like a horror film. I hope it doesn’t keep people away from this highly entertaining, crowd-pleasing movie that otherwise is an example of what good old fashioned Hollywood filmmaking can still be all about in the right hands. It feels bigger than life, but it is based on some pretty big lives indeed.

Making a grand entrance into the world of directing, Billy Bryk and Finn Wolfhard present their feature debut, Hell of a Summer. With the vibes reminiscent of Friday the 13th and Sleep Away Camp, this film delivers nostalgia that captures the essence of the golden age of horror slasher cinema. Each character checks off the 1980s horror trope boxes, ensuring that every campy moment feels both authentic and delightfully over the top. Bryk and Wolfhard also star.

Fall film festivals are usually where we look for the more serious awards bait pictures, but occasionally as with tonight’s rousing World Premiere of Taikia Waititi’s long-gestating American Somoan soccer comedy, Next Goal Wins, you get a real commercial crowd pleaser.

Take a bit of Kafka, throw in some Buñuelian realism, add a dose of John Cheever (circa The Swimmer) and then hand the recipe over to a first-time feature-making Swedish director with fond memories of a childhood spent in IKEA furniture stores, then put together an A-List cast, and you essentially have Mother, Couch.

Writer/Director Azazel Jacobs has made a couple of indie pictures I really loved. French Exit gave Michelle Pfeiffer one of her meatiest roles in years and she ran with it in a delicious Paris-set tale. He also provided Debra Winger and Tracy Letts with terrific roles in the sophisticated The Lovers. And now Jacobs shows once again he knows how to attract top actors with well-written characters in the intimate drama, His Three Daughters which stars Carrie Coon, Elizabeth Olsen, and Natasha Lyonne as a trio of sisters gathering in the New York City apartment where their father (Jay O. Sanders) is down the hall (unseen for most of the film) and near death. They have arrived to spend his final days with him, stretched out here to three, but also to renew their own dysfunctional dynamic in what could easily have been made as a play rather than a film, and feels just a bit too stagey for its own good.

Due to the SAG-AFTRA strike, Anna Kendrick couldn’t make it to Friday’s TIFF world premiere of her feature directorial debut, Woman of the Hour.

Had things gone according to plan, Anna Kendrick would be attending the Toronto International Film Festival in support of her directorial debut, “Woman of the Hour”, which is making its world premiere at the film fest.

McKinley Franklin editor Finn Wolfhard and Billy Bryk were tired of the garbled Gen Z stereotypes plastered about modern Hollywood — so, they created their own narrative in “Hell of a Summer.” “Our number one conversation was how annoying it is to see new teen movies and how badly our age group is represented,” says Wolfhard. “And we’re like, ‘Why don’t we just do it?’” And so they did. Premiering at the Toronto International Film Festival Sept.

For her directorial debut Anna Kendrick chose a particularly daunting task in tackling the story of the notorious serial killer, Rodney Alcara. who staged a terrifying murder spree in the 70’s in which he is thought to have killed upwards of 130 people. The center of Kendrick’s movie, Woman Of The Hour, focuses on his appearance in plain sight on a 1978 episode of ABC’s The Dating Game in which he was the bachelor that contestant Cheryl Bradshaw wound up choosing to go on a date with, not knowing that this was a period in the middle of his murderous spree.

The western genre has been so pervasive throughout the entire history of the movies, and it is hard to imagine doing anything in it that hasn’t already been done. Viggo Mortensen, in writing, directing, producing, and co-starring in only his second film behind the camera (after 2020’s Falling) finds a moving, if tragic, love story to play against the stunning landscape of the circa 1860’s west, and somehow it all feels new. John Ford and Howard Hawks would love this movie.

Anna Kendrick’s “Woman of the Hour” begins at a remote photo shoot in Wyoming circa 1977. The model finds herself talking about how she wound up living there, and as she does, she starts to cry.