‘Migration’ Continues Soaring at U.K., Ireland Box Office as ‘The Iron Claw’ Makes Strong Debut

Rebecca Rubin Film and Media Reporter “Dune: Part Two” is riding those massive sandworms all the way to the top of box office charts. Director Denis Villeneuve‘s big-budget sequel has collected $81.5 million in its domestic debut and delivered a mighty, necessary jolt for struggling movie theaters. It’s the biggest opening weekend of the year and the largest since last October’s Taylor Swift concert film “The Eras Tour” ($93 million).

Rebecca Rubin Film and Media Reporter “Dune: Part Two” is turbocharging the international box office. Director Denis Villeneuve’s otherworldly sequel has generated $97 million from 71 overseas markets, bringing its global tally to a promising $178.5 million. Those worldwide revenues include $81.5 million from North American theaters, where it landed the biggest domestic opening weekend of the year.

Jordan Moreau It’s finally time to return to Arrakis. Denis Villeneuve‘s “Dune: Part Two” has arrived, making a mighty $12 million in previews at the box office from more than 3,400 theaters. Big-screen Imax showings made up $4.5 million of that huge haul.

Nick Cave has shared a cover of Édith Piaf’s ‘La Vie En Rose’ from Jack Antonoff‘s soundtrack to The New Look – listen below.The Bad Seeds frontman’s heartfelt rendition of the song was produced by Antonoff for the new Todd A. Kessler-created historical drama, which premiered on Apple TV+ on February 14.Released as a single in 1947, the original version of ‘La Vie En Rose’ is the signature track of French singer Piaf.

Rebecca Rubin Film and Media Reporter Ticket sales at the box office this weekend will be flowing as freely as spice on the desert planet of Arrakis. Director Denis Villeneuve‘s big-budget sequel “Dune: Part Two,” where “spice” is an all-powerful commodity, is targeting $70 million to $80 million in its opening weekend. Warner Bros., the studio behind the sci-fi epic, is conservatively projecting a $65 million start, though most box office prognosticators believe that revenues could near the $90 million mark.

Imax saw sales dip in the fourth quarter to $86 million from $98 million, in line with Wall Street forecasts, as the company focused on the full year and its accelerated global expansion. The stock in up in after-market trading.

We’ve been waiting for this one for quite some time.

Naman Ramachandran Paramount’s “Bob Marley: One Love” topped the U.K. and Ireland box office for the second consecutive weekend with £2.3 million ($3 million), according to numbers from Comscore. The biopic now has a total of £11.3 million after its second weekend on release.

“Bob Marley: One Love” continues to exceed expectations by claiming the No. 1 spot at the box office, overcoming two debut films and Sony’s “Madame Web” that’s still producing subpar numbers.The Paramount film starring Kingsley Ben-Adir pulled in $13.5 million during its second week of release.The project, which was produced for about $70 million, already eclipsed that mark, grossing nearly $72 million domestically in North America.It’s an impressive achievement for the Reinaldo Marcus Green-directed Marley’s musical biopic that’s focused on the Rastafarian legend’s story during the making of his 1977 album “Exodus” while leading up to his impactful concert in his native Jamaica.“Some of his greatest hits came out nearly 50 years ago, but his music still resonates through this film,” said Paul Dergarabedian, senior media analyst for data firm Comscore.“One Love” drew nearly $2 million more than “Demon Slayer: Kimetsu No Yaiba – To the Hashira Training” which placed No.

Patrick Frater Asia Bureau Chief Occult drama-thriller “Exhuma,” dominated the South Korea box office in its opening weekend with a scarily good debut approaching $17 million. The film, about two shaman, a feng shui master and a mortician who attempt to undo the mysterious events happening to a U.S.-based Korean family, grabbed $14.5 million between Friday and Sunday, representing a 77% share of the overall box office market. Including the earnings since its Wednesday debut, the film earned $16.8 million in its full opening session, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

according to IMDB’s Box Office Mojo.The action flick, based on a manga series, opened in theaters on Feb. 2.It managed to beat out “Bob Marley: One Love,” which moved down to second place this week with sales of $3.7 million.The biopic, based on the life of the famous Reggae singer-songwriter, has taken in over $100 million globally since its Valentine’s Day release.“Ordinary Angels,” starring Hilary Swank, landed in third with a $2.3 million-dollar take.The film, which Variety said “tugs at the heartstrings,” is based on a true story of a Kentucky hairdresser who helped a widower whose daughter needed a liver transplant during a blizzard.The suspense thriller “Madame Web,” which was in second place last week, fell to fourth, taking in $1.575 million.

Rebecca Rubin Film and Media Reporter Despite two new releases, Paramount’s Bob Marley biographical drama “One Love” is projected to top the box office again. This weekend’s newcomers, Hilary Swank’s inspirational drama “Ordinary Angels” and director Ethan Coen’s comedic thriller “Drive-Away Dolls,” are targeting single digits in their debuts. With those paltry ticket sales, “Bob Marley: One Love” looks to repeat No.

Naman Ramachandran Paramount’s “Bob Marley: One Love” debuted atop the U.K. and Ireland box office with £6.9 million ($8.7 million), according to numbers from Comscore. Universal’s animation “Migration” dropped a spot to second place with £2.7 million in its third weekend and now has a total of £13.5 million.

Refresh for latest…: Paramount’s Bob Marley: One Love brought folks together around the world in its opening frame, singing up a sweet estimated $80M global bow. After coming on strong in early overseas play this week, and as audiences turned a deaf ear to critics, the international box office portion of that is $29M, landing well ahead of expectations.

Apple TV+ series traces the modern French fashion world through the eyes of acclaimed haute couture designers Christian Dior (Ben Mendelsohn) and Coco Chanel (Juliette Binoche) amid Nazi-occupied Paris and how each of them, and their compatriots, dealt with that adversity with different shadings of complicity.Created by Todd Kessler (“Bloodline”), “The New Look” co-stars John Malkovich as Lucien Lelong, Dior’s first boss; Maisie Williams as Dior’s French-resistance fighter sister, Catherine; Claes Bang as Nazi operator Spatz, with whom Chanel consorts; Emily Mortimer as Chanel’s sketchy friend Elsa Lombardi; and Glenn Close as powerful Harper’s Bazaar Editor-in-Chief Carmel Snow. Mendelsohn, Binoche and Malkovich spoke to The Post about their characters’ motivations.When we first meet Dior, he’s happy working for Lelong and somewhat ambiguous about the Nazis, designing ball gowns for officers’ wives but refusing to meet with any of them in person. But when Catherine is taken prisoner by the Nazis — and sent to Ravensbrück, a deadly work camp — Dior’s attitude toward the war changes.Mendelsohn: “[Getting Catherine back] becomes his absolute raison d’etre from that point on.

When movies come out, we grade them with reviews, define them by box office returns or eyeballs on streaming services, and maybe trophies down the line. But every successful, ambitious film starts with a dream, followed by compromise and adversity. Here begins Deadline’s occasional peek into the creative aspirations, and the sweat and blood that propels ambitious films.

Paramount’s Bob Marley: One Love had offshore audiences getting together and feeling more than alright in Wednesday international box office play. Beginning overseas release yesterday, the Reinaldo Marcus Green-directed biopic grossed $4.9M across 10 markets, several of them giving the story of the reggae icon No. 1 status and the biggest or second-biggest launch day ever for a music biopic — in Jamaica, it scored the biggest opening day of all time. 

Leo Barraclough International Features Editor Beta Cinema has sold political thriller “Hammarskjöld — Fight for Peace,” which is a box office hit in its home territory Sweden, to multiple key territories. Sales include Italy (Rai Cinema), France (Swift Prods.), Spain (Twelve Oaks), Portugal (Outsider Films) and former Yugoslavia (Discovery). A U.S.

Pat Saperstein Deputy Editor In the months since it has premiered at Cannes, “The Taste of Things,” a lushly romantic love letter to French cooking, has quickly been anointed one of the best food-focused movies ever made. The film, now playing in selected theaters, revolves around the romance between Juliette Binoche‘s Eugénie and wealthy gourmet Dodin Bouffant, played by Binoche’s former real-life partner Benoît Magimel.

Following months of rumors that Lisa Manobal of BLACKPINK fame was set to make her acting debut, it was revealed on Monday that she’s joining the cast of HBO‘s The White Lotus for Season 3, the studio confirms. The series will begin production in and around Koh Samui, Phuket, and Bangkok in February and will follow a new group of guests at another White Lotus property.