Natalia Bryant stunned while making her runway debut during Milan Fashion Week.
06.09.2023 - 15:11 / variety.com
Guy Lodge Film Critic Though it’s become a convenient catch-all term for journalists covering the subject, the phrase “European migrant crisis” can’t help but leave a sour taste in the mouth — implying as it does that Europe, the destination for so many hard-up voyagers from variously ailing or hostile countries, is the disadvantaged party in all this. That bias carries through to the bulk of well-intended films on the matter, which tend to pick up migrants’ stories, however sympathetically, on European turf.
Breaking from such Italian titles as Jonas Carpignano’s “Mediterranea,” Emmanuele Crialese’s “Terraferma” and Gianfranco Rosi’s “Fire at Sea,” Matteo Garrone’s stirring “Me Captain” instead takes Europe not as its setting but as a near-mythic objective, tracing one Senegalese teen’s vast journey from Dakar to Tripoli to overloaded migrant boat in gripping, sometimes agonizing detail. For Garrone, this proves an energizing shift in focus, yielding his most robust, purely satisfying filmmaking since his international breakthrough with “Gomorrah” 15 years ago.
Shorn of the splashy formal trickery that has marked such outings as his media satire “Reality” and the adult folklore of “Tale of Tales,” “Me Captain” is surprisingly classical in construction and style, wisely guiding our attention away from its sure directorial touch and toward the story at hand — pieced together by a small army of screenwriters and collaborating contributors from first-hand migrant accounts. Some will reasonably wonder if a predominantly Italian creative team is best qualified to portray this odyssey.
Natalia Bryant stunned while making her runway debut during Milan Fashion Week.
Sequels, and sequels of sequels, have trouble differentiating themselves from their brethren from time to time. But Expendables 4 (or Expend4bles, as this fourth and final entry in the mercenary-based action series has been marketed), indisputably takes the cake for recycling previously used material in a not exactly fresh context. At least the final third — and maybe more — of this jokey, fight-filled and increasingly effects-driven last hurrah is nearly a twin brother to the climactic stretch of last year’s waterlogged Jason Statham extravaganza Meg 2: The Trench, wherein the rugged Brit takes on — and once again prevails over — a sea monster that makes Moby Dick look like a backyard swimming pool pet. It really is a shameless “borrowing” that’s impossible to ignore if you’ve seen Meg 2, as the tireless former male model with perfectly maintained facial stubble once again earns his status as master of the seven seas.
K.J. Yossman Emma Thompson rallied for creatives on Thursday, saying she finds the word “content” offensive. “I think the relationship between the executives and the creative branch just has to be much, much closer,” she said during an in-conversation with CAA boss Bryan Lourd at the Royal Television Society conference in Cambridge on Thursday afternoon.
Italy has submitted Matteo Garrone’s Io Capitano as its candidate for Best International Film at the 96th Academy Awards.
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James Barker, Taylor Abram, Connor Stephen and Bobby Martin of the James Barker Band packed their bags and landed in Hamilton, Ontario, for country music’s biggest night in Canada: the 2023 CCMAs.
School Of Rock, saying it “didn’t feel like a hit” when he first approached the project.Starring Jack Black as a struggling guitarist who poses as a substitute teacher, the comedy film grossed over $130million worldwide on a $35million budget when it released in 2003. It’s since spawned a stage adaptation and a TV spin-off on Nickelodeon.Speaking to NME about the film, which celebrates its 20th anniversary this year, director Linklater said: “I loved working on that movie and I loved Jack, and the whole process.
Vin Diesel is remembering his good friend and ‘Fast & Furious‘ co-star Paul Walker on what would have been his 50th birthday, with a very emotional tribute, honoring his life and legacy. The Hollywood star, who walked Paul’s daughter down the aisle for her wedding, wrote a message, detailing his friendship with the late actor and remembering his 40th birthday celebration 10 years ago.“A decade… ten long years… and yet it feels like yesterday when we were singing happy birthday to you for the big 40!” Diesel wrote, sharing a sweet photo with the actor at his birthday party.
Ellise Shafer Chappell Roan’s debut album, “The Rise and Fall of a Midwest Princess,” has been almost a decade in the making. Roan’s career had a fairy-tale beginning: After posting covers on YouTube, she was signed to Atlantic Records at just 17, which took her from small-town Missouri to Hollywood. She released an EP in 2017, “School Nights,” but in 2020, Roan was dropped by the label.
Gemma Atkinson has addressed a tragic loss she suffered when she was just a teen following the second episode of her reality show. The Hits Radio host was back on the small screen this week alongside her Strictly Come Dancing star fiance Gorka Marquez.
“I don’t know that much in particular about this dispute, but it feels like this is a moment,” said Warner Bros. Discovery CEO David Zaslav about the current showdown between big cable provider Charter and the Disney.
Even if the critical reactions have been mixed, Italian films have proven much stronger than usual at this year’s Venice Film Festival, with a notable resurgence of genre filmmaking in the likes of Adagio and Enea. Ironically, Matteo Garrone, the one local director in the selection whose actual stock in trade is genre of all stripes — gangster realism (Gomorrah, Dogman), satirical comedy (Reality), and baroque fantasy (Tale of Tales) — arrived this year with a blisteringly topical drama that might be his most traditional, and best, yet.
Nick Vivarelli International Correspondent Italian filmmaker Matteo Garrone, who is a two-time Cannes jury prizewinner, with “Gomorrah” in 2008 and “Reality” in 2012, is in competition at the Venice Film Festival for the first time with his immigration-themed drama “Io Capitano.” Shot in Senegal, Italy and Morocco with a cast of largely non-professional actors, “Io Capitano” narrates the Homeric journey of two young African men, Seydou and Moussa, who decide to leave Dakar to reach Europe. Garrone’s own company, Archimede, produced with RAI Cinema and Belgium’s Tarantula Film as a co-producer. The drama is backed by Pathé, which is handling world sales through Pathé International.
Guy Lodge Film Critic About 20 minutes pass in “Enea” before someone asks the young, handsome, splendidly attired title character what he does for a living, during which time audiences are likely to be wondering the same thing. This, to be fair, is not a negligent omission in writer-director-star Pietro Castellitto’s script, which tells us early on that Enea, the elder son of a wealthy Roman family, ostensibly manages a high-end sushi restaurant, atop an assortment of more underhand dealings.
You didn’t expect French filmmaker Bertrand Bonello to make a conventional sci-fi, did you? Good, because “The Beast” is far from it. It all starts in 2044 with beautiful actress Gabrielle (Léa Seydoux) in desperate need of a job.
As we near the end of the school holidays, most families have no doubt enjoyed a few days out over the long break.
Peter Debruge Chief Film Critic We’ve all seen our share of stories about inspirational teachers. “The Holdovers” is dedicated to the opposite sort: a hard-ass named Paul Hunham whom everyone hates. The feeling is mutual, as Mr.
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