EXCLUSIVE: Emirati-British filmmaker Ali F. Mostafa has revealed he is developing a new feature spinning off his 2009 breakout debut City Of Life.
18.11.2022 - 19:27 / theplaylist.net
“Broker,” Hirokazu Kore-eda‘s latest film, finally hits US theaters on December 26 after vying for the Palme d’Or at the 2022 Cannes Film Festival. Now, Deadline reports that the Japanese director has his next project lined up: “Monster,” based on a screenplay by TV writer Yuji Sakamoto.
READ MORE: ‘Broker’: Human Trafficking, Murder & More Are Softened By The Warm, Empathetic Touch Of Hirokazu Kore-eda [Cannes] It’s worth noting that “Monster” marks the first time Kore-eda adapts someone else’s screenplay for a film since his feature debut, 1995’s “Maborosi.” He wrote the screenplays for each of his other thirteen movies between then and now. Continue reading ‘Monster’: Hirokazu Kore-eda’s Next Film Set For June 2023 Release, Likely To Have World Premiere At Cannes 2023 at The Playlist.
.EXCLUSIVE: Emirati-British filmmaker Ali F. Mostafa has revealed he is developing a new feature spinning off his 2009 breakout debut City Of Life.
Fremantle and Carnivalesque Films have announced their partnership on Kim’s Video, a new feature documentary unearthing the stranger-than-fiction story of the legendary NYC video rental store Kim’s Video Collection, which will world premiere at the 2023 Sundance Film Festival, as announced earlier today, screening as the opening day film of the NEXT section.
EXCLUSIVE: Warsaw-based New Europe Film Sales has acquired world sales rights for Adura Onashile’s feature debut Girl, starring rising French actress Déborah Lukumuena and big screen debutant Le’Shantey Bonsu.
Some of our favorite filmmakers are working at an insane pace right now. Claire Denis released two films in 2022 (“Both Sides of The Blade,” “Stars At Noon”), Yorgos Lanthimos could probably release two films in 2023 if he wanted (“Poor Things” is definitely coming next year and “And” has already been shot), and Wes Anderson’s moving at a clip too.
Almost 13 years to the day after James Cameron unveiled his 3D sci-fi epic Avatar in London’s Leicester Square, the filmmaker is back in town to present the world premiere of sequel Avatar: The Way of Water.
How great is the Ezra Miller movie The Flash. So good, that Warners is moving it up by a week to June 16, Father’s Day weekend, where Disney has the original Pixar movie Elemental, and Sony has the R-rated Jennifer Lawrence movie No Hard Feelings.
Bong Joon Ho’s Mickey 17 will hit theaters around the globe on March 29, 2024. Warner Bros already had the date staked out for an event film. Also opening that weekend is Sony’s Spider-Man: Beyond the Spider-Verse and an untitled event film from Universal.
We are mere weeks away from the US release of Hirokazu Kore-eda’s newest film, “Broker.” But we won’t have to wait long after that before we see the next project from the acclaimed filmmaker. He’s also the showrunner behind a new Netflix series, “The Makanai: Cooking for the Maiko House.” READ MORE: ‘Broker’: Human Trafficking, Murder & More Are Softened By The Warm, Empathetic Touch Of Hirokazu Kore-eda [Cannes] As seen in the trailer for the series, “The Makanai: Cooking for the Maiko House” tells the story of two young women who are attempting to make it as maikos.
Fresh from its success at the Cannes Film Festival where it won Best Director, Decision to Leave marks the first time a film by Park Chan-wook — long believed to be one of South Korea’s finest contemporary filmmakers — has represented his country at the Oscars. A friendly rivalry with Parasite director Bong Joon-ho, who won in 2019 with the first Korean film ever to be nominated, only heightens the anticipation for its chances.
Netflix has confirmed production of documentary, Yellow Door: Looking For Director Bong’s Unreleased Short Film (working title), delving into the story behind Parasite director Bong Joon Ho’s first short film, which was seen by just ten people.
Hirokazu Kore-eda made a bit of a departure with his last film, 2019’s “The Truth.” The French film was the director’s first film set outside his native Japan and the first not in his native language. Now, in his latest film, “Broker,” Kore-eda returns to Asia, but not quite Japan.
Jane the Virgin will become a proud young Zulu woman in a South African remake of the romantic comedy-drama format.
on Tuesday, that the t pause will be extended to June 30, 2023, from its previous deadline of December 30, 2022. According to the president, the extra six months of temporary relief are intended to give “the Supreme Court time to hear the case [for student debt forgiveness] in its current term.”This content can also be viewed on the site it from.President Biden’s student debt relief plan after it was first announced in August, many of them short-lived and ultimately dismissed.
After two “Thor” movies and taking on Nazi Germany in 2019’s “Jojo Rabbit,” what’s a film project Taika Watiti could do to spice things up? How about a sports movie about undergods that the director deems as “basically the “Cool Runnings” of soccer”? Enter “Next Goal Wins,” Waititi’s new film out next April, about the true story of an American Samoan soccer team who went from one of the worst teams in the world to an elite squad.
Hair goals! Gabrielle Union was a glorious sight at the Strange World premiere in London on Thursday, November 17.
Japanese auteur Hirokazu Kore-Eda looks set for a return to the international festival circuit in 2023 following the announcement that he has been quietly working on a new film titled Monster, which is now in post-production.
“I’ve been to the other side!,” testified Tonight host Jimmy Fallon in mock-revivalist-preacher mode on last night’s show. “I’ve seen the Pearly Gates! I’ve paid $8 for that blue check mark in the sky but I want you all to know I wouldn’t leave this earth until my job is done and tonight my job is to entertain you!”