Martin Scorsese Says Studio Requested Different Ending For ‘The Departed’

In the lead-up to its theatrical release, Martin Scorsese spoke candidly about how he re-wrote “Killers Of The Flower Moon” with Eric Roth to focus more on the Indigenous perspective of the events the film depicts. “After a certain point, I realized I was making a movie about all the white guys,” Scorsese explained to Time Magazine last month.

One of the biggest movie events of the year is almost here: Martin Scorsese‘s “Killers Of The Flower Moon” hits theaters this Friday. And to keep the hype machine humming and turning, Apple Original Films has a final trailer for Scorsese’s film, with all-new scenes not seen in previous previews.

Martin Scorsese was two years into writing the script for Killers Of The Flower Moon when Leonardo DiCaprio requested an overhaul, the filmmaker has revealed.Speaking to The Irish Times, Scorsese revealed that he had been working on the upcoming true crime film’s script for two years when Leonardo DiCaprio read it and asked for it to be reworked.Killers Of The Flower Moon is based on a series of murders in the Osage tribe in 1920s Oklahoma and stars Leonardo DiCaprio, Robert De Niro, Jesse Plemons, Lily Gladstone and Brendan Fraser.While the film is now being told from the perspective of the Osage tribe, that wasn’t always the case. According to Scorsese, the film’s original script was told “from the point of view of the bureau agents coming in to investigate”, which prompted DiCaprio’s issue with the script.Scorsese explained: “Leo came to me and asked, ‘Where is the heart of this story?’ I had had meetings and dinners with the Osage, and I thought, Well, there’s the story.

Zack Sharf Digital News Director Martin Scorsese and Leonardo DiCaprio have been quite open in interviews when discussing the massive “Killers of the Flower Moon” script overhaul that took place during the film’s development. In a new interview with The Irish Times, the director revealed that he and co-writer Eric Roth had been working on the “Flower Moon” script for two whole years when DiCaprio took issue with the approach.

Martin Scorsese has said the simultaneous release of Barbie and Oppenheimer was a “wonderful” thing for cinema.The director discussed the “Barbenheimer” phenomena during an interview with the Hindustan Times, saying that it offered “hope” for a different kind of film landscape.“I do think that combination of Oppenheimer and Barbie was something special,” Scorsese said. “It seemed to be, I hate that word, but the perfect storm.

Martin Scorsese is weighing in on the release of Barbie and Oppenheimer which he says was the “perfect storm.”

Martin Scorsese put his awareness of Gen Z slang to the test in a hilarious new TikTok with his daughter Francesca.

Zack Sharf Digital News Director Martin Scorsese has not seen Greta Gerwig’s “Barbie” or Christopher Nolan’s “Oppenheimer,” but that didn’t stop him from celebrating the “Barbenheimer” phenomenon during a recent interview with the Hindustan Times. Scorsese himself has ties to “Barbie,” as it stars and was produced by his “Wolf of Wall Street” breakout Margot Robbie and shot by his longtime cinematographer Rodrigo Prieto. The latter filmed “Barbie” after wrapping up work on Scorsese’s own “Killers of the Flower Moon.” “I do think that the combination of ‘Oppenheimer’ and ‘Barbie’ was something special,” Scorsese said.

Steven Gaydos Executive VP of Content By the time Martin Scorsese‘s music documentary “The Last Waltz” premiered in 1978, the legendary Americana music progenitors the Band, whom the film explores, had gone from “Cahoots” to kaput for two years. The 1976 farewell concert at the center of the film was already a piece of rock and roll history by the time the film debuted.

“We’re very proud of this movie,” Julie O’Keefe, Osage clothing consultant on Killers of the Flower Moon, said of the response to Martin Scorsese’s latest feature from the Native American community.

Martin Scorsese has become TikTok famous thanks to his daughter — and his latest outing on the social media network features him getting to grips with internet slang.

With just fifteen days to go before it hits theaters, Apple Original Films wants to drum up as much hype as possible for “Killers Of The Flower Moon.” As if the film doesn’t have enough hype already: Martin Scorsese‘s first film since 2019’s “The Irishman” won unanimous praise from critics at its world premiere at Cannes in May. And the film sees the director work with two long-time collaborators: Leonardo DiCaprio and Robert DeNiro.

As much as “Taxi Driver” is an incredible acheivement and one of the greatest American films in history, it’s also just as influential as a piece of pop culture. The name Travis Bickle is used by people who probably haven’t even seen “Taxi Driver” but can point out someone who embodies that character and archetype.

“Gangs of New York.”“I realized that I couldn’t work if I had to make films that way ever again,” Scorsese told GQ in a profile published last week.“If that was the only way that I was able to be allowed to make films, then I’d have to stop,” he said. “Because the results weren’t satisfying. It was at times extremely difficult, and I wouldn’t survive it.

Killers Of The Flower Moon at its New York City premiere, said in an interview that the term is unhelpful because it “pigeonholes” people’s work.“The thing about it is, it would be great to see not only blockbusters on a big screen, franchises on a big screen, but also what they consider now ‘indie films’. I don’t like that title,” Scorsese told IndieWire.“I think that categorises, pigeonholes.

Zack Sharf Digital News Director Martin Scorsese revealed in an interview with GQ magazine that Warner Bros. wished to turn his Oscar winner “The Departed” into a franchise, much to his disagreement. The movie stars Leonardo DiCaprio as a Massachusetts State Police officer and Matt Damon as a Boston gang member who go undercover to infiltrate each other’s organizations.

Even though Martin Scorsese’s films end up getting major distribution with large studios, the filmmaker works primarily independently. He is no longer beholden to the traditional Hollywood studio system where executives have a say in the creative aspects of a film.

Any time Martin Scorsese makes a film, it’s a big event, and his crime drama, “Killer Of The Flower Moon,” has been at the top of our Most Anticipated Films of The Year list two years in a row (there was hope that it might arrive in 2022). Starring Leonardo DiCaprio, Robert De Niro, and Lily Gladstone (“Certain Women”), it’s about a series of murders that took place in Omaha’s Osage Nation in the 1920s; essentially, the Osage Native Indians were getting rich off the oil they were legally entitled to, and this made a lot of racist white people incredibly unhappy, to say the least.

How does a filmmaker figure out which villain to use a superhero film? Sometimes, it feels as if the studio mandates that a certain villain is included. But in the creation of the three ‘Dark Knight’ films, filmmaker Christopher Nolan and writer David S.

Martin Scorsese is opening up about a lot of things in a new profile piece for GQ magazine.